Interbang Press

♻️processing paper♻️to make pulp♻️to make paper.

Such a pleasure to be working with Mokha Laget on a new lithograph today.

Back on press with

Well, Aaron left a couple days ago but before he split he pulled this amazing drawing out of his bag.

Our newly appointed shop manager knows just how to wait out this spring snow! ❄️🔥

Finishing up the first round of proofing a few new lithographs with . 🔥🔥🔥

Thunder, Lightning, Muscle, Bone, Light, Fire and Water!!

New PRINTs!!

Nicole Eisenman

On view at Hauser & Wirth booth C11 this weekend!

Hook ‘em Horns (woodgrain), 2025
Woodcut and lithograph
Image size: 23.75 x 28.25” / 60.32 x 71.75 cm
Paper size: 28.125 x 32.25” / 71.5 x 81.91 cm
Rives BFK

Hook ‘em Horns (woodgrain), 2025
Image size: 23.75 x 28.25” / 60.32 x 71.75 cm
Paper size: 28.125 x 32.25” / 71.5 x 81.91 cm
Rives BFK

Hook ‘em Horns, 2025
Woodcut and lithograph
Image size: 23.75 x 28.25” / 60.32 x 71.75 cm
Paper size: 28.125 x 32.25” / 71.5 x 81.91 cm
Rives BFK

Photos one and two by Sarah Muehlbauer courtesy of Hauser and Wirth

Printed and published by 10 Grand Press and Interbang Press


# lithography

New PRINT!

Fresh off a river trip on the San Juan, Karl Hofmann joined us in the printshop to make this print!

Karl Hofmann
Sunset on the San Juan
Two-color lithograph
Image size: 16 x 21.5” / 40.5 x 55.5 cm
Paper size: 19 x 24.75” / 48.25. X 63 cm
Rives BFK 250 gsm
Edition size: 10

Checking in with Jerry West.

…….

Linocuts by his father Hal West.

Video clip is of JRW drawing Hal’s press setup.

NM!!

South of Forty, West of The Pecos
Nine Lithographs of Southeastern New Mexico

The prints are all derived from street scenes in southeastern New Mexico, principally in Roswell, that I painted between 2013 and 2015. The one exception shows an abandoned general store in the small rail-crossing town of Duran, 110 miles to the northwest of Roswell. 
They generally depict the vestiges of a disappearing commercial and agricultural infrastructure that grew up in the West between the end of World War II and the nineteen seventies.
When I was a boy in the nineteen sixties, these places, and similar ones across the country, formed the essential landscape of America’s postwar industrial and agricultural prosperity. Today they are either in ruins, or have been repurposed for more modern uses, some of which their former occupants might not recognize.
My aim in making pictures like this is to capture such places when they are poised somewhere between the vitality of their former use and the demise or reinvention that inevitably follows: a peaceful, evacuated moment in which they are neither one thing nor the other, but instead simply have become part of the landscape in which they still stand. 

—Christopher W. Benson
1.
Roswell 1, 2024
Image: 9.875x 7.875” / 25.08 x 20 cm

2.
Roswell 2, 2024
Image: 10 x 7.25” / 25.4 x 18.41 cm

3.
Roswell 4, 2024
Image: 6.5 x 8.25” / 16.51 x 20.95 cm

4.
Roswell 5, 2024
Image: 10.5 x 5.75” / 26.67 x 14.6 cm

5.
Roswell 6, 2024
Image: 9.5 x 6.25” / 24.13 x 15.87 cm

6.
Roswell 8, 2024
Image: 7 x 8.5” / 17.78 x 21.59 cm

7.
Roswell 9, 2024
Image: 10.5 x 7” / 26.67 x 17.78 cm

8.
Roswell 11, 2024
Image: 7 x 9” / 17.78 x 22.86 cm

9.
Duran Corner, 2024
Image: 10 x 7.5” / 25.4 x 19.05 cm

Paper: 15 x 18.5” / 38.1 x 47 cm / 250 gsm
Rives BFK

10.
Christopher Benson signing Roswell 5.

12.
Christopher Benson working on monotypes.

11.
Color swatches for South of Forty, West of The Pecos.

Published and printed at Interbang Press in an edition of twelve portfolio sets with two artist’s proofs and two printer’s proofs. Ten additional sets to be distributed as individual prints.

We are so pleased to have collaborated with Betsy Emil on her new print!!

Untitled, 2024
Lithograph

Dimensions (x,y)
Image: 18.875 x 16.37” / 47.9 x 41.59 cm
Paper: 24.5 x 22.25” / 62.2 x 57.15 cm
Rives BFK 250 gsm / Kitkata Natural 36 gsm
Edition of 13 / 1 AP