S.D. Maynard
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Steph lives in a 1907 farmhouse on the Columbia River with her twelve-year-old daughter and a large, ever-changing menagerie of animals.
Everyone needs a team watching their back. Especially when Hell is trying to break down the door.
Join Uriel, Bael, Amos, and Finn in The Fallen Response Unit.
đź“– Step into the shadows with Infernal Frequencies today.
She heard his frequency before she saw his face. It sounded like a thunderstorm inside a cathedral.
Audio engineering meets celestial magic in Infernal Frequencies.
đź“– Available now in print and ebook.
A dark paranormal romance where the music scene is a battleground, and the only thing protecting humanity is a covert team of misfit demons and angels.
Join the Fallen Response Unit.
đź“– Infernal Frequencies is out now.
"You're six foot three and indestructible. Why do you flinch when I move?"
Experience the tension in Infernal Frequencies, the first book of The Fallen Response Unit series.
đź“– Grab your copy today and meet your new favorite grumpy angel.
He hadn't been touched in eighty years. When she put her hands on him, the wards ignited.
✨ Infernal Frequencies: A high-stakes paranormal romance about found family, broken angels, and the music that connects them.
đź“– Read the first book in the Fallen Response Unit now.
What happens when Heaven's most dangerous angel asks a mortal audio engineer to help him find a killer?
A dark paranormal romance set in the heart of L.A.'s underground music scene.
đź“– Start the series with Infernal Frequencies today.
Uriel was built for war. Sarah made him want something else.
Dive into The Fallen Response Unit, where an angel who forgot gentleness meets an audio engineer who weaponizes sound.
đź“– Infernal Frequencies is available everywhere books are sold.
✨ He was an angel who'd forgotten what gentleness felt like. She was an audio engineer who weaponized sound. The first time she touched his skin, the wards ignited.
— from INFERNAL FREQUENCIES by S.D. Maynard
He was an angel who'd forgotten what gentleness felt like.
She was an audio engineer who weaponized sound.
When their worlds collide, the wards ignite.
🔥 Dark Fantasy Romance | Angels & Engineers | Found Family
đź“– Available now: https://www.barnesandnoble.com/w/infernal-frequencies-s-d-maynard/1149445860?ean=2940182945813
✨ He was an angel who'd forgotten what gentleness felt like. She was an audio engineer who weaponized sound. The first time she touched his skin, the wards ignited.
— from INFERNAL FREQUENCIES by S.D. Maynard
He was an angel who'd forgotten what gentleness felt like.
She was an audio engineer who weaponized sound.
When their worlds collide, the wards ignite.
🔥 Dark Fantasy Romance | Angels & Engineers | Found Family
đź“– Available now: https://books.apple.com/us/book/infernal-frequencies/id6758994979
What happens when Heaven's most dangerously quiet angel asks a mortal audio engineer for help?
He hadn't been touched in eighty years. When Luna put her hands on him, the wards ignited.
Dive into The Fallen Response Unit, a dark paranormal romance set in the heart of L.A.'s underground music scene.
đź“– Start the series with Infernal Frequencies today.
✨ He was an angel who'd forgotten what gentleness felt like. She was an audio engineer who weaponized sound. The first time she touched his skin, the wards ignited.
— from INFERNAL FREQUENCIES by S.D. Maynard
He was an angel who'd forgotten what gentleness felt like.
She was an audio engineer who weaponized sound.
When their worlds collide, the wards ignite.
🔥 Dark Fantasy Romance | Angels & Engineers | Found Family
đź“– Available now: https://a.co/d/07laumad
04/02/2026
I had a life size cutout of him in my room in college. đź©·
Before the cameras rolled on Willow in 1987, Ron Howard still hadn’t found his Madmartigan—
then Val Kilmer walked in and turned the audition into something no one could ignore.
It wasn’t a typical read.
Most actors approached the role like a classic hero—controlled, strong, predictable. Kilmer did the opposite. He leaned into chaos. Smirked through lines, shifted tone mid-sentence, added a kind of reckless charm that felt alive instead of rehearsed.
Howard didn’t see an actor trying.
He saw the character already there.
By the time filming began in 1987, deep into remote locations across Wales, Kilmer carried that same unpredictability onto the set. Long days, harsh weather, physically demanding scenes—none of it slowed him down. He trained for sword fights, handled his own stunts, but what stood out wasn’t just the action.
It was the energy.
Warwick Davis, still a teenager at the time, noticed it immediately. In scenes like the fast-moving sled chase, Kilmer didn’t just hit his marks—he pushed beyond them. Improvised reactions, changed timing, added movement that made everything feel less staged.
More real.
Even in lighter moments, like the tavern escape scene, Kilmer refused to play it safe. Small gestures—an exaggerated glance, a shift in posture—turned simple beats into something memorable. Editors later had multiple versions of the same scene, each slightly different.
Each working.
Off camera, that intensity didn’t drop. He stayed engaged between takes, not in a rigid way, but enough to keep the momentum alive for everyone else. Co-stars felt it. Scenes moved faster, sharper, more connected.
And then there was Sorsha.
During filming, Kilmer and Joanne Whalley’s on-screen tension became something more. It showed up in their scenes—particularly in the sword fight, where every movement carried both conflict and something unspoken underneath.
That wasn’t planned.
But it stayed in the film.
When Willow released in 1988, Madmartigan didn’t feel like a standard hero. He was messy, impulsive, unpredictable—and that’s exactly why he worked.
Because Kilmer didn’t try to control the character—
he let it run just loose enough…
to make the entire film move with it.
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