EA Productions

Not all AV proposals are created equal. If you have ever received a quote that listed a generic package without any reference to your room, your program, or your audience, you already know what a one size fits all approach feels like. A package built for a corporate conference is not the same one that should be driving a high energy youth event.

Custom production planning starts with understanding your goals before a single piece of gear is selected. What is the nature of your program? Who is your audience?

At Entertainment Arts Inc., we do not arrive with a standard package and make it fit. We start with your event and build the solution around it. If you have an event on the horizon and want a production partner that treats your show as its own, we would love to start that conversation.

One of the most common conversations we have with first time clients is about production budgeting. Most people know they need audio, video, and lighting but are not sure how to think about where the money should go.

Audio should always be your first priority. If your audience cannot hear what is happening on stage, nothing else matters. Budget for a system sized appropriately for your room and do not overlook monitor systems for your performers.

Lighting is often underestimated. Even a modest package can transform a flat room into an immersive environment when it is designed thoughtfully.

Video and LED solutions carry the highest visual impact and typically the highest cost. Prioritize them when your venue is large enough that rear audiences cannot clearly see the stage, or when your content requires a strong visual presence.

Most importantly, bring your AV partner into the conversation early. The earlier we understand your goals and your budget, the better we can design a production that delivers the most impact for every dollar you spend.

Throwing it back to February and reminiscing about Immerse 2026. Immerse 2026 brought Blue Man Group and Cirque du Soleil to the main stage for multiple performances a night, and the production demands that come with acts of that caliber are exactly what our team lives for. We provided and system teched a full d&b audiotechnik audio package consisting of 16 V8 line array cabinets, 4 JSUBs, and 2 Y10P front fills to ensure consistent, precise coverage across the entire main stage environment night after night.

When the acts performing have their own exacting production standards, there is no room for error in the system underneath them. Our team took ownership of that responsibility from first hang to final show, delivering a rig that held up through every performance of the run.

Gear is accessible. You can rent a line array, source an LED wall, or find a lighting package from any number of companies. What you cannot rent is the experience, problem solving ability, and genuine investment that a skilled technical team brings to your event.

The technicians behind the console, on the lighting desk, and managing your video systems are the difference between a production that simply runs and one that truly delivers. They are the ones anticipating problems before they happen, adapting when something changes on site, and making decisions in real time that protect your program and your audience experience.

At Entertainment Arts Inc., the gear we carry is first class. But our people are the reason our clients keep coming back.

Throwing it back to April when Fellowship of Christian Athletes brought JWLKRS Worship and Tim Tebow to Rollins College for a night that was as powerful as any production we have been a part of.

From the d&b V-Series line array and LED wall to the BirdDog cameras capturing every moment of worship, our team poured everything into making sure the production served what was happening on that stage. Nights like that one remind us exactly why we do this work.

We cannot wait to see who FCA brings to the stage next year.

MomoCon in Atlanta was one of the most visually versatile productions we have had the opportunity to support.

The Grand ballroom featured 256 total LED panels across three walls, with our Pixelhue P20 managing content seamlessly across the entire canvas. Critical Role and both cosplay competitions commanded the stage during the day, while the room transformed into a full VJ and DJ experience each night, with the walls driving every bit of the energy on the floor.

One room. Two completely different experiences. That is what a well designed LED solution makes possible.

Rollins College graduation season is one of the most meaningful productions we support each year, and this year our team was proud to deliver a full commencement experience across multiple venues for all three graduating schools.

Two ceremonies were held inside the Alfond Sports Center, where we deployed 16 d&b V8 line array cabinets and 64 panels of LED wall to ensure every family in attendance had a clear view and crisp audio for every name called and every moment celebrated. The Class of Liberal Arts returned to Showalter Field, where the open air environment called for a larger scale solution. We deployed 16 V8s and 12 V12s to ensure consistent, even coverage across the full field and seating areas, supported by 4 LED walls positioned throughout the venue so that no matter where a family was seated, they could see their graduate walk across that stage.

Graduation is a milestone that families travel from across the country to witness. Getting the production right is not just a technical responsibility. It is a personal one.

Our relationship with Paul Gough Media has taken us across the country, and this year it brought us to Los Angeles for the Cashie Awards.

Five years in, we know what Paul Gough events envision, and this production was no exception. To deliver the award show atmosphere, we built out an 18 wide by 6 tall LED wall as the centerpiece of the stage, flanked by EAW AC6 line array and Otto subwoofers to fill the room with clean, balanced sound. The highlight of the build was a custom designed pixel mappable LED staircase that brought a level of visual elegance and energy to the stage that set the tone for the entire evening, adding that classic award show feel.

Five years of trust built one event at a time. We are proud to be part of what Paul Gough Media continues to build.

Rollins College welcomed its new president, Brooke Barnett, with an inauguration ceremony worthy of the occasion, and our team was proud to help transform the Alfond Sports Center into the environment the moment called for.

To reimagine the space entirely, we deployed over 350 feet of drape to redefine the room, 74 lighting fixtures to set the tone and atmosphere, and 8 d&b V-Series line array boxes to deliver clear, consistent audio throughout the venue. The Bach Festival Society of Winter Park brought a 60 piece orchestra and full choir to perform for the occasion, and our team handled full audio reinforcement for both the room and a simultaneous livestream, ensuring the performance was heard with clarity by every person present and everyone watching remotely.

The goal was to take a familiar athletic facility and create something that felt ceremonial, polished, and completely intentional from every seat in the room. When production design and technical ex*****on come together, the room tells a story before the program even begins.