Mosaic Audio Visual

Climbing the corporate ladder one cue at a time 🧳 with Pulteney Grammar School's How to Succeed in Business.
Big moments on stage, even more going on behind it.

Toi Toi Toi to our crew on the ground for Opening night tonight with Taia on radios, Jamie on sound design, Ethan on sound op, Cambell on sound record, Liam on lighting op, and Mark on lighting design.

The Metropolitan Musical Theatre Company of SA inc. have brought Spamalot to the stage with an opening night that had the audience laughing from start to finish, leaning right into the absurdity and charm of the Holy Grail chaos with plenty of tongue-in-cheek moments, unexpected turns, and that unmistakable Monty Python humour carried throughout, all tied together with lighting design by Jay 🏆
Photography by Daniel Salmond.

Bellini’s Norma hitting Her Majesty’s Theatre for a one-night-only performance, and it’s looking incredible on stage.
We’ve got Shaun operating a multi-output QLab setup on this one, keeping everything running smoothly, with a big amount of work from Seb, our Head of Vision, shaping the look and feel to get it where it is now.
The kind of show where everything has to line up just right, and it’s come together really well.

Vision design by Mark. Photo by Andrew Beveridge.

✨ Showtime with AYT! ✨

We loved supporting Adelaide Youth Theatre's productions of Legally Blonde Jr. and Madagascar Jr., two high-energy shows full of colour and fun. Jayden was on audio for Legally Blonde Jr. and Lisa mixed Madagascar Jr., with Jay creating the lighting design for both shows. Such a great vibe all around and always awesome to be part of productions like these.

Wrapping up the production of Xanudu with Elder Conservatorium Music Theatre. A great process from start to finish and a pleasure to work with such a talented cast.

From the Mosaic Team, we had Cambell as sound operator, Jamie on sound design, Taia and Ruby on radios, and working alongside them, Mark Oakley on lighting design.

Solid work across the board and a strong example of how good collaboration supports the whole show.
Grateful to be part of it and proud of what we achieved together.

We were proud to support Concordia College with additional lighting, radios, staging, and draping for their recent production of Shrek the Musical 💚🧅
Bringing fairy‑tale chaos, heart and humour to the stage, it was a pleasure working with passionate students and staff on such a colourful, high‑energy production.

Lighting design for the production was delivered by Jay.✨

The Perfect Life has been recognised with a Fringe Weekly Award this Fringe season — a wonderful acknowledgement of the hard work and creativity from everyone involved in bringing this production to life.

Thank you to the entire production team, cast, and crew, whose dedication supported the show night after night and helped it earn outstanding reviews, along with a well‑deserved Best of Theatre and Physical Theatre award for Amity.

From the Mosaic team, we have Jamie for sound design, Cambell for operating audio, and Mark for lighting design, with Jess and Zac operating lighting throughout the season.

WOMAD 2026 is officially wrapped! From the rush of Stage 6, to The Studio’s atmosphere, to the flavours at Taste the World, and the magic of Air Between Us and Stan’s Cafe Theatre — every space was alive with crowds, music and nonstop good vibes. Couldn’t have asked for a better festival run.

Huge shoutout to everyone who made it happen, what an incredible few days.

Stage 6
Taia - Planet Talks VX & LX Operator
Jaxon - Planet Talks FOH Audio Operator
Tayla - LX Operator
Jamie - FOH Audio Operator
Cambell - Monitors Operator
Don & Ruby - Stage Assist

The Studio
Mark - LX & VX Operator
Kai - FOH Audio Operator

Taste The World
Charlie - VX, LX and Audio Operator

Air Between Us
Zac - Audio Operator

Stan's Theatre Cafe
Zac - Float

WOMAD Risers
Shaun - Float

Special appreciation post for our incredible Sound Designer 🔊

An Adelaide boy through and through, Ethan toured with us across Australia last year at venues such as the Sydney Opera House and Hamer Hall in Melbourne! At the tender age of 22 he is already one of the best engineers on the planet as well as one of our very best friends. An absolute joy to be working with him again especially in his home city!

Let’s hear it for Ethan everyone 👏☘️