Generators Playground

Don't miss Kam Franklin on SAT at 8PM!

I'm looking forward to sharing the stage at Dan Electros in less than two weeks with the incredible Lucas Gorham aka Lucas/Heaven and his family band. He is teaching his band a full set of my music, and he'll also be previewing a bunch of new music that he's been working on with them. It's gonna be an H-Town night for real. Uncle Tino will also be blessing the audience with a DJ set. Make a plan and we'll see y'all at the show.🩵🩵🩵

More info here: https://www.stubwire.com/e/37903/ariespartylucasheavenfamilybandkamfranklindjuncletino/danelectros/

Hey we are looking for vendors for a couple of metal shows coming up! hit us up or Baoism Pham for more details on how to catch a free vending spots :)

Facts

#littleriichard he looks like #Jacquees #kingofrockandroll #weebattleevents #weebattleradio #live #podcast #nashville @weebattleweeklyradio @hoodrock #wvol1470 #freestylerap @wvol1470nashville #cashville

On this day in 1967, Muhammad Ali was ordered by the Selective Service to be inducted into military service, which he refused. Here’s a video on why he refused to be drafted into the army to go to Vietnam. What did you guys think? Let us know in the comments. Follow @__african__motivation for daily posts on African News, History, and Pop Culture 🛑I need your help to keep creating free educational content!🛑 In order of impact, you can support my work by: - Saving this post (it really is a boost) - Sharing this on your story - Commenting one thought that sparked in your head - Tipping me on chipper cash ([email protected]) - Of course, liking this post! Thank you so much, let’s continue to share History and stories from Africa and the Diaspora! #africa #__african__motivation #blackpeople #african #india #westafrica #eastafrica #northafrica #southafrica #centralafrica #love #blackpeople #africa #african #__african__motivation #westafrica #eastafrica #northafrica #southafrica #centralafrica #diaspora #africandiaspora #blackhistory #africanhistory #africaforafricans #black #blackhistorymonth #africanculture #africanlove #blackamerican #blackculture #colonialism #darkcontinent #slavery #modernslavery #imperialism #muhammadali #vietnam

Y’all please take the time to help out this friends family to get help and relocated out of Gaza.

Nick Cooper has brought this to my attention and we are working on efforts to make this happen. If you can find it in your heart to help than please do.

Thanks and many blessings to you.

Helping my family leave Gaza to escape the war, organized by Al Farra We all seen what’s been happening with the war on the Gaza Strip and saw child… Al Farra needs your support for Helping my family leave Gaza to escape the war

Hey I’m gonna be teaching can control classes for this rusto fest coming up next month and I hope you all can make it. Bring your kids and family/friends! I’ll see you on 5pm s mark your calendars 🖤🦙💯

Spray Paint Workshop | HTX ART Intro to Spray Paint with artists Bao Pham

This is gross incompetence and I never imagined it would be this bad. The government is failing so hard that it’s almost impossible to keep up with.

Are you paying attention yet?

“They're trying to build a prison
They're trying to build a prison
They're trying to build a prison for you and me
Oh, baby, you and me” -

This introspective view of the world is worth seeing.

Big ups to the CAMH

Take a peek behind-the-scenes into the world of .

To make her films, Strafer often employs both dolls and human actors, reflecting her interest in the ways that dolls, masking, and other types of stand-ins can serve equally as archetypes of identity, objects of projection, and surrogates or doubles for real people. Periodically, human or silicone hands enter the frames to wipe a doll’s tear with Q-tips, or to caress and reposition it, simultaneously suggesting care, control, and containment.

In a recent interview with BOMB Magazine, Strafer opens up about her artistic style and choice of direction:

“Interchangeability is important to me: between actors and then between dolls and actors. Dolls are a practical decision, a way to make stuff with less people. I'm also attracted to them on an intuitive level. It's fun, and it feels childlike. Play is really important. I don't want to think too much while I’m working, but I do very intensely scrutinize all my decisions before and after making. Interchanging real and fake people is a storytelling device; and since most of the stories are autobiographical, I'm making decisions to take myself out of it as much as possible, because I don't want someone to see my work and think, “Oh, my God. This thing happened to Jordan.” I want them to think, “Oh, God. People are terrible.” I would rather someone think about the symbols in the work. Or, “What is up with this woman’s rash?” “Why are they on a tacky luxury air ambulance?” I would rather the autobiographical aspect be secondary.

Jordan Strafer: Trilogy will open to the public on Thursday, July 27 from 6–9PM.

For more information about this exhibit, visit: camh.org/event/jordan-strafer-trilogy/