Stereophonic Mastering

Stereophonic Mastering

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This is a dormant page. Stay up to date here:
www.instagram.com/timothy_stollenwerk
www.StereophonicMastering.com Audio mastering glues an album together.

It is the canvas your music is presented on. When done correctly, there's no need to adjust your playback volume or boost/cut the treble or bass from song to song. A properly mastered record is loud enough for an ipod and dynamic enough to keep it exciting. And most importantly it will translate well to any system -- regardless if using earbuds or large speakers. I began my career as a sound engin

04/23/2026

Bending Spoons Strikes Again!

$480 to $19,900 a year. Not a typo.

I've used Evernote since 2009. In 2020 Brittany and I upgraded to Teams so we could share and edit studio notes together. $480 a year. Thousands of notes. Bending Spoons bought Evernote and this year killed the Teams plan. The only equivalent is Enterprise Unlimited - $19,900 a year. They auto-enroll you May 12th if you do nothing.

This is the second time BS has done this to me.

I was with WeTransfer from inception. Bending Spoons bought it, made some improvements, then last summer buried an AI clause in the terms that caused massive backlash - then jacked prices a couple weeks later. Forced me to Dropbox and Samply. Samply is perfect for how I send streaming masters and MP3s to artists.

Second time they burned one of their loyal users. Both times I started over. Both times I found something better.

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04/02/2026

Caught this beauty biking to yoga this evening. 🌈🌈

03/20/2026

01/09/2026

SOUND ON
Final batch of 2025 releases! Really grateful to have spent another year working on music like this. 💥💥

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The Cosmic Tones Research Trio
LP: "The Cosmic Tones Research Trio"
Released by:
Produced & Mixed by:
Additional Production by:
Album cover production by Brian Mumford
Album cover renderings by: madcomposerlab
Album cover photo by: .photo

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Sabine McCalla .annamaryse
LP: “Don’t Call Me Baby”
Released by:
“I Went to the Levee” recorded at Stockholm Street Sounds - Brooklyn NY
All other songs engineered and mixed by Ajaï Combelic in New Orleans, LA

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Joel Pickard
LP: "Parallel"
Design by:

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Hyooman
LP: "Nothing New"
Recorded, mixed, produced by McCoy Seitz

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Chloe Tucker Caine and Michael Mott
Single: "Fly High"
Vocal Engineer: Serge Tsai
Mixed by Michael Croiter
Vocals Recorded at Platinum Sound Recording Studios in NYC
Produced by Michael Mott, Kim Scharnberg, and

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Jairito y La Onda
Single: "Chulita"
Recorded by: Mixed by:

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Ry Welch
"patience is a puppy / lady of aluminum / my mirage"
Cover Art by:
Mixed by:

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12/02/2025

SOUND ON
Here's a new batch of releases I'm proud to have mastered 💥💥

WOODS
EP: "It Ain't Easy" / "Goodnight"
Recorded and Produced by:

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Blippo+
"Blippo+ (Original Soundtrack)"
by Rob Kieswetter & Jona Bechtolt

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Lou Rebecca
Single: "À La Plage"
Photo by .jpeg

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Push Ups .nyc
Single: "Cursive"
Engineered by
Mixed by

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Allison Garcia
Single: "Paraíso"
Recorded and Mixed by:

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Lucky
LP: "Lucky"
Released by:
Produced, Engineered and Mixed by:

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Patrick Dethlefs
LP: "Patty"
Produced & Mixed by:

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Elisabeth Pixley-Fink, Samantha Cooper, Hearth & Hymn
Single: "Afraid"
Mixed by: at

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OTO Snail
Single: "Puzzle, Wave"
Mixed by:

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Eric Laska
EP: "Relief EP"
Recorded and Produced by: strangeamericas
Mixed by: Carlos Hernandez

12/02/2025

Pressure test! As an all-things-tinkerer type person, I dove into a DIY minisplit install with a pile of tools I’ve never used before.. 300psi held for over 90 minutes, the vacuum stayed locked at 100 microns, and I’m happy to say the system is running like a champ. There were definitely some challenges along the way, which makes basking in its comfort all the more satisfying.

11/15/2025

Alice in Wonderland season.

Photos from Stereophonic Mastering's post 10/30/2025

Just re-tubed my blue beasts and they’re born again!
Nothing beats the sound of new old stock tubes.
This might be my favorite combination so far: late-’50s Telefunken red-tips from West Germany (medical-grade, tightest specs) along with early-’60s Bugle Boys from France and mid-’60s GEs from the U.S. for flavor. The rest in the non-critical audio paths are modern Golden Lions and Telefunkens.
NOS tubes test like new, but they’re time capsules from a bygone (and toxic) era of craftsmanship. Modern tubes - and certainly digital emulations - still don’t quite capture the dimensionality of well preserved vintage glass.

10/21/2025

SOUND ON
Here's a new batch of releases I'm proud to have mastered 💥💥

Bongo Joe
LP: "2015-2025 : Les Disques Bongo Joe - 10 Years of Sonic Explorations"
Featuring: Alain Peters, Altın Gün, Mauskovic Dance Band, Esplendor Geometrico, Hyperculte, Madalitso Band, Meridian Brothers, Derya Yıldırım & Grup Şimşek, Nordine Staifi, Cyril Cyril, África Negra, Yīn Yīn, Les Abranis, Orchestre Tout Puissant Marcel Duchamp, Coco Maria, Amami, Lalalar, Nusantara Beat, Yalla Miku, Chouk Bwa & The Ångströmers, Sami Galbi, Baby Berserk, Dressed Up Animals

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Jens Kuross
LP: "Crooked Songs"
Released by:
Album Design by:

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Small Forward
LP: "Crush"
Engineered and Mixed by:
Cover art by:

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Uwade .music
Single: "Call It A Draw (Hrishikesh Hirway Remix)"

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Floriculture .music
LP: "CHAMELEON"

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Michael Mott
Single: "HERE AND NOW"

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VVD WNDWS vvd_wndws
EP: "Whirling"
Released by:

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Tyler Nuffer
EP: "Yuma Cabana"
Mixed by:

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The Lodestones
LP: "Cipher of the Saints"
Released by:

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Noel Lou
LP: "Anacos vagos de formas encantadoras"

Photos from Stereophonic Mastering's post 09/27/2025

Earlier this week, I had jury duty and took a few photos of war-torn Portland from the 13th floor of the courthouse… It’s all lies folks!

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