Denver Design Group

Most basement bars are an afterthought.

A mini fridge. A few shelves. Somewhere to put the bottles.

This one was designed like a place people would actually want to end up.

Charcoal Vector Reverb tile. Ceiling-mounted walnut shelving with brass brackets and integrated lighting. Layers of warmth, texture, and atmosphere that make the room feel intentional from the second you walk in.

Part of a full home remodel, and still the room everyone gravitates toward by the end of the night.

Denver Design Group - Greenwood Village
Kathy Peden Photography

Mid-century modern done right isn’t nostalgia. It’s a space that knows how to live in the present.

This Denver kitchen started with structure. A wall came out. The island was rebuilt around how people actually move through the space.

The tambour wall banquette adds warmth without slowing anything down. The Elipse Verde tile - green and white, unmistakably retro - becomes the point everything else organizes around.

Nothing here is decorative first. It only looks that way after it works.

Denver Design Group | Mid-Century Mod Kitchen, Denver

The first conversation is never about finishes.

It starts with what isn’t working.

The hallway that clogs every morning. The room that never quite gets used the way you intended. The small points of friction you’ve adapted around without noticing.

That’s the part that matters. Because once we understand that, everything else has a direction.

By the time we’re talking about materials, the structure is already doing the heavy lifting. The layout reflects real routines. The flow supports how you move through the home. The decisions are anchored in function, not guesswork.

That’s the part that determines whether a space actually works once you’re living in it.

Denver Design Group

Everyone in Wash Park was telling her to pop the top. She didn't.

From the street, nothing changed. Same walls. Same doors. Same 1917 bungalow the neighborhood has always known.

Inside is a different story. Vaulted ceilings, skylights, an entirely reimagined floor plan, and a lower level designed to feel like part of the home rather than an afterthought.

Sometimes the best solution isn't the expected one.

Denver Design Group | Wash Park

At first glance, it feels quiet.
Marble. Brass. Clean lines. A restrained palette.

Then you notice the doorway.

Denver Design Group | Englewood Primary Bath

Not every project is a whole home remodel.

Sometimes it’s a powder room. A bathroom. One space that has never felt quite right - but didn’t seem important enough to call a designer.

“From the moment Alexis and Kristina stepped into my home, I immediately felt comfortable and confident that I was in excellent hands.

Although my project was small - a powder room upgrade - they dedicated the same level of time, care, and attention as they would for a much larger renovation. They truly listened to my ideas and preferences while offering thoughtful suggestions that elevated the design and made the space feel cohesive and inviting.” - E.S.

The range hood was custom milled in walnut.

It’s the detail that pulls the whole kitchen together... the warmth of the island, the movement in the Matarazzo quartzite, the brass hardware throughout.

This Centennial home may have started in the 1990s. It doesn’t feel like it anymore.

Full project on the website

You know that feeling when you walk into a room and it feels like it was made for you?

That’s not an accident.

Each of these bedrooms was designed around a specific person - how they live, what they’re drawn to, what makes a space feel comfortable to them.

A custom headboard is one of the fastest ways to make a room feel like it belongs to someone specific.

Four bedrooms. Four entirely different expressions within the same home.

Which one would you choose? Bold, quiet, layered, or minimal?
Full project on the website

This kitchen didn’t start with cabinets.

It started with how the space needed to function.

We removed walls, opened the layout, and reworked the connection between kitchen and dining to create a continuous, usable space.

The color story came after. A watercolor mural set the direction for the palette - blue cabinetry, layered tile, and a central island designed to balance function with presence.

A second home that didn’t feel like one.

When they came to Lone Tree, the house had structure - but no identity. Every room worked. Nothing connected.

We rebuilt that language from the inside out.

Custom furnishings designed for each space. A color story that carries quietly through the entire home. Materials chosen for how they live, not just how they look.

Nothing random. Nothing decorative for the sake of it.
Just a home that finally feels like it belongs to them.

Full project live on the website.


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