Dale Raphael Goldberg - Director and Editor
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Dale Raphael Goldberg is a Director and Editor based in the Atlanta area working on commercials, documentaries, television, and movies.
He is the founder of Pushing Rogue, a production company in Atlanta. After spending 6 years at Apple coaching other filmmakers on editing and post-production with Final Cut Pro, Dale decided to pursue work as a full-time filmmaker. He started as an intern for Crazy Legs Productions in Atlanta for their show, “Swamp Murders” while completing a graduate certificate in Screenwriting at UCLA. After co
04/22/2021
Happy 🌎 Day! I’m reminded today of a project I’ve been privileged to work on as a Writer / Director. “The Aquatics” is a fun show about a guarded but enterprising young woman who decides to start a vlog about the importance of the world’s oceans and the value they bring to our lives.
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Let today be a reminder that we have been given the gift of intelligence and self-awareness so that we can understand that we have one home to live on - Earth. We are the stewards of this gentle beast of a planet and we should act accordingly.
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And while we’re at it, let’s remember that we are all part of this planet. Which means we should take care of each other, too.
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🌎🌍🌏
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Producers: Les Burke, ,
Writer + Director: Me
Cinematographer: .cubas
Prod. Coordinator:
04/17/2021
Playing with lens filters lately after learning about a cinematography technique known as “veiling” - heard of it?
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Basically, you try to conceal your subject to suggest something about their hidden nature. It could be to create mystery or confusion around the subject. Or it could be to suggest innocence that hasn’t been tarnished.
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Any number of ways to do it. You could literally put a veil on the subject (like a bride at a wedding or a Muslim woman). You could use the set to hide their face (like with walls or cleverly placed objects) or you can use reflections in glass to hide part of them.
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In this case I’m using a prism to create reflections or illusions around these plants. What do these effects say to you?
01/07/2021
Crafting a virtual show for . Virtual shows became a way of life for me in 2020. Some people don’t like them. Personally, I find there’s some advantage to being able to control the perspective and smooth out the rough edges but I know many folks (especially my friends in theater) miss the experience that comes from a live production. What do you think? Should we keep doing virtual productions post-pandemic?
01/06/2021
New year. New work! Kicking things off with a virtual production for at . @ Kennesaw State University
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About Me
Hey there. I am a filmmaker and director working in Atlanta, Ga. I’m one of those fortunate people who loves my job.
I’ve worked in various capacities in the Atlanta film industry for over 18 years now. I spent the first 14 years of my career working primarily as an editor and, in 2014, took the plunge into directing, working primarily on commercials and short films but stretching myself whenever possible into various types of media. For example, my most recent project is a documentary series and podcast that I produced and directed in Jerusalem this past fall.
I continue to enjoy my work in commercials and, most recently, I’ve started working in the world of music videos and short films. I’m also working on the development of a television series I hope to produce in the near future.
I’m drawn to projects with strong emotions that pose interesting questions. Even in commercial work, there exists the possibility of making the audience feel something by connecting the story to something real and visceral.
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Atlanta, GA
30308