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Mac Studio Gets its Biggest Upgrade Yet With M5 Max and M5 Ultra The most powerful Mac gets even more powerful with the behemoth M5 Ultra chip.

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editfreak Mograph Reel This is "editfreak Mograph Reel" by editfreak cut/fx on Vimeo, the home for high quality videos and the people who love them.

Great ways to use Auto Mask in Final Cut Pro by Iain Anderson - ProVideo Coalition The big three editing apps (Final Cut Pro, Premiere, Resolve) all copy features from one another, sooner or later. Sometimes this doesn’t take long (FCP’s Voice Isolation was copied by Resolve, Resolve’s curves were copied by FCP and Premiere) while sometimes it takes over a decade (Premiere.....

A noteworthy DaVinci Resolve 21 event: The user manual gets an update by Scott Simmons - ProVideo Coalition There’s a noteworthy DaVinci Resolve 21 event that has happened recently. No, I’m not talking about the full Resolve 21 release, the new Resolve 21 Photo page or any of the minor updates that have come along since then. I’m talking abou the mammoth, 4443 page DaVinci Resolve 21 Manual. I find ...

BRAW in FCP and beyond, with BRAW Toolbox v3.0 by Iain Anderson - ProVideo Coalition BRAW is the best format that Blackmagic cameras can use — and it’s a good choice. Though many older BM cameras included ProRes alongside it, not all the modern ones do. While the BRAW codec is certainly capable, offering quality/file size tradeoffs that ProRes doesn’t, using a custom codec mea...

Moving past the LUT.

Rethinking color correction in Final Cut Pro, with Kolor by Iain Anderson - ProVideo Coalition The three most widely used NLEs have always taken very different approaches to dealing with colour. Resolve’s origins as a grading tool have given it a clear technical edge, with nodes, color space transforms, and all the rest. Premiere is currently undergoing a complete rethink of its color engin...