Durham Jazz Renaissance Foundation

To cultivate, refine and further encourage the understanding and appreciation of the Heritage, culture and origin of Jazz.

05/29/2026

05/04/2026

https://www.youtube.com/live/y86vl1cpNsg?si=wVTP-FluTBGvpfcq

International Jazz Day 18K likes, 66 comments. "2026 International Jazz Day All-Star Global Concert — Live in 4K from Chicago, USA"

03/31/2026

McCoy Tyner is often framed through his role in John Coltrane’s Classic Quartet — but his story reaches far beyond that, as these 5 stories show...

1️⃣ He converted to Islam at 17 and adopted the name Sulieman Saud

Born Alfred McCoy Tyner in Philadelphia, he converted to Islam in his late teens and took the name Sulieman Saud. Several early 1960s documents — including Impulse! session sheets — list him under this name.

2️⃣ His left-hand power was legendary among musicians and engineers

Tyner’s hallmark sound — strong left-hand quartal voicings combined with a huge physical touch — was frequently described by colleagues as unusually forceful. Drummer Joe Chambers remarked that Tyner’s left hand could “knock the piano out of tune” during a set, a comment echoed by engineers from the Impulse! years.

3️⃣ He left Coltrane’s band because the new direction made the piano inaudible

Tyner departed the Coltrane Quartet in late 1965. He later gave a clear explanation:

“I didn’t see myself making any contribution to that music… I couldn’t hear the piano.”

4️⃣ The Real McCoy was recorded whilst out-of-contract

When Tyner recorded The Real McCoy in April 1967 — with Joe Henderson, Ron Carter, and Elvin Jones — he was newly brought onto the Blue Note roster, having no active label contract at the time.

Alfred Lion signed him after hearing him play at the Half Note. The session wasn’t an “audition” in a formal sense, but it introduced Tyner’s concept to the Blue Note catalogue, launching his long run of influential late-60s and 70s albums.

5️⃣ His harmonic and rhythmic language reshaped modern jazz piano

Tyner’s approach — pentatonics, stacked fourths, strong rhythmic propulsion, and pedal-point tension — became a foundational part of modern jazz vocabulary. Pianists including Chick Corea, Geri Allen, Danilo Pérez, and Gonzalo Rubalcaba have cited him as a structural influence on their own work.

[📸 (c) 1973 Gisle Hannemyr, CC BY-SA 2.5* via wikimedia commons]

03/26/2026

https://stanleybaird.hearnow.com/from-a-distance?fbclid=IwZnRzaAQxhKFleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xNzM4NDc2NDI2NzAzNzAAAR7ZX0KtwGdw85VaiBcvxi4FDKVE4b2p1FA0zGBHtkkqtFOTOlAVB0SODiyzrQ_aem_f4csaehq-4nYYGggG-jewA

From a Distance 'Saying hi to all my friends and musical family. Please take a listen to my new release 'From A Distance'...add it to your playlists and tell all your friends as well. Thanks for all your support throughout the years...Love Always! Stan