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ies and organising conferences, to producing photography and video work and running social media accounts. Running her own photography and brand design studio since 2016, Sana’s research-oriented approach to her projects is neatly illustrated in the two collections she produced for Beirut’s STARCH Foundation as part of a yearlong residency; multiple iterations on a series of everyday objects that reimagined their making and use and which collectively form a kind of reference guide to the methods of manufacture available in Lebanon. As interested in elaborating the thinking behind a project as she is in the project herself, Asseh’s broad-ranging and international outlook results in comprehensive strategies, plans of action and production and often reveals unexpected possibilities and avenues of exploration.