Supervoid

To celebrate the 10 year anniversary for their album, “No Closer To Heaven”, The Wonder Years brought SUPERVOID on to design their national tour. This was the band’s largest headline tour yet, and we wanted to showcase the energy of their live show with a series of custom carts that made each stage feel huge. The tour concluded with a 6 night run at the TLA, giving them the honor of holding the record for the largest residency at the venue.
📸: .moniz

PRODUCTION DESIGN:
Supervoid
LIGHTING DESIGN:
Drew Mercadante
LIGHTING PROGRAMMER/DIRECTOR:
Jaxon Graham
VENDOR:
SONUS Productions

We delivered glitched out analog stage visuals for Sub Urban’s performance at Corona Capital Festival in Mexico City. We designed a visual display that fits with his gritty yet refined aesthetic, making the stage feel like an after hours rave meets high-society luster. Working with an artist with such a distinct voice, both in terms of his signing and his persona, was a real treat. The show was run by our long time collaborator Ciara Hegli, who also delivered live IMAG effects she put together in Resolume.
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CREATIVE DIRECTOR:
Drew Mercadante
ANIMATORS:
Matt Keppler
Ciara Hegli
Melanie Spiegel
OPERATOR:
Ciara Hegli

Debuted the new design in NOLA.

🚨 Summer tour dates coming in hot!!

We'll be hitting the road this Summer for more shows, and we couldn't be more stoked about it 🚀 highlights include a three night run at the legendary Mishawaka Amphitheatre 🏔️ KettleHouse Amphitheater in Montana with Dirtwire 🏞️ and two nights underground at The Caverns as we roll into Fall 🍁

Sign up now for pre-sale access at sts9.com

• Bandcamp pre-sale: Wed. Apr. 15 at 9am local time
• Artist pre-sale: Wed. Apr. 15 at 10am local time
• General on sale: Fri. Apr. 17 at 10am local time

For STS9’s dynamic performances, we developed custom visuals and lighting that play with rhythm and scale, building an immersive experience that lives and breathes with the band’s energy. Becoming the visual “member” of a band like STS9 is a rewarding experience that pays off night after night.
📸: Alex Culbreth

Supervoid crafted custom Notch effects for Cage The Elephant’s 2026 tour, debuting with a high-profile appearance at iHeartRadio’s Alter Ego festival in Los Angeles alongside Green Day and twenty one pilots. Creative Director Drew Mercadante collaborated with Lighting Designer Robert Fuller to build a versatile effects toolkit, shifting seamlessly between sparse restraint and full-tilt maximalism, designed to elevate and intensify Cage’s live visual experience.

Credits:
Production Manager: Chris Fillery
Lighting Designer: Robert Fuller
Notch Designer, Media Server Programmer: Drew Mercadante
Photography: Kevin W Condon

SUPERVOID was selected by Couch to handle production design and lighting for their first headlining tour with a full production package. We designed custom set pieces that attached to their stage risers that we're made of mixed frosted plexiglass and mirrors, designed to capture light from the stage and refract it into space while simultaneously making the risers glow and bloom with the music. For the lighting side of things, we utilized Robe Tetra2 battens to create dense pixel chases and wide gobo looks with a minimal amount of gear. The show sold out nearly everywhere they took it, leaving fans blown away.

Production Manager/FOH - Chris DiCorpo
Production Design/Lighting Design - Supervoid
Lighting Programmers -
Drew Mercadante
Mike Morgenstern
Bt Odoy
Lighting Director - Bt Odoy

Strong start to 2026…now accepting design opportunities for Spring and Summer! Send inquiries to [email protected]

Check out the latest issue of TPI Magazine covering the Radiohead tour. They sat down with the entire crew and dove into all the elements that brought this massive tour to life:

Radiohead: Immersive panoramas of motion, innovation and artistry — TPi After seven years away, Radiohead returned to the stage with one of their most technically ambitious productions to date – the band’s first ever ‘in-the-round’ concert experience, featuring an automated video ‘halo’ with 100% real-time driven visual content, a Metallica-inspired TM Array...

SUPERVOID was honored to design the live video content and lead camera direction for the first Radiohead tour in seven years, and the band’s first-ever 360° show in the round. This ambitious production pushed the boundaries to blur the line of reality for this surreal performance. Hand-picked by creative director Sean Evans, SUPERVOID delivered visuals built entirely in Notch, with no pre-rendered media, and no timecode. Every night was driven by instinct, responsiveness, and a dynamic exchange between the band, video director Ellie Clement and camera director Drew Mercadante, making each performance truly one of a kind.

Launching November 4, 2025 at Madrid’s Movistar Arena, Radiohead’s 20-date European tour was a constantly evolving visual experience showcased on twelve monoliths of ROE Vanish 8 LED panels encircling the stage. Each panel could independently rise, and lower transforming the space in real time dynamically unveiling the band. Live camera feeds and 3D video content were continuously reimagined through Notch, creating a shifting visual that felt raw, emotional, and immersive for the audience.

Creative Director – Sean Evans
Lighting Design – Pryderi Baskerville
Video Director – Ellie Clement
Camera Director – Drew Mercadante

Video Crew Chief - Bob Aitkenhead

Cam Ops -
Dan English
Harri Selby
Tyler Hilton
Danny Sheldon

Video Engineers -
Owen Evans
Piotr Klimczyk

LED Techs -
Jens Couckuijt
Kieran Yates

Video Rental Company - Universal Pixels

📸: Colin Kerrigan