ALIAS

gation of analysis of self. Various tragedies, injustice inflicted upon those who are defensless, feelings of loneliness and isolation are the means thtrough which this street painter hopes to alter each state of mind individually. He deliberately targets our emotions, toys with them cutting his stenciled design in order to create a better world from the very within. Emotions of Alias Art

The analysis of Alias art will inevitably lead to quiet introspection. The artist investigates how individuals are personally impacted and transformed when affected by their unfair environments. It’s interesting how he is able to depict his mistreated subjects in a way they seem simultaneously mysterious and familiar to the viewer. This way, Alias underlines his wall work with a fact that the existence of loneliness and personal crisis can be found everywhere, despite a widespread tendencty to ignore these occurrences. The unfortunate reality of detachment is not a new concept within the visual arts, as there are numerous artists that have explored this phenomenon in their work. Conceptually, these pieces can be linked to the contemporary stencil art of Alias. The Importance of the Location

Choosing where to place his artwork is always an important decision for any street artist, but for Alias – this is a pivotal choice that can make or break a piece. Addressing a single viewer, without desire to be commercial or reach a monumental scale, Alias chooses spots for his street work with great care. Discreet in measurements, his stencil art is likely to be found in obscure, isolated locations. The location of the piece is actually an integral part of Alias’ portfolio and he uses it as an extension of his concept. By finding the perfect spot, this cutting edge painter allows the stencil to reach the highest level of pathos. These original locations are as vital a part of the artwork’s identity, carried within each piece even after they are reproduced in a different setting. The search for the ideal location also plays a performative part of each stenciled soul, as a necessary preparatory phase of the creative act. This special relationship between the troubled subject and the abandoned site makes every Alias art piece site-specific, which is a quality rarely seen in street art today. Materials Matter

Next to the location, the materials used as a backdrop for Alias’ art are just as important. The surface that will serve as a canvas is another conceptual supplement for every piece. Scavenging for rusty old metal and other scrap material to use as a background, this Berlin-based author infuses each of his mobile works with the spirit of the original location. He discovers these materials himself, searching for disregarded plates and grits, and he later assembles these recycled materials into usable surfaces through a collage-like method. Upon these rugged, decrepit materials, Alias executes his stencils immaculately, without any drips or errors that might be common to the medium. Such a flawlessly finished artwork placed on a rough layered surface serves as a metaphor of his wider concept inherently tied to the outdoors. Additionally, Alias art depicted on shabby surfaces makes a spectacular view when put in a gallery setting. By keeping the harsh materials of the street, the pieces are able to keep their primal identities and not find themselves compromised by the studio conditions. Considering the impeccable ex*****on of Alias’ art, the well-rounded concept and the fact his expression works equally well in both outdoor and indoor ambient, it’s safe to conclude that works made by this artist are supreme examples of the postmodern nature of contemporary Urban Art movement.