Filmic

After a long wait for legal approval, we finally got the green light to operate the DJI Mavic 4 Pro in January.

Since then we’ve been putting it to work across all kinds of projects, from Netflix productions to live TV and everything in between.

We’ve been really impressed with it. D Log across all sensors gives great flexibility in post, the flight times are great on set, and the low noise signature makes a big difference when working close to talent or in quiet locations. The signal performance has also been solid on busy sets with a lot of RF around.

It’s quickly become a really useful tool in the kit.

On set for a recent Netflix project.

The team behind the aerials.
Planning, flying and making it happen.

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Shooting Gold Rush S15 in Canada was a major highlight for us. represented Filmic on the ground, delivering world class work for an international client.

He handled a range of drone platforms and also operated as a PD camera operator, showing the depth of skill our team brings to any production.

We understand drone work, cameras and storytelling, giving every project the attention it deserves.

It’s been a privilege to provide all the aerial cinematography for Philipstown Wire GP — a truly special project to be part of, and such a beautiful story. 🎬✨

Proud to see it come to life — now streaming on Amazon Prime. 🚁📺

For sure one of our favourite go to FPV setups.
Ready to capture every frame in stunning detail with RED Komodo mounted tight. 🚀📸

Definitely our favorite setup - the gimbal FPV is revolutionizing our shooting approach.