Danger!

Danger!

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MOLAA exhibition at The Collaborative - opens: April 28 Danger! will be on view at The Collaborative until July 20, 2012.

THE COLLABORATIVE: A PROJECT OF THE ARTS COUNCIL FOR LONG BEACH AND THE MUSEUM OF LATIN AMERICAN ART
Danger! April 28 – July 20, 2012

Co-curated by Idurre Alonso and Selene Preciado, this exhibition will present works of art that explore the idea of danger, showcasing the work of three artists including Marcela Armas, Mely Barragán, Miguel Fernández, and Daniel Ruanova. challenges the viewer to analyze his/her own notions of perception and caution before objects that appear dangerous or hazardous. The works in this exhibition include installations by the four Mexican artists; One of my spiked balls, 2012, by Daniel Ruanova (Tijuana, b. 1976), continues his investigation on notions of violence, fear and safety by creating a mechanic plastic spiked ball that moves slowly as a pendulum, resembling a rubber toy for children as well as a torture device. Marcela Armas (Durango, b. 1976), winner of the 2012 electronic arts award at Arco, Madrid, presents Resistencia, 2009, an installation consisting of a set of steel cords and sensors that create a heating resistance at the center of the piece, which represents the border and the socio-political tension between Mexico and the United States. For this exhibition, Miguel Fernández (Hermosillo, b. 1986) is producing an installation of broken glass particles on top of a table with benches, inviting the viewers to sit on the table and observe the material, which even though does not represent an imminent danger, the semiotic meaning of the image of broken glass indicates us of the risk involved if we touch the material. Mely Barragán (Tijuana, b. 1975) presents an installation of handbags in the shape of kitchen knives and Shallow Water, 2011, a sculpture made with black acrylic and latex that not only refers to the danger of the ocean as a force of nature and the vulnerability of its ecosystem due to human intervention, but also the material that Barragán utilizes has some connotations of perversity and sexuality. The works in this exhibition question how we relate to materials and shapes of objects, and how danger is a concept that involves curiosity and caution simultaneously, as our brain activates signals that alert us to avoid by “not touching” or not coming “too close” to something as survival instinct, but if we do, is not only an act of defiance but of power. Miguel Fernández lives and works in Tijuana, Daniel Ruanova and Mely Barragán currently live and work in China, and Marcela Armas lives in Mexico City.

Timeline photos 03/16/2012

Mely Barragán working on Shallow Water II

http://www.jausart.com/portfolio_gallery_layout2.asp?WebsiteID=14007&GalleryID=76501&Tot 03/12/2012

http://www.jausart.com/portfolio_gallery_layout2.asp?WebsiteID=14007&GalleryID=76501&Tot=

http://www.jausart.com/portfolio_gallery_layout2.asp?WebsiteID=14007&GalleryID=76501&Tot "Sharing a secret isnt knowing it or breaking its promise, it is sharing something ignored: nothing known, nothing that can be determined." ~J. DERRIDA

IN OUT by Mely Barragán 03/12/2012

http://mauriciocadena.wordpress.com/2012/03/10/in-out-by-mely-barragan/

IN OUT by Mely Barragán Curaduría de: IN OUT, exposición multidisciplinaria de la artista visual Mely Barragán Noviembre 4, 2011 – Enero 3, 2012 VIA arte2 56 galería Tijuana, México Como un juego de memo...

Gana Marcela Armas el premio de arte electrónico en ARCOmadrid 03/10/2012

http://www.milenio.com/cdb/doc/noticias2011/b9522691acd684bb6d66fa900fcc61a2

Gana Marcela Armas el premio de arte electrónico en ARCOmadrid La obra “Máquina Stella”, de la artista mexicana, fue seleccionada de entre 61 trabajos presentados al certamen, el premio consta de 19 mil dólares, así como la promoción de la obra en las actividades de Beep.

03/10/2012

http://www.quora.com/Artwork/What-art-museums-host-dangerous-pieces-such-that-visitors-could-easily-hurt-themselves-or-die

Artwork: What art museums host dangerous pieces such that visitors could (easily) hurt themselves or Answer: The Tate Modern's crack in the floor art exhibit by Colombian artist Doris Salcedo's, Shibboleth[1]: 548 feet long, up to three feet deep and up to ten inches wide. Unsurprisingly, several people stepped in it and injured themselves despite warning signs and the rather obvious nature of i...

9 Really Dangerous Pieces of Art - Mental Floss 03/10/2012

http://www.mentalfloss.com/blogs/archives/83771

9 Really Dangerous Pieces of Art - Mental Floss 9 Really Dangerous Pieces of Art Normally when artwork is described as “dangerous,” it means it challenges the viewer to think and feel outside their comfort zone. That\'s not what we mean here.

Ai Weiwei's Sunflower Seeds Prove Hazardous to Visitors and Staff 03/09/2012

http://hyperallergic.com/11132/ai-weiwei-seeds-hazardous/

Ai Weiwei's Sunflower Seeds Prove Hazardous to Visitors and Staff After a joyous opening and critical reception, Ai Weiwei’s Sunflower Seeds installation at the Turbine Hall has been cordoned off to protect viewers’ health.

Mely Barragan / Daniel Ruanova / China 2011 03/09/2012

This blog is a photographic chronicle of Mely Barragán's and Daniel Ruanova's artist residency in China last year (they are going back to China soon!):
http://melydanielchina2011.blogspot.com/

Mely Barragan / Daniel Ruanova / China 2011

03/08/2012

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