Tingley

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*** mural ***

coming soon! ❤️ thank you

a chrysanthemum is the flower that blooms when everything else has given up. the flower that's still here.

"Still Life" is up at The Boulevard through end of June, exterior courtyard between Blaze Pizza and Cheeburger Cheeburger (1561 Niagara Falls Blvd, Amherst). Spray paint on birchwood panels, 8' x 9'. Series rotates quarterly.

Julie Fanning kept this commission alive for years. Thank you for asking me to be part of this project before you even started it.

love you, Mom ❤️

honored to be part of something special. 🏈

we were live (, , , , , ) at the Fieldhouse for Draft Day, customizing hats for premium season ticket holders as they celebrated Night 1 of the 2026 NFL Draft.

big thank you to , , and for the invite and for putting this together. Grateful to be in the room.

let's go Buffalo! 💙❤️

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study for ‘What Passes Through’ is headed to the for their upcoming 2026 Art Auction & Gala. 2026; ink, marker, and spray paint on stained deckle edge 200 GSM paper; 9.5" H x 16” L framed to 15” H x 21” L.

What Passes Through

There is a moment in every life when something arrives that you were not prepared for. It doesn't matter that you weren't prepared, because it was coming regardless. Grief. Love. Loss. The kind of beauty that doesn't ask permission.

The most transformative experiences of a life are often indistinguishable from the most devastating ones. They enter the same way. Through the chest. Without warning.

Everything that we already carry before the impact is dried out, dead weight: the accumulated burden of a person in motion, already loaded down when it hit.

The flowers glow because that is what truth does when it passes through a human being. It doesn't belong to them. They didn't create it. They were simply the thing it moved through. And it left them changed, and it left them falling, and it left them luminous in ways they will never fully see themselves.

Maybe it's not tragedy. Maybe it's just a life, honestly witnessed.

what are you grieving and grateful for at the same time?

2024 study; acrylic, ink, marker, and spray paint on stained deckle edge 200 GSM paper; roughly 9" x 13"; sold.

These small, mixed media studies are my open journal to explore memory, identity, and our shared human experience. This intimate scale allows for immediacy and a personal conversation, a fluid counterpoint to my larger works. Some are seeds for future paintings; all are acts to capture and preserve fleeting thoughts.

02.16.2017 (study)

what's the chaos you're trying to see through right now?

2024 study; acrylic, ink, marker, and spray paint on stained deckle edge 200 GSM paper; roughly 9" x 13"; sold.

These small, mixed media studies are my open journal to explore memory, identity, and our shared human experience. This intimate scale allows for immediacy and a personal conversation, a fluid counterpoint to my larger works. Some are seeds for future paintings; all are acts to capture and preserve fleeting thoughts.

what are you finally giving yourself permission to feel?

2024 study; acrylic, ink, marker, and spray paint on stained deckle edge 200 GSM paper; roughly 9" x 13"; sold.

These small, mixed media studies are my open journal to explore memory, identity, and our shared human experience. This intimate scale allows for immediacy and a personal conversation, a fluid counterpoint to my larger works. Some are seeds for future paintings; all are acts to capture and preserve fleeting thoughts.

what did losing something teach you that gaining it never could?

2024 study; acrylic, ink, marker, and spray paint on stained deckle edge 200 GSM paper; roughly 9" x 13"; sold (pending sale).

These small, mixed media studies are my open journal to explore memory, identity, and our shared human experience. This intimate scale allows for immediacy and a personal conversation, a fluid counterpoint to my larger works. Some are seeds for future paintings; all are acts to capture and preserve fleeting thoughts.