Perrotin

‘Trilla’ by is now open at Perrotin Shanghai.

The exhibition brings together a series of paintings where light, scale, and composition guide the viewer through shifting atmospheres. As they move through the space, images of fields, figures, and interiors unfold like fragments of a continuous narrative, never fully fixed, always in transformation.

Rather than illustrating a place, Pooley constructs a sensory environment where scenes seem to emerge and dissolve, shaped by rhythm, distance, and perception.

On view through August 15.
__

__
Views of Christiane Pooley’s exhibition ‘Trilla’ at Perrotin Shanghai, 2026
Photo: Mengqi Bao
Courtesy of the artist and Perrotin

Now on view at Perrotin NY: ‘Colosseum,' Holly Lowen’s debut solo exhibition with the gallery!

In ‘Colosseum’, Lowen’s paintings of tennis players operate as studies in behavioral performance, where bodies cycle through moments of intensity, collapse, and recovery. While their movements echo the rhythm of battle, her figures wear classic white uniforms, projecting a façade of extreme composure.

Lowen expands beyond tennis to depict chickens suspended mid-cockfight, drawing parallels between the ritualized aggression of both sports. Through the body of work on view in ‘Colosseum’, she probes humanity’s impulse to impose order on chaos, suggesting that repressed primal instincts don’t disappear, but accumulate and inevitably resurface.

'Colosseum' is on view at Perrotin NY until July 31.
__

__
Installation views of Holly Lowen’s ‘Colosseum’ at Perrotin New York, 2026.
Photographer: Guillaume Ziccarelli
Courtesy of the artist and Perrotin.

‘Touch Grass,’ Perrotin New York’s summer group show featuring work from over 30 artists, is now on view!

Brought together by a shared commitment to works that are distinctly the result of human hand and mind, the artists on view engage tactile imperfections, gestural abstractions, and conceptual frameworks, across their respective practices.

The title nods to the contemporary phrase “touch grass”, that urges us to reconnect with the tangible world, a sentiment that runs through each work on view. At its heart, the exhibition is a celebration of community and the humanity we share.

Featured artists include: Nina Chanel Abney, Jean-Marie Appriou, Genesis Belanger, Ivan Belanger, Eve Biddle, Sara Cwynar, Andie Dinkin, Madeline Donahue, Elizabeth Glaessner, Charles Hascoet, John Henderson, Adam Henry, Leslie Hewitt, Anna K.E., Susumu Kamijo, Klara Kristalova, Nikki Maloof, Sharon Madanes, Kevin McNamee-Tweed, Florian Meisenberg, Ryan Mrozowski, Danielle Orchard, GaHee Park, Matthew Ronay, Kyungmi Shin, Emily Mae Smith, Josh Sperling, Kathia St. Hilaire, Julia Von Eichel, Robin F. Williams, Clare Woods.

'Touch Grass' is on view at Perrotin NY until July 31.
__

__
Installation views of ‘Touch Grass,’ a group show at Perrotin New York, 2026.
Photographer: Guillaume Ziccarelli
Courtesy of the artists and Perrotin.

Otani Workshop's exhibition ‘The Shape of Our Butts, The Shape of Our Souls’ is now on view at Perrotin Matignon.

While the bronzes showcase technical virtuosity, with their fine chiseling and delicate patina, Otani Workshop’s ceramics create a truly wondrous world, a wonder that is found in tales and fables, tugs at the heart, and haunts the darkest dreams.

His paintings spring from the same desire and reverie, seeking to bring to the surface the same faces that appear in the terracotta and bronze sculptures. The colors are never garish; they are muted, almost subdued, like the sounds of a muffled piano. With chisel or brush and sovereign restraint, Otani Workshop contemplates the grace of these rudimentary heads, allowing us “to see something unknown emerge each day in the same face,” to borrow Giacometti’s programmatic words.

What remains when the marks that crease the skin, wrinkle the eyes, and scar the cheeks fade, when the physical signs and facial changes dissolve? What remains is the bare childhood of an unblemished face. Before the great tragedy, the dark cloud, and the little death.
—

__
Views of Otani Workshop’s exhibition “The Shape of Our Butts, The Shape of Our Souls” at Perrotin Matignon, 2026.
Photos: Tanguy Beurdeley
Otani Workshop/Kaikai Kiki Co., Ltd. All Rights Reserved.
Courtesy of the artist and Perrotin

‘Les esquisses de la Caverne’ is now on view at Perrotin Paris.

Concurrently with his monumental public transformation of the Pont-Neuf, JR presents a dedicated exhibition at Perrotin, showcasing the material genesis and studio practice behind ‘La Caverne du Pont Neuf’.

At the absolute core of the project, and conceived unexpectedly, is the artist's series of original drawings of individual rocks, entitled ‘Rochers’. Sketched one by one, these foundational mineral forms served as the structural "origin stones" for the entire cave. Through a process of meticulous manual manipulation and crumpling, JR infused these paper sketches with physical volume, transforming flat imagery into subtle sculptural reliefs. These primary works ultimately became the creative blueprint that informed the rest of the exhibition.

Expanding on this lexicon, the works on view chart the project's development through a distinct multi-layered technique. JR juxtaposes these studio sketches of mineral topologies with photographic views of the historic bridge, assembling the compositions onto authentic sheets of zinc salvaged from Parisian rooftops.
The exhibition also features the artist’s ‘Dé-compositions’, a series of intimate photographic and lithographic works exploring visual fragmentation and reconciliation.
—

__
Views of JR’s exhibition ‘Les esquisses de la Caverne’ at Perrotin Paris, 2026
Photos: Claire Dorn
JR, La Caverne du Pont Neuf, Esquisse #3
JR, La Caverne du Pont Neuf, Esquisse #19
JR, La Caverne du Pont Neuf, Esquisse #2
Courtesy of the artist and Perrotin

‘Time Fold’ is now on view at Perrotin London.

Bringing together new and historical works spanning nearly two decades, Daniel Arsham’s exhibition unfolds as a meditation on time, transformation, and material memory. Sculpture, painting, and works on paper enter into dialogue through the artist’s ongoing exploration of “fictional archaeology,” where contemporary objects and classical figures alike appear suspended between excavation and erosion.

From crystallized busts of ancient deities to petrified cameras and newly created sand sculptures, Arsham blurs distinctions between past and future, permanence and disappearance.

Presented alongside a rare selection of archival drawings shown publicly for the first time, the exhibition reveals the continuity of an artistic language shaped by geology, architecture, and cultural residue.
__

__
Views of Daniel Arsham’s exhibition ‘Time Fold’ at Perrotin London, 2026
Photo: Eva Herzog
Courtesy of the artist and Perrotin

Now open at Perrotin Shanghai, ‘Dirty Laundry’, an exhibition by Oli Epp.

Step into a "theatre of stains," where Oli Epp’s new body of Unrealist paintings explores the aftertaste of the past year. Moving between the domestic and the taboo, these works confront inner turmoils through a lens of "Unrealism", a contemporary surrealism shaped by the instability of images in an age when reality itself feels staged.

From the autobiographical Fool’s Gold (Prospector) to the tender, moving Madonna, the exhibition offers the pleasure of exposure through razor-edged silhouettes and graphic gradients.
__

__
Views of Oli Epp’s exhibition ‘Dirty Laundry’ at Perrotin Shanghai, 2026
Photographer: Mengqi Bao
Courtesy of the artist and Perrotin

We are pleased to return to Art Dubai for the 2026 Special Edition with a collective presentation featuring established and emerging artists from the gallery’s roster.

This year, the booth includes a solo corner dedicated to Lee Bae, alongside new works by Hugo Toro and Wang Fanseng presented for the first time in the region.

The presentation also features works by Monira Al Qadiri, Julian Charrière, Jean-Philippe Delhomme, Mathilde Denize, Izumi Kato, Bharti Kher, Takashi Murakami, Jean-Michel Othoniel, Pieter Vermeersch, Bernar Venet, and Xiyao Wang.

Discover the presentation throughout the fair!
__

__
Installation views of Perrotin at Art Dubai, 2026
Jean-Michel Othoniel, Precious Stonewall, 2024
Takashi Murakami, Shangri-La, 2021
Lee Bae, Brushstroke A48, 2024
Jean-Philippe Delhomme, Anitra Red Legs, 2024
©Adagp, Paris, 2026
©2026 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Perrotin
Photo: Ismail Noor
Courtesy of the artists and Perrotin.

Hello Frieze New York!

We are thrilled to be back with a solo presentation by Genesis Belanger ahead of her first major public exhibition with Public Art Fund at City Hall Park in New York City.

Alongside the solo presentation, our booth features works by a range of artists on the gallery’s roster including Alma Allen, Daniel Arsham, Gabriel de la Mora, Bernard Frize, Laurent Grasso, Todd Gray, Hans Hartung, Jean-Michel Othoniel, and Emma Webster.

Discover all of the artists at booth B3 through May 17!
__

__
Installation views of Perrotin’s booth B3 at Frieze New York, 2026
Photo: Guillaume Ziccarelli.
Courtesy of the artists and Perrotin.

‘Harnessed from Nature’, organized by Shim Moon-Seup Art and Culture Foundation and curated by Sim Eunlog is now open at Ca’ Faccanon in Venice.

Spanning more than five decades of practice, the exhibition brings together painting, sculpture and installation in a continuum where form is no longer fixed, but unfolds through time, transformation and relation.

Rather than shaping matter, Shim Moon Seup creates the conditions for it to reveal itself. Wood, stone, clay and canvas become sites of slow change, where erosion, tension and coexistence define a sculptural language rooted in process rather than permanence.

Here, sculpture is not an object but a field of becoming, where nature itself emerges as an active and generative force. The exhibition is on view through September 30.
__

__
Views of Shim Moon Seup’s exhibition ‘Harnessed from Nature’ at Ca’ Faccanon, 2026
Photo: Tanguy Beurdeley
Courtesy of the artist and Perrotin