AEA Ribbon Mics

AEA Ribbon Mics

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We like Big Ribbons and we cannot lie. Designing and building mics & preamps in Pasadena, CA since 1998 Manufacturer of Professional Audio Equipment

06/15/2026

If you’re reading this, let’s be honest. You probably have a vintage ribbon microphone sitting in the back of a mic locker.

The one that used to be in regular rotation, but now needs a little work. The one that’s slowly become more of a studio artifact than a working microphone. Does any of this sound familiar?

Good news: AEA services RCA and Coles microphones, along with vintage microphone accessories.

So if that mic has been waiting for its comeback, this might be your sign. 😏🎙️

Learn more and get started: https://tinyurl.com/yj7sd2xk

Photos from AEA Ribbon Mics's post 06/11/2026

Spotted in Wolf Alice’s live setup: the AEA KU5A on vocals and the N22 on guitar.

The KU5A keeps the vocal focused and controlled with natural ribbon character, while the N22 captures the guitar with the punch and detail it was built for.

Plus, that handheld KU5A moment is hard to miss, giving the vocal a little more room to move with the emotion.

Check out the full performance: https://tinyurl.com/ypvhrhrt

06/08/2026

We love seeing the R84 find its way into so many sessions.

Big thanks to WaveRec Studio for sharing the Big Ribbon love and putting the R84 to work on everything from percussion and drums to winds and strings. With its smooth, natural ribbon character and balanced detail, the R84 is a trusted choice across a wide range of sources.

Seeing our mics become part of your daily workflow makes what we do extra special.

Keep tagging us in your AEA setups to be featured!

06/03/2026

Meet the new Snaqbox™ V2.

Now equipped for up to 500mA per unit, the Snaqbox V2 is compatible with nearly all 500 Series modules. It keeps the same compact two-slot design, Link/Cascade routing, and durable steel construction—now with more power for wider compatibility.

👉 Contact your local AEA dealer or shop the AEA store to snag yours: https://aearibbonmics.com/product/snaqbox/

06/02/2026

Wildermiss brought the live festival energy to the room during AMERICANAFEST sessions at WELCOME TO 1979.

Recorded and mixed by 5x GRAMMY-winner Brandon Bell, this set was tracked with a practical AEA chain: KU5A on vocals, N13 on the guitar amp, and TDI + TDI Duo on synths to keep the DI sources consistent and clean in the mix.

Full session here: https://youtu.be/oeBLZl2IBDI

05/28/2026

Before the first take, the sound is already being shaped.

The R44CE delivers a warm, full-bodied starting point with smooth top end, rich low end, and classic Big Ribbon character. Its generous proximity effect makes it a great choice for bringing depth and intimacy to vocals, while its natural ribbon tone works just as well across acoustic instruments, horns, strings, and more.

Learn more about the R44 Series and find the right fit for your studio: https://tinyurl.com/ycyek8nk

📷 Sinamex

05/27/2026

Simple, high-fidelity capture in a world-class room. 🎙️

Captured on the A440 and N28, Patrick Dwyer's performance at Ocean Way Nashville Studios during AMERICANAFEST showcases the natural beauty of recording with ribbons. The stereo ribbon gives the guitar depth and space without hype, and the A440 keeps the vocal warm, full, and right where you want it.

Check out the full session: https://youtu.be/2XUgJZlFtcc

Recorded by Wolf Robinson, mixed by Tom Edwards.

Photos from AEA Ribbon Mics's post 05/22/2026

One of the most important jobs on the Foo Fighters tour? Micing Dave Grohl's amp. FOH engineer Antony King trusts the AEA KU5A to put in the work.

On a loud stage, bleed and feedback are always part of the battle. The KU5A’s tight supercardioid pattern helps keep the amp focused and controlled without losing that natural ribbon tone.

Hear it live for yourself on FF’s current tour!

Photos from AEA Ribbon Mics's post 05/21/2026

“It’s about finding the simple beauty in things and presenting them in a way that feels alive.” — The Milk Carton Kids

For Lost Cause Lover Fool, The Milk Carton Kids and sound engineer Jason Cupp focused on shaping the stereo image at the source. AEA N22 and N28 ribbon mics captured the dimensionality of the performance, while twelve channels of TRP3 preamps helped clean up the signal path, remove troubleshooting, and keep the focus on the music.

Read the full feature here: https://tinyurl.com/3htke365

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