ReActure Films
ReActure Films members:
Tim Armstrong - Director/Producer
Todd Zarn - Producer ReActure is a full service cross media production company.
The name is a combination of the words Reaction and Capture. It refers to the emotion or reaction a captured image instills. ReActure Films offers live action film, still photography and digital animation, with full-service post production capabilities. We service clients needs for any of the afformentioned services individually, or can interweave them to create a variety of looks and styles. We s
02/15/2017
Come out this Saturday to Cobra Lounge for our benefit concert! Live music, cocktails, and a good time with all proceeds benefitting Blood Money-The Movie!
Casting Call! Hey all, we're in the beginning stages of developing a play about the dynamics of the relationships and racial stereotypes.The intention is to develop it into a series. Here's the characters we're looking for. Please PM me if you fit the description, you have experience in live performance and are interested. Thanks.
CHARACTER AGE RANGE (25-30)
RACHEL NEMIN
(White) The life of the party but misguided. She’s artistic, optimistic, kindhearted but sneaky.
SUUN “Lily” QUAN
(Asian) Thrives off of being perceived as smart. She secretly hides the fact that she is not. Suun is pessimistic, calculating and irrational.
LOLA LI
(Black) The reasonable one. She is focused with a wick sense of humor.
JENNIFER PEREZ
(Puerto Rican) Gentle and thoughtful. She will avoids confrontation most times but will pick her battles.
JOSEPH “Jesus” TILLMAN
(Black) Two sides to Joseph—business and pleasure. He’s analytical and social.
ROBERT McCORMICK
(White) Jock type. Clings to “smart” women to be noticed as a smart man. He’s free spirited and jolly.
FEI “Michael” CHAO
(Asian) Outspoken and fails to think before speaking. He’s social and very lonely.
JORGE “Lee” SANCHEZ
(Puerto Rican) Fun and an open book. He lives life on the edge and does not care.
LISA McCORMICK
(multi-racial) Neutral in just about everything—opinions, life. She is multi-racial and does not have an allegiance to any one race.
Check out this interview with Laura,Vicki and James during wardrobe fittings yesterday. They're a few of our amazing cast for Blood Money The Movie.
Check out the interview with Matt Stratton, special FX and Armorer for our movie, Blood Money.
04/15/2016
We need help with wardrobe fittings this morning. Anyone interested?
Check out our spec spot we shot in 2010 for UDOs 3-6-9. I thought the footage was lost until I recently found it on an old hard drive. Dir. of Photography - Dave Kessler, A.D. - John Dombro, Art & Prop - Todd Zarn,
Editor - Tim Armstrong
10/17/2015
ReActure Films / Chi-Drones flight footage. The fields are cranberry farms in Wisconsin. Enjoy!
Phantom 3 / ReActure Films flight promo This is "Phantom 3 / ReActure Films flight promo" by Tim Armstrong on Vimeo, the home for high quality videos and the people who love them.
We would like to thank Kipp Christiansen, Michael McCune and two others for donating to the "Living In The House Of Blues" Indiegogo campaign. Thanks guys!
We are very excited to announce that ReActure Film has received it's LLC status with the sate of Illinois this week! It's official! We're on our way guys!
07/27/2015
HEY EVERYONE! We are proud to announce that our INDIEGOGO account is up and running for our Living On The House Of Blues movie!
We encourage you to check it, donate and help us make our dream of telling Denise's story come true. If you are unable to donate, that's OK, just share this on your page and give it forward.
Thanks so much!
CLICK HERE to support Living In The House Of Blues " Living In The House Of Blues" is based on the book by Denise L. Baker, daughter of Lonnie Brooks. | Crowdfunding is a democratic way to support the fundraising needs of your community. Make a contribution today!
07/08/2015
Living In The House Of Blues http://livinginthehouseofblues.com Written by Denise L. Baker, daughter of Chicago Blues legend Lonnie Brooks. Her personal story of growing up in Chicago, h...
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