Typotheque

November Stencil was used for the Nobel Peace Prize Exhibition at the Nobel Peace Center in Oslo (2018), where the work of and takes center stage. The exhibition, designed by , pairs November Stencil’s striking presence in the titles with the clarity of November for supporting texts, creating a unified and impactful typographic voice that underscores the fight against sexual violence in conflict.

We are on a quest to find the most expressive typeface in our collection, we’ve created the game ‘Who’s got character?’. We’ll use the results from this game to crowdsource our next type specimen. Play now, link in bio. 👾

Which is more expressive? We'd love to know what you think. You will also find out if your choice matches ours. The game is now online, link in bio 🔠

The shape of the number ‘2’ can shift dramatically across typefaces, moving between sharp, geometric constructions and softer, more fluid forms. Its structure offers a clear view into the formal logic, tone and visual language of a typeface.

Rather than organising fonts alphabetically or by category, we want to present them sorted by expressiveness, from the most neutral to the loudest.

Help us sort them by playing this game! You will also see how your judgement matches ours 👀. Link in bio.

Typeface Amalia sets the tone at , a 5-star design hotel in Opatija, Croatia.
Designer drew inspiration from the compass and GPS coordinates, shaping the hotel’s visual identity. For the door signage, a custom stencil version of Amalia Regular Italic was developed.

Woodkit Solid is a playful fixed-width display typeface that also comes with Ornaments: a set of 500 symbols, shapes, mid-century-inspired dingbats and seamless patterns designed to complement the other Woodkit styles. Woodkit Solid received a TDC Certificate of Typographic Excellence in 2015.

Fedra Sans Display was used on a promotional T-shirt for the disability art festival Extravagant Bodies.
Autor: , Photo by Vedran Metelko.

Typonine Sans and Stencil, used in Terra Incognita, exhibition catalogue by Zuzana Hricová and Julo Nagy.
Always a pleasure to see our typefaces out in the world!

Ornaments are included in each of Woodkit’s three families, Solid, Print, and Reprint, which feature different degrees of print degradation and each contain six distinct styles.
Woodkit is a playful fixed-width display series of typefaces with unexpected constructional solutions, dazzling variability of shapes and interchangeable components that invite you to explore and play.