Brian Fitzy

rounded by palatial resort and well-to-do living accommodations, conjured a metaphor that was hard to ignore. The dissonance in the imaging paralleled today's global sociopolitical struggles. The mashup of it all crystalized a 1990s hip-hop and pop-infused pan genre approach of non-related musical statements and styles in fertile conversation. Brian took a picture of the tag—used with permission of the artist (he reached out via Instagram)—and his photo graces the cover of his debut album. The image reflected the diverse strains of music incubating inside Brian, and a renewed lyrical mission. And it's all here on the headphone masterpiece, Hard Times For Dreamers. "The image hit me, and I started having dialogues with people over there and back home about where we are and where we are going," Brian says. "The record snapshots struggles and life experiences that I couldn't face sitting down. I had to stand up and write about them." Brian grew up with a musician mother who turned him onto prog-rock and fusion at an early age. By 9, he was playing violin. Soon his prodigious talents began to shine through, and it wasn't long before he was sitting in with professionals such as Philadelphia legend John Blake when Blake played his elementary school. From then on, each year he would learn a new instrument, building a veritable symphonic skill set. Upon graduating from high school, Brian formalized his talent through earning a degree in classical instrumental performance on violin from West Chester University. Brian's post-college career began with a bang when he performed with the Foo Fighters at the Grammy Awards as a Top 3 finalist in the "My Grammy Moment" competition. That performance garnered him support and features from TV stations such as 6ABC, NBC10, and CBS3 in Philadelphia, as well as prime regional radio coverage. Since then, Brian's career has blossomed as a solo artist and a sideman. He's performed everywhere from dives to Madison Square Garden. He's also earned endorsements from Fishman Transducers, Wood Violins, and Westone. In addition, he's had the good fortune of working with bands he grew up admiring such as Rusted Root and members of the Roots Crew. Hard Times For Dreamers was initially titled "1993" as a nod to Brian's favorite era of hip-hop, epitomized by Pete Rock and CL Smooth. During that fertile time, hip-hop was the vanguard of musicality for many, pushing the envelope with intrepid sonic layers, esoteric post-modern references enabled by sampling technology, adventurous arrangements, infectious hooks, and rugged beats. As a formative exercise, Brian initiated a YouTube series titled "Throwback Thursday" in which he painstakingly replicated these classics in real time. In these episodes, he would use looping technology, and many innovative one-man producer strategies to bring these classic to cuts life. He would even mimic minute details like stray audio hisses buried deep beneath isolated samples of Herbie Hancock and Weather Report musical motifs. In addition, he memorized and recited each track's classic rhymes. This labor of love honed his multi-instrumentalist skills. However, the seeds of this approach were sown earlier when, out of necessity, Brian turned to looping when he realized he couldn't continue to afford to hire a full band to play his songs. Looping enabled him to combine his virtuosic violin playing, his breezy funk guitar playing, his beatboxing skills, and his soulful vocals and rhyming gifts. Although Brian is a capable producer, he let Joe Nicolo (Kris Kross, Lauryn Hill, Fugees, Cypress Hill, Schoolly D) take the production reins, allowing him to focus on the album's intricate layers and the album's carefully crafted track sequence. Hard Times For Dreamers boasts a classic A-side/B-side flow with an uplifting conceptual sweep—the lyrical bend gets more hopeful on the second side. Throughout the album, gritty hip-hop sonic collages breakup song blocks, lending the record a throwback feel to monumental hip-hop full-lengths from back in the day. Hard Times For Dreamers opens with a manifesto of hope on the invigorating soul-pop track, "Your Hero Never Dies." Here, Brian recasts 1970s Philly soul with lush orchestral soundscapes, rugged hip-hop beats, touches of electro-pop, and invigorating modern R&B hooks. The A-side's sense of doom and darkness sets in by track four with the ominous hip-hop of "On The Run." The track's gritty production lends a sense of film noir urgency and pained confusion. One of the great treats of the album is the old-school interludes, and the fifth track, "Preserve Disorder" is a gem. It features stanky 1970s funk keyboard riffs, abrupt musical direction shifts, a lethal beat, and an onslaught of barbed rhymes. The second half of the album, beginning with track nine, aptly titled "Ode To Hope," begins the album's uplift. This is a stunning piece of ambient music that moves glacially and gorgeously, ushering the listener into the B-side. Standouts in this section include the retro-futuristic soul of "No Idea" which vibes Jamiroquai, and the album's centerpiece, the title track. "Hard Times For Dreamers" is a journey unto itself. It begins with somber minor key piano, then locks into a bluesy rollicking waltz, and finally sails away with a soaring string section and major-key melodicism, painting a sonic picture of optimism. Upon completing the album, Brian hosted an in-studio listening party back home in Philly, selecting 30 people from a broad cross section of friends and family for lively dialogue. "That day in the studio carried so much weight for me. It gave me hope in so many ways. It reminded me of the power of music, and it showed me how this album did exactly what I hoped it would do. It's been a hell of ride, but I've finally taken steps in a fully realized set of shoes."