UP Cebu Design Program

UP Cebu Design Program

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The official page of UP Cebuโ€™s Design Program. Advancing design education, research, and practice โ†’ take it f u r t h e r

Photos from Matix UP Cebu's post 27/09/2026
Photos from UP Cebu College of Communication, Art, and Design - CCAD's post 27/09/2026
20/09/2026

NO FACE-TO-FACE CLASSES (SEPTEMBER 21)

Following the Cebu City LGU announcement, face-to-face classes at UP Cebu are suspended tomorrow, 21 September 2026 due to hazardous air quality.

Classes shall shift to modular and alternative learning modes. Similarly, heads of administrative offices and units are granted discretion to adopt flexible work arrangements. Please refer to Memo No. CLM 2025-033: General Framework on Class Modality and Work Arrangement for more information.

For emergencies, dial 911. Stay safe and monitor official UP Cebu channels for updates.

19/09/2026

๐—™๐—˜๐—”๐—ง๐—จ๐—ฅ๐—˜ | ๐—•๐—˜๐—ก๐—–๐—› ๐—™๐—ฎ๐˜€๐—ต๐—ถ๐—ผ๐—ป ๐—ช๐—ฒ๐—ฒ๐—ธ ๐—›๐—ผ๐—น๐—ถ๐—ฑ๐—ฎ๐˜† ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐——๐—ฒ๐˜€๐—ถ๐—ด๐—ป๐—ฒ๐—ฟ Edwin Ao

Edwin Ao is a master architect of Philippine fashion based in Cebu. Over a distinguished two-decade career, Ao has established a reputation for uncompromising structural precision, redefining modern menswear and womenswear through sculptural silhouettes and razor-sharp tailoring. From his early debut in Paris to showing in Tokyo, Singapore, and across Asia, his trajectory reflects a relentless dedication to form and textile innovation. A reverent educator and long-standing member of the Fashion Design Council of the Philippines, Ao commands the runway not through fleeting trends, but through a quiet, authoritative elegance that continuously shapes regional design and inspires emerging talent.

๐—”๐—•๐—ข๐—จ๐—ง ๐—ง๐—›๐—˜ ๐—–๐—ข๐—Ÿ๐—Ÿ๐—˜๐—–๐—ง๐—œ๐—ข๐—ก
In Chlorophyll Hexagons: The Body in Impermanence, Ao turns transformation into a visual language. The collection contemplates the body as something fluid, continually rewritten by memory, experience, and time. Organic forms meet fractured imagery through fragmentation, layering, and recomposition, creating silhouettes that feel at once familiar and otherworldly. Central to the collection is solar printing, where sunlight and chlorophyll become agents of imprint and change. On fabric, nature leaves its trace; on the body, impermanence becomes visible. Each garment emerges as a record of exposure and evolution, celebrating the beauty of letting go. In Aoโ€™s world, impermanence is not an ending, but the beginning of becoming.

See Edwin Aoโ€™s โ€œChlorophyll Hexagons: The Body in Impermanenceโ€ at BENCH Fashion Week Holiday 2026, live from SPACE @ One Ayala. Catch the show streaming on TikTok, Facebook, and Instagram this September 26, 2026.

Visit BENCH/ lifestyle + clothing for more details.

17/09/2026

CELEBRATING A DECADE OF DESIGN & INNOVATION ๐Ÿฆพ

FabLab UP Cebu is celebrating 10 years of making, designing, and innovating!

Open to all FabLabs, design enthusiasts, professionals, makers, and creatives: JOIN US for a series of talks, workshops, tours, design competitions, and more as we celebrate this milestone through this month-long DESIGN CONFERENCE.

FAB10: Designing for Communities, Communities for Design

๐Ÿ“… October 15-16, 2026
- FABCONNECT: Bridging FabLabs In The Islands

๐Ÿ“… November 20-21, 2026
- DESIGN NEXT: Innovation and Design Futures Conference

Want to take part? Send us a message to get exclusive updates.

Photos 11/09/2026

๐—™๐—˜๐—”๐—ง๐—จ๐—ฅ๐—˜ | ๐—ก๐—˜๐—ช ๐—ก๐—”๐—ง๐—œ๐—ข๐—ก๐—”๐—Ÿ ๐—”๐—ฅ๐—ง๐—œ๐—ฆ๐—ง ๐—™๐—ข๐—ฅ ๐——๐—˜๐—ฆ๐—œ๐—š๐—ก ๐Ÿ‡ต๐Ÿ‡ญ

The UP Cebu Design Program celebrates ๐— ๐—ฎ๐—ฟ๐—ถ๐—ฎ ๐—•๐—ฒ๐—ฎ๐˜๐—ฟ๐—ถ๐˜‡ "๐—ฃ๐—ฎ๐˜๐—ถ๐˜€" ๐—ง๐—ฒ๐˜€๐—ผ๐—ฟ๐—ผ'๐˜€ recognition as National Artist for Design.

Her lifelong work with Filipino textiles, natural materials, and local artisans reminds us that design can move forward without losing sight of where it comes from. It's exactly the spirit we hope to instill in our design students at UP Cebu, one that treats our communities and material cultures as partners in the work, not just inspiration for it. Congratulations!

๐Œ๐€๐‘๐ˆ๐€ ๐๐„๐€๐“๐‘๐ˆ๐™ โ€œ๐๐€๐“๐ˆ๐’โ€ ๐…๐€๐๐„๐‹๐‹๐€ ๐๐€๐Œ๐ˆ๐๐“๐”๐€๐ ๐“๐„๐’๐Ž๐‘๐Ž
National Artist for Design

Maria Beatriz Fabella Pamintuan Tesoro, popularly known as Patis Tesoro, is a designer, cultural advocate, and pioneer of Filipiniana fashion whose work for more than five decades has been devoted to the preservation, revitalization, and contemporary reinterpretation of Philippine textile and dress traditions. She has consistently positioned Filipino clothing, materials, and craftsmanship at the center of her artistic practice.

Best known for her reinterpretations of the terno, Maria Clara gown, and barong Tagalog, Tesoro works extensively with local materials such as piรฑa, jusi, abaca, cotton, and silk. Her designs integrate historical forms, ethnolinguistic motifs, and contemporary silhouettes, resulting in garments that function as both wearable art and cultural documentation. Central to her practice is close collaboration with local weavers, embroiderers, farmers, and artisans across the country, ensuring the transmission of traditional knowledge and the sustainability of heritage-based livelihoods.

Tesoro is widely recognized for her early and sustained advocacy of environmentally responsible and culturally grounded fashion. Long before sustainability became a global concern, she promoted the use of natural fibers, dyes, and traditional production methods, as well as the repurposing of vintage textiles. Through these efforts, she articulated a model of โ€œcircular fashionโ€ rooted in cultural continuity rather than mass production.

Her body of work has been presented in numerous local and international exhibitions and fashion shows in the Philippines, Europe, North America, and Asia. Notable publications documenting her work include The Art of Philippine Embellishment (1994), Postura (2008), and Patis Tesoro: Filipiniana Is Forever (2024). Beyond design, she has led major cultural and community initiatives through the Katutubong Filipino Foundation, supporting the revival of regional textile and craft traditions nationwide.

Tesoroโ€™s career demonstrates sustained excellence in design, cultural leadership, and advocacy, contributing significantly to the preservation and global visibility of Philippine fashion and textile heritage.

Photos from UP Cebu Design Program's post 07/09/2026

๐—ฅ๐—˜๐—ฆ๐—˜๐—”๐—ฅ๐—–๐—› | ๐—ฃ๐—Ÿ๐—”๐—–๐—˜๐—ฆ ๐—ง๐—›๐—”๐—ง ๐—•๐—˜๐—Ÿ๐—ข๐—ก๐—š

What does it mean to understand urbanity through the communities that experience, negotiate, and continually shape it?

The UP Cebu Design Program concluded todayโ€™s Design Thesis Plenary, โ€œ๐—ฃ๐—น๐—ฎ๐—ฐ๐—ฒ๐˜€ ๐—ง๐—ต๐—ฎ๐˜ ๐—•๐—ฒ๐—น๐—ผ๐—ป๐—ด: ๐—ฆ๐—ฒ๐—ป๐˜€๐—ถ๐—ป๐—ด ๐—จ๐—ฟ๐—ฏ๐—ฎ๐—ป๐—ถ๐˜๐˜† ๐—ง๐—ต๐—ฟ๐—ผ๐˜‚๐—ด๐—ต ๐—–๐—ผ๐—บ๐—บ๐˜‚๐—ป๐—ถ๐˜๐—ถ๐—ฒ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐——๐—ฒ๐˜€๐—ถ๐—ด๐—ป,โ€ with ๐—œ๐—ป๐˜€๐˜๐—ฟ. ๐—๐—ผ๐—ต๐—ป ๐—ฅ๐˜†๐—ฎ๐—ป ๐—๐—ฎ๐—ฐ๐—ผ๐˜, ๐˜—๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต ๐˜๐˜ฆ๐˜ญ๐˜ญ๐˜ฐ๐˜ธ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜œ๐˜— ๐˜Š๐˜๐˜‹๐˜š ๐˜œ๐˜ณ๐˜ฃ๐˜ข๐˜ฏ ๐˜š๐˜ต๐˜ถ๐˜ฅ๐˜ช๐˜ฆ๐˜ด ๐˜—๐˜ณ๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฎ.

Drawing from the programโ€™s research in Metro Cebu and the urbanizing small-island communities of Getafe, Bohol, the conversation encouraged our Design thesis students to look beyond conventional notions of the city and consider how urban life is shaped by place, community, climate, and everyday experience.

Our sincere thanks to ๐—œ๐—ป๐˜€๐˜๐—ฟ. ๐—๐—ผ๐—ต๐—ป ๐—ฅ๐˜†๐—ฎ๐—ป ๐—๐—ฎ๐—ฐ๐—ผ๐˜ for sharing his research and insights, and to our faculty and students who joined the conversation.

May we continue to ๐˜€๐—ฒ๐—ป๐˜€๐—ฒ ๐—ฏ๐—ฒ๐—ณ๐—ผ๐—ฟ๐—ฒ ๐˜„๐—ฒ ๐—ฑ๐—ฒ๐˜€๐—ถ๐—ด๐—ป, ๐—น๐—ถ๐˜€๐˜๐—ฒ๐—ป ๐—ฏ๐—ฒ๐—ณ๐—ผ๐—ฟ๐—ฒ ๐˜„๐—ฒ ๐—ถ๐—ป๐˜๐—ฒ๐—ฟ๐˜ƒ๐—ฒ๐—ป๐—ฒ, ๐—ฎ๐—ป๐—ฑ ๐˜‚๐—ป๐—ฑ๐—ฒ๐—ฟ๐˜€๐˜๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—ฐ๐—ผ๐—บ๐—บ๐˜‚๐—ป๐—ถ๐˜๐—ถ๐—ฒ๐˜€ ๐˜๐—ผ ๐˜„๐—ต๐—ถ๐—ฐ๐—ต ๐—ฝ๐—น๐—ฎ๐—ฐ๐—ฒ๐˜€ ๐—ฏ๐—ฒ๐—น๐—ผ๐—ป๐—ด.

07/09/2026

๐—ฅ๐—˜๐—ฆ๐—˜๐—”๐—ฅ๐—–๐—› | ๐—ฃ๐—Ÿ๐—”๐—–๐—˜๐—ฆ ๐—ง๐—›๐—”๐—ง ๐—•๐—˜๐—Ÿ๐—ข๐—ก๐—š

How might we understand urbanity beyond the conventional boundaries of the city?

Join us for ๐—ฃ๐—น๐—ฎ๐—ฐ๐—ฒ๐˜€ ๐—ง๐—ต๐—ฎ๐˜ ๐—•๐—ฒ๐—น๐—ผ๐—ป๐—ด: ๐—ฆ๐—ฒ๐—ป๐˜€๐—ถ๐—ป๐—ด ๐—จ๐—ฟ๐—ฏ๐—ฎ๐—ป๐—ถ๐˜๐˜† ๐—ง๐—ต๐—ฟ๐—ผ๐˜‚๐—ด๐—ต ๐—–๐—ผ๐—บ๐—บ๐˜‚๐—ป๐—ถ๐˜๐—ถ๐—ฒ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐——๐—ฒ๐˜€๐—ถ๐—ด๐—ป, a Design Thesis Plenary featuring ๐—œ๐—ป๐˜€๐˜๐—ฟ. ๐—๐—ผ๐—ต๐—ป ๐—ฅ๐˜†๐—ฎ๐—ป ๐—๐—ฎ๐—ฐ๐—ผ๐˜, ๐˜—๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต ๐˜๐˜ฆ๐˜ญ๐˜ญ๐˜ฐ๐˜ธ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜œ๐˜— ๐˜Š๐˜๐˜‹๐˜š ๐˜œ๐˜ณ๐˜ฃ๐˜ข๐˜ฏ ๐˜š๐˜ต๐˜ถ๐˜ฅ๐˜ช๐˜ฆ๐˜ด ๐˜—๐˜ณ๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฎ.

Drawing from the programโ€™s research on Metro Cebu and urbanizing small-island communities in Getafe, Bohol, the session explores how urban life is shaped by communities, climate responses, territorial change, and broader processes of urbanization. It also opens a conversation on how perspectives from urban studies can engage with design research and practice.

For our Design Thesis students, the plenary invites us to look more closely at how we understand people, place, and the changing conditions of urban life before we design for them.

๐Ÿ“… ๐—ฆ๐—ฒ๐—ฝ๐˜๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿณ, ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ | ๐Ÿฐ:๐Ÿฏ๐Ÿฌ ๐—ฃ๐— 
๐Ÿ“ ๐——๐—ฒ๐˜€๐—ถ๐—ด๐—ป ๐—–๐—ผ๐—บ๐—บ๐˜‚๐—ป๐—ถ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฅ๐—ผ๐—ผ๐—บ, ๐—™๐—”๐—•๐—Ÿ๐—”๐—•
๐—จ๐—ฃ ๐—–๐—ฒ๐—ฏ๐˜‚, ๐—š๐—ผ๐—ฟ๐—ผ๐—ฟ๐—ฑ๐—ผ ๐—”๐˜ƒ๐—ฒ๐—ป๐˜‚๐—ฒ

05/09/2026

PROGRAM ACTIVITIES | Instructors from the Product Design Program of UP Cebu, Nessa Abayon and Kil Camalongay, spoke to Architecture students of Foundation University in Dumaguete City on September 2, 2026, about the fundamentals and principles of Social Design.

Read more here: https://ccad.upcebu.edu.ph/index.php/2026/09/04/design-instructors-tackle-social-design-at-foundation-university/

Photos from UP Cebu Design Program's post 04/09/2026

๐—ฅ๐—˜๐—ฆ๐—˜๐—”๐—ฅ๐—–๐—› | ๐—ฆ๐—ง๐—ฅ๐—˜๐—ก๐—š๐—ง๐—›๐—˜๐—ก๐—œ๐—ก๐—š ๐—™๐—ข๐—จ๐—ก๐——๐—”๐—ง๐—œ๐—ข๐—ก๐—ฆ ๐—œ๐—ก ๐——๐—˜๐—ฆ๐—œ๐—š๐—ก

Thesis Proposal Class of the UP Cebu Design Program welcomed two faculty members as resource speakers for sessions aimed at strengthening our studentsโ€™ research foundations.

๐—”๐˜€๐˜€๐˜. ๐—ฃ๐—ฟ๐—ผ๐—ณ. ๐—ฅ๐—ฎ๐—ฑ๐—ฒ๐—ป ๐—š๐—ฒ๐—ฟ๐—ฎ๐—น๐—ฑ ๐—”๐—ด๐˜‚๐˜€๐˜๐—ถ๐—ป discussed โ€œStatistics 101,โ€ introducing essential statistical concepts to help students make informed decisions in developing and analyzing their thesis proposals.

๐—”๐˜€๐˜€๐˜. ๐—ฃ๐—ฟ๐—ผ๐—ณ. ๐—™๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ถ๐˜€ ๐—Ÿ๐˜‚๐—ถ๐˜€ ๐—ง๐—ผ๐—ฟ๐—ฟ๐—ฒ๐˜€ discussed โ€œReferencing and Review of Related Literature,โ€ guiding students through scholarly referencing to situate their research within existing knowledge.

We sincerely thank Asst. Prof. Agustin and Asst. Prof. Torres for generously sharing their time, knowledge, and expertise. Their contributions greatly enriched the academic growth and research preparation of our future designers.

24 August 2026 | University of the Philippines Cebu

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