Print Magazine

Print Magazine

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PRINT (printmag.com) is an online community and magazine about visual culture and design. Founded in 1940, we showcase inspiring design on and off the page.

Print is a bimonthly magazine about visual culture and design. Founded in 1940 by William Edwin Rudge, Print is dedicated to showcasing the extraordinary in design on and off the page. Covering a field as broad as communication itself—publication and book design, animation and motion graphics, corporate branding and rock posters, exhibitions and street art—Print covers commercial, social, and environmental design from every angle. Engagingly written by cultural reporters and critics who look at design in its social, political, and historical contexts, Print explores why our world looks the way it looks, and why the way it looks matters. Subscribe here:
http://www.printmag.com/Article/subscribe

In 2009, for the second year in a row, Print received the National Magazine Award for General Excellence in its circulation category, the highest honor a magazine can receive. A five-time winner, Print has been honored numerous times by American Society of Magazine Editors, the Society of Publication Designers, AIGA, The Art Directors Club, and The Type Directors Club. In its 2008 citation, ASME wrote: "Proving that just looking great isn’t enough, Print stands out in a cluttered field with its expansive view of its subject, its relentless curiosity, and its determination to look at design not in a vacuum but as a crucial gateway to popular culture, the environment, even politics." Print's contributing editors include Colin Berry, John Canemaker, Michael Dooley, Cathy Fishel, Martin Fox, Steven Heller, Jeremy Lehrer, Patric King, Debbie Millman, Rick Poynor, Todd Pruzan, Ellen Shapiro, Paul Shaw, Su, Anthony Vagnoni, and Tom Vanderbilt. If you are interested in writing for or advertising in the magazine, please see our 2009 editorial calendar on our website. Advertisers should also consult our Advertising Information and Print Media Kit information page. If you have a question or comment, need help with your subscription, or want to order a DVD or back issue, please see the "Contact Us" page at www.printmag.com.

Photos from Print Magazine's post 08/27/2026

Dolly Parton’s Love for All Things Printed⁠
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We lost a creative legend yesterday. Dolly understood the power of creating something tangible, meaningful, and lasting. From her music and storytelling to the printed pieces that brought her world to life, her creativity extended far beyond the stage.⁠
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Her legacy reminds us that the things we create can live on, inspire others, and leave the world a little better than we found it. ❤️

Read the feature on PRINT: https://www.printmag.com/design-culture/dolly-partons-love-for-all-things-printed/

Photos from Print Magazine's post 08/17/2026

The Daily Heller: Designers as Artists, Too⁠
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Walter Allner, Alexander Liberman, and Fred Troller each maintained two distinct yet overlapping artistic practices—fine and applied.⁠
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Read the feature on PRINT - 🔜 https://www.printmag.com/daily-heller/the-daily-heller-designers-are-artists-too/

Photos from Print Magazine's post 08/13/2026

New look! What are we thinking designers? Feature is up on PRINT - read it 📖

Photos from Print Magazine's post 08/13/2026

PRINT BOOK CLUB - AUGUST 20 @ 4 PM EST

What happens when the Declaration of Independence meets more than 100 years of American comics and cartoons?

In Declaration/Emancipation Illustrated, acclaimed cartoonist R. Sikoryak reimagines some of America’s most historic texts through 100+ iconic comic, cartoon, and graphic novel styles.

Timed to the 250th anniversary of the Declaration of Independence, the double-sided volume brings together the unabridged Declaration, the Emancipation Proclamation, and the Gettysburg Address—each transformed through Sikoryak’s remarkable command of illustration, lettering, composition, and visual storytelling.

Part visual encyclopedia, part history lesson, and part masterclass in style, the book shows just how powerfully visual language can shape the way we experience the written word.

Register and attend live! https://events.zoom.us/ev/AigUoxu2A7ZynWyGbt6nhcF6NU2xtNGgADwkT5PW8EAWfes3IxWG~Asb4h9hfEP1mhTsYPOIzeqTeiu0--_R8wi0J4ChnH5ycBLBIfMiRnvsD1g

Photos from Print Magazine's post 08/11/2026

The Historic ALEX Theatre Restores Its Cinematic Roots for ‘The Odyssey’

For the first time in 35 years, the Glendale, CA movie palace is showing a first-run feature. We chat with Artistic Director Miles Williams about the theater’s revival.

Read the full feature: https://www.printmag.com/design-news/the-historic-alex-theater-restores-its-cinematic-roots-for-the-odyssey/

Photos from Print Magazine's post 08/05/2026

PRINT Book Club: A Conversation with R. Sikoryak

Join the PRINT Book Club as we welcome acclaimed cartoonist and illustrator R. Sikoryak to discuss his latest book, Declaration/Emancipation Illustrated.

Released in celebration of the 250th anniversary of the Declaration of Independence, the book reimagines America's founding documents through the instantly recognizable visual languages of more than 100 iconic comics, cartoons, and graphic novels. The result is an extraordinary exploration of illustration, graphic storytelling, typography, and the enduring influence of American visual culture.

Whether you're a graphic designer, illustrator, cartoonist, educator, or simply a fan of great visual storytelling, this is a unique opportunity to hear from one of today's most inventive cartoonists.

Bring your questions, your curiosity, and, if you have it, a copy of Declaration/Emancipation Illustrated. We look forward to seeing you at the next PRINT Book Club.

https://events.zoom.us/ev/AigUoxu2A7ZynWyGbt6nhcF6NU2xtNGgADwkT5PW8EAWfes3IxWG~Asb4h9hfEP1mhTsYPOIzeqTeiu0--_R8wi0J4ChnH5ycBLBIfMiRnvsD1g

Photos from Print Magazine's post 07/27/2026

Stephen Savage's books for young children are more massive in scope than their simple drawing style and minimal text would imply. Although simple to comprehend, they are not, as a rule, simplistically conceived. Savage blankets such single-focused themes as trucks, moonlight, signs and pumpkins with mystery and revelation as he explores the essences of his growing oeuvre of disparate subjects, never failing to ask the who, what, why and where that kids and adults are anxious to know.

Read the full article on PRINT: https://www.printmag.com/daily-heller/the-daily-heller-take-a-load-give-a-load-learn-loads/

Photos from Print Magazine's post 07/21/2026

Type Tuesday

Simone Post’s Candy-Filled World is an Exploration of Impermanence

The Rotterdam-based artist shares the philosophy behind her art practice that's centered around unconventional materiality.

Read it on PRINT: https://www.printmag.com/designer-profiles/simone-posts-candy-filled-world-is-an-exploration-of-impermanence/

Photos from Print Magazine's post 07/21/2026

Simone Post’s Candy-Filled World is an Exploration of Impermanence⁠
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The Rotterdam-based artist shares the philosophy behind her art practice that's centered around unconventional materiality. ⁠
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Read it on PRINT - https://www.printmag.com/designer-profiles/simone-posts-candy-filled-world-is-an-exploration-of-impermanence/ 🍬🍬🍬🍬

Photos from Print Magazine's post 07/20/2026

A major emphasis of this refresh is the Coca-Cola ribbon, one of the brand’s most recognizable assets, first introduced in 1969. According to the ribbon was created to unify Coca-Cola’s core design elements. Inspired by the contour of the iconic glass bottle, it became a foundational piece of the brand’s design architecture as Coca-Cola expanded into new packaging formats. As cans, signage, and other brand touchpoints evolved, the ribbon served as a visual thread tying the entire system together.

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