Odyssey Opera

Odyssey Opera is pleased for the Harvard-Radcliffe Collegium Musicum (https://odysseyopera.org/artist-page-harvard-radcliffe-collegium-musicum/) under the direction of Dr. Andrew Clark (https://odysseyopera.org/artist-page-andrew-clark/) to join our October excursion for this performance of George Whitefield Chadwick’s verismo-influenced opera, The Padrone.

October 10 • Jordan Hall • from $30
Details and ticketing • https://odysseyopera.org/the-padrone/

Tenor Neal Ferreira returns to to sing Marietta’s friend, Dino, in George Whitefield Chadwick’s verismo-inspired opera, The Padrone. Ferreira performed most recently in Mark Adamo’s Lysistrata, our Gershwin double bill, and Dominick Argento’s The Voyage of Edgar Allan Poe • https://odysseyopera.org/artist-page-neal-ferreira-2/

Oct 10 • Jordan Hall
From $30 • https://odysseyopera.org/the-padrone/

Voyagers will recall bass-baritone Devon Russo from his performance as Secretary Welles in Ulysses Kay’s opera, Frederick Douglass. Russo returns to to sing the Chief Inspector, an immigration official, in George Whitefield Chadwick’s The Padrone • https://odysseyopera.org/artist-page-devon-russo/

Oct 10 • Jordan Hall
From $30 • https://odysseyopera.org/the-padrone/

Soprano Sarah Coburn made her debut last season singing Eleanor of Aquitaine in Carlisle Floyd's monodrama Flower and Hawk. This season she sings the title role in Amy Beach’s concert aria, Jephthah’s Daughter • https://odysseyopera.org/artist-page-sarah-coburn/

Paired with George Chadwick’s opera, The Padrone, these works illuminate the ambition of composers who helped define Boston’s musical identity at the start of the 20th century.

Oct 10 • Jordan Hall
From $30 • https://odysseyopera.org/the-padrone/

Mezzo-soprano Kate Aldrich, who many recall as Joan of Arc in Pyotr Ilyich Tchaikovsky's Орлеанская дева (The Maid of Orléans), sings Francesca, Marietta's elder sister, in George Whitefield Chadwick's opera The Padrone • https://odysseyopera.org/artist-page-kate-aldrich/

October 10 • Jordan Hall
From $30 • https://odysseyopera.org/the-padrone/

Mezzo-soprano Sarah Heltzel makes her company début singing Marietta’s mother, Marta, in George Whitefield Chadwick’s galvanizing opera, The Padrone • https://odysseyopera.org/artist-page-sarah-heltzel/

October 10 • Jordan Hall
From $30 • https://odysseyopera.org/the-padrone/

Making his company début in George Whitefield Chadwick’s 1912 opera, The Padrone, tenor John Viscardi sings Marco, an immigrant who has come to Boston • https://odysseyopera.org/artist-page-john-viscardi/

October 10 • Jordan Hall
From $30 • https://odysseyopera.org/the-padrone/

Baritone Troy Cook makes his company début singing Catani, the titular labor broker in George Whitefield Chadwick’s Boston-set opera, The Padrone • https://odysseyopera.org/artist-page-troy-cook/

October 10. From $30 • https://odysseyopera.org/the-padrone/

Voyagers, soprano Toni Marie Palmertree makes her company début with in George Whitefield Chadwick’s verismo-inspired 1912 opera, The Padrone, singing Marietta, a tambourine girl • https://odysseyopera.org/artist-page-toni-marie-palmertree/

October 10. From $30 • https://odysseyopera.org/the-padrone/

Three weeks from today, presents George Whitefield Chadwick’s The Padrone. This verismo-inspired , performed with Amy Beach’s Jephthah’s Daughter and Edward MacDowell’s Lamia, illustrate the ambition of composers who helped to define Boston’s musical identity at the beginning of the 20th century.

Details & tickets / https://odysseyopera.org/the-padrone