Claire Crowe Collection

You found the piece. Then you measured the wall.
It's too small.
Most wall art ships in one size, off the shelf. Designers know this story. The wall above the staircase. The long hallway. The double-height entry.
Our Aria sculpture starts at fifty inches tall. That's the standard composition and what we sell most often. But Aria is beautiful in custom sizes, too. We can scale it for the wall. We can run it longer by combining multiple compositions into one continuous line. Hand-forged in iron. Finished by hand in one of our hand painted finishes or an oxidized patina.
If you need a longer line, send the wall dimensions. We'll gladly show you with a sketch how we can imagine it on your wall.

A branch crosses the mesh corner to corner, leaves scattered along it, each one forged and veined by hand.
This is the Lennox fire screen. Branches are shaped in iron, drawn thin where a real one would taper, and the leaves are cut and worked one at a time, so they catch the light at different angles. No two sit the same way. Swipe for the close work: the place where a leaf meets the stem, the curl at the tip, the screen set against the firebox in its fireplace home.
Forged and finished by hand in our Dallas studio.

The Lineage mirror's bronze edge is chased into a fine raised and creviced texture, the kind that invites a hand to touch it.
The mirror inside is antique glass, clouded and silvered with age. Reflections come back soft and dimmed.
Forged and finished by hand in our Dallas studio, this mirror can be made in custom sizes, with regular mirror and in oxidized patinas.

A sunburst, brass rays thrown out from a single orb at the center, set against a fireplace in a room gone deep gray and gold.
This is Mohon Interiors doing their magic. The Austin design firm built the whole room around contrast: pale boucle against plaster the color of a storm, gilt edges catching what little light there is. Our fire screen sits right in the middle of it, radiating.
Forged by hand in our Dallas studio in iron and brass. Some rooms whisper. This one holds court.

Most chandeliers end at the candles.

Lennox keeps going.

Six candle arms curve outward from a central base. Below them, forged branches fan out like an inverted canopy, giving the piece its sculptural weight and movement.

Branches end in a small leaf, with veins hammered by hand. Every leaf is individually formed. No two are exactly alike.

Even the chain is wrapped in vine and leaf, so the botanical detail carries all the way to the ceiling.

Lennox is hand-forged in iron and shown here in our Aged Gold patina, applied by hand in layered coats. Available in six finish options.

The standard composition is what designers specify most often, but Lennox can also be scaled for larger rooms, taller ceilings, and more dramatic installations.

For dining rooms, entries, stair halls, and spaces that need lighting with real presence.

Trade inquiries welcome.

A single stem up the center, leaves drawn out and bent by hand. No two curve the same.
This is the Lily Stems screen. Each leaf is tapered to a point and worked over the anvil's horn, one at a time. It sits at the fireplace, the spot a room turns toward.
Designed and built by our team at our Dallas studio.

Big picture first. Quiet details second. ✨ A statement mirror should instantly open up the room and catch the light, but it’s the hand-hammered textures and shapes that reward a closer look. We design for both - Explore our mirror collection!
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Some spaces just stay with you. ✨ Looking back at the incredibly vibrant room created for the Whole Home. We added a few custom butterflies to the Ginkgo Fire Screen. A playful detail for a room so full of life. 🦋
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Quiet detail or sculptural anchor? Getting the visual weight right is everything. If you know a space needs a hand-forged touch but aren't sure what direction to take, we’re here to help calibrate the design to your room’s exact scale and architecture. - Start the conversation at the link in bio!