Swatch Four

New color for x (and his talking car). My good bud, Todd Thompson, wrote this one, and the tone he established set the stage for everything we tackled in post.

A killer Show LUT provided by DP .dp served as the base for everything myself the team and I built in the post-grade.

I’ll say it ‘til I’m blue in the face (Haha — and as I type this, I swear that’s not a color pun, even though I recognize this is a Progressive spot dipped in blue) – LUTs are the best form of color communication from pre-to-post.

There. I said it again. 😨🥶✌️

Client: //
Senior Creative Director:
Writer / Social Director: Todd Thompson
Creative Digital Producer: Jennifer Short
Creative Video Specialist:
Editor: Jon Somers

Production: .tv
Producer:
Director: .m
DP: .dp
1st AC: .camera
DIT: Jason Johnson

Edit: Dylan Matthews x Joel Douris // Mattock
Audio: Dallas Taylor // Defacto
Color: //
Carousel Art:

Grading AI footage has been on heavy rotation this year in the studio. keeps pushing those boundaries.

Dialing in a consistent 🟪🟥 “ Red” 🟥🟪 was our focus across this campaign with .

I’m always itchin’ for collabs with Editor .creative, and this one built off the insane generative imagery from .bowman and his team. This tech is pretty wild.

Shout out to , .oliviaem, and for bringing me on yet again.

Agency:
EPs: Matt Pfeffer and Danny Yourd
Post Producer: Germaine Putz .oliviaem

AI Lead: Billy Boman
AI Artist: Monika Kaczanowska
Assisting AI Artist: Neda Sedejou
Assisting AI Artist: Julian Martorell
Retouch: Philip Cederman

Post:
Editor: Steve Davis .creative
Color: /

Client:
Chris Stollmeyer - Art Director
Brandon Willingham - Copywriter
Owen Tingle - Creative Director
Justin Baum - Creative Director
Koree Sharma - Producer

x color, with creative direction by and a hard-cutting edit from . These concrete jungles were a great backdrop to build our grade upon.

Creative Director:
Editor:
Talent:
Color: //
Carousel Art:

Comedy color on a “Batteries Plus” spot with director and editor of .tv. Those brand greens 🟩 and oranges 🟧 were fun, consistent swatches to pull through every scene.

Batteries Plus “Battery Pack”
Production: .tv
Director:
EP:
Line Producer: Justin Kreinbrink

Agency: WPromote
Senior Vice President of Creative: Justin Hooper
Senior Creative Director: Steve Williams
Director of Creative Operations: Toni Dysert
Senior Account Director, Client Services: Nigel Shroeder
Executive Producer: Colleen Miller

DP:
1st AC: Ryan Hart
2nd AC: Dan Crowley
Gaffer: Aaron Araza
Key Grip: Thomas Paolo
Sound Mixer: Jake McDaniel

Key HMU:
Wardrobe Stylist: Paula Rogers

Production Designer: Rachel Owens
Set Decorator: Chris Hayes
Prop Master: Darren Clark

Edit:
Assistant Editor:
VFX:
End Card Cutouts:
Sound Design:

Color: //
Carousel Art:

Color for // “Docked in the Driveway“ // Exteriors are wildly unpredictable, but I was impressed with , , and crew with their consistency alongside Mother Nature. They tracked the sun well, making it much easier during our remote color sessions with . Cheers!

Client: //
Mgr. Integrated Marketing: Sandy Supler
EP Mgr. Digital Design:
Sr. Mgr. Digital Design:
Creative Video Designer: Jon Somers
Creative Designer: .hollett
Creative Producer:
Editor: Todd Thompson // Jon Somers

Director:
DP:
EP: //
Producer:
Production Manager:
1st AC:
DIT:
2nd AC: Irma Ramirez
Gaffer:
Key Grip: Matt Kyhn
Best Grip: Ben Scharf
Best Electric: Lenny Haglund
Swing: Jason Breinholt
Production Designer: Taylor Morris
Art Director: .friendo
Props:
HMU:
Wardrobe:
Sound: Alex Burdick
Camera:
G&E:

Colorist: //
Carousel Art:

swatchfour

(Part 1 of 2) Color for // “Camped in the Cut-De-Sac“ // alongside the team — and Director + DP .

Production design kept that classic “Progressive Blue” (HEX: 0077B3 ✌️) as our north star, all the way into the final grade 🟦🟦🟦🟦🟦

Client: //
Mgr. Integrated Marketing: Sandy Supler
EP Mgr. Digital Design:
Sr. Mgr. Digital Design:
Creative Video Designer: Jon Somers
Creative Designer: .hollett
Creative Producer:
Editor: Todd Thompson // Jon Somers

Director:
DP:
EP: //
Producer:
Production Manager:
1st AC:
DIT:
2nd AC: Irma Ramirez
Gaffer:
Key Grip: Matt Kyhn
Best Grip: Ben Scharf
Best Electric: Lenny Haglund
Swing: Jason Breinholt
Production Designer: Taylor Morris
Art Director: .friendo
Props:
HMU:
Wardrobe:
Sound: Alex Burdick
Camera:
G&E:

Colorist: //

Color for ‘26 Playoff Opener, alongside — DP & Cavs Sr. Producer. HUGE thanks for pulling me on, man — and for plugging me in with the team in Post.

Shout out to of for the initial intro, and to for setting us up in post with his on-set DIT color pipeline. That Live Color workflow within Resolve rules. Let’s do more of THAT moving forward 🔥🏀🔥

Client:
DP / Sr. Producer:
Production Partner:
Director of Production:
Creative Director: .k.m.x.x
Director of Operations:
Gaffer:
Key Grip:
G&E:
G&E: Thomas Semple
G&E: Kevin Hines
G&E:
DIT:
Gear:

Editor:
Colorist: //

Some home-grown color tones with Director .jeffort of — for their client .

— whatever you and Jeff keep throwing in front of your lens, keep doing THAT. So rad.

Also, — same goes for that sound design of yours. Keepin’ it light n’ crispy 👌🤌

Check out for the full Director’s Cut —

Production:
Director: .jeffort
DP:
Gaffer:
Grip:
HMU/Art:
Photog:

Edit: .jeffort
Sound Design:
Color: //