AM.Antwerp

Everything, in one place.

Introducing our new Lookbook — a quicker and more intuitive way to explore the complete AM Antwerp collection.

Scroll through pieces already available online, alongside new arrivals fresh from our photo studio and shared here as a first preview, before their individual product pages are ready.

Take your time. Follow whatever catches your eye.

If you discover something in the Lookbook that you cannot yet find elsewhere on our website, simply send us an email. We will be happy to tell you more.

Explore the Lookbook through the link in bio.

Beyond lighting.

Our collection continues through chairs, tables and cabinets — and into more unexpected territory.

Antique carousel figures, taxidermy, sculptural objects and ART. Beautiful, curious and sometimes impossible-to-classify pieces, selected simply because they give a space character.

The kind of objects you didn’t know existed but, won’t easily forget once you have seen them.

Explore our Furniture & Collectibles collection on our website in bio.

Just acquired — the monumental XXL Dome pendant lamp by Ingo Maurer, designed in 1999.

An extraordinary statement piece featuring a massive 180 cm fibreglass reflector, finished in a luminous aluminium-silver lacquer with a vivid green interior creating a warm and atmospheric glow. Both sculptural and architectural, XXL Dome was conceived for grand interiors and open spaces where scale truly matters.

This newly acquired piece will be listed online soon.
Additional information, dimensions and pricing are available on request.

Wall sconce, opaline glass, rounded triangle form with side clips, Europe, 1960s. In original packaging.

A single piece of hand-blown opaline glass, shaped into a soft triangle and held to the wall by two small metal side clips — the entire mounting hardware visible and unashamed. When lit, the glass becomes a warm volume of light, neither shade nor globe, somewhere between the two.

Available at AfterMidnight. Inquire via DM.

Pendant lamp, structured cast glass and black lacquered metal, Scandinavia, 1960s.

A black lacquered cap, precise and matte, sits over a cylinder of thick cast glass wound with horizontal ridges. The glass refracts rather than diffuses — the light breaks through the texture as if through ice. Simple in silhouette, complex at close range.

Available at AfterMidnight. Inquire via DM.

Clamp task lamp, model 672, lacquered aluminium, Martinelli Luce, Lucca, Italy, 1970s.

Founded in 1950 in a cellar in Lucca, Martinelli Luce built its reputation on lamps that treated light as a material in its own right. This articulated clamp lamp — two arms, three pivot points, a dome shade in off-white — is the working version of that philosophy: adjustable to any position, holding it without a screw.

A lamp that does exactly what it promises, and nothing more.

Available at AfterMidnight. Inquire via DM.

Table lamp, lacquered metal and opaline glass, Carl Moor for BAG Turgi, Switzerland, 1960s.

A red metal cube on four wire legs, with a globe of opaline glass pressed inside it. Carl Moor was a professor of design in Switzerland, and this lamp — sold in the US under the name Helvetica — is his most reduced statement: geometry as object, colour as argument.

Available at AfterMidnight. Inquire via DM.

Pendant lantern, cast brass and etched glass panels, four candle lights, France, early 20th century.

A hexagonal brass lantern with scrollwork crown and acanthus base — the grammar of the grand foyer, scaled for a private home. Each glass panel is hand-etched with a spray of daisies, a detail that softens the formality without undermining it.

Lit, the etching becomes visible from across a room. That is the point.

Available at AfterMidnight. Inquire via DM.

Ceiling flush mount, hand-worked patinated brass, brutalist style, Europe, mid-20th century.

Torn and hammered brass rays explode from a central opaline globe — the sun rendered in metal, as if someone pressed it flat against a ceiling and let it cool. Each ray is irregular, cut and bent by hand. No two are the same.

A lamp that does not wait to be noticed.

Available at AfterMidnight. Inquire via DM.

Adjustable pendant lamp, opaline glass and polished brass, Gebrüder Cosack, Neheim-Hüsten, Germany, 1970s.

An opaline glass bell sits inside a wide brass brim, the proportions of a sun hat, the finish of a trophy. The coiled cable allows the height to be adjusted by hand, a practical detail that Cosack executed with the same care as everything else.

Two materials, one silhouette. Cosack at its most self-assured.

Available at AfterMidnight. Inquire via DM.