Tstop Camera Rentals

We're thrilled to share that Tstop has opened its doors in Atlanta! Since our founding in Los Angeles in 2004, we’ve provided top-notch digital cinema cameras, lenses, and support equipment rentals to the film and television industry. Now that we're settled in the ATL, our dedicated team is eager to connect with local filmmakers, cinematographers, producers, and camera crews. We invite Atlanta-based film professionals to visit our new location just west of Emory University and discover for yourself why Tstop is a premiere provider of digital cinema cameras and lenses.

We're thrilled to share that Tstop has opened its doors in Atlanta! Since our founding in Los Angeles in 2004, we’ve provided top-notch digital cinema cameras, lenses, and support equipment rentals to the film and television industry. Now that we're settled in the ATL, our dedicated team is eager to connect with local filmmakers, cinematographers, producers, and camera crews. We invite Atlanta-based film professionals to visit our new location just west of Emory University and discover for yourself why Tstop is a premiere provider of digital cinema cameras and lenses.

Visit tstop.com for more details.

If you’re at Sundance next week, please check out The Accidental Getaway Driver. This feature film, which was selected for the U.S. Dramatic Competition, was directed by and lensed by

We’re proud to have supported this project with our ARRI Alexa Minis and variety of lenses including the Super Baltars, Angenieux 44-440mm anamorphic zoom, Cooke 65mm anamorphic prime and various lensbabies.

About:

Long, a Vietnamese driver in Southern California, answers a late-night call for a ride. Already in his pajamas, he reluctantly accepts, picking up a man, Tây, and his two companions. But the men, recently escaped convicts from an Orange County jail, take Long hostage at gunpoint, thrusting him into their getaway plan. When complications arise, the fugitives and their hostage hole up at a motel, and a tense waiting game unfolds.
Sing J. Lee’s striking visuals and mood-driven aesthetic set the tone for unnerving intensity, punctuated by moments of humor and warmth. Inspired by a true story, this is not just a crime film, but a stirring portrait of this lonely old man and his relationship with Tây. It’s hard to overstate the captivating presence and poignance of Hiệp Trần Nghĩa in carrying the burdens of Long’s past — expressed through lyrical and gently surreal interludes: war, re-education camp, family estrangement, and now his marked isolation, having lost every “home” he’s ever known.

Cool new toy in our inventory: Laowa 24mm Peri-Probe T14. This full-frame lens offers incredible close focus (.8”) and ability to capture images in tight spaces thanks to its long, skinny shape. It has a swappable front section allowing you to choose between the original Probe design and the new 90 degree Periscope module. Also, the lens features a 360 degree helix rotation that opens up countless framing possibilities. Ours is PL mount.

Beautiful shot by using our Cooke Anamorphic Macro 65mm 2x lens and Alexa Mini camera for a short film directed by . This lens creates clean, unobtrusive flares and is ideal for (medium) close-ups.

Few great stills from a feature film shot by on an Alexa Mini LF and our Cooke Anamorphic 1.8x Full Frame prime lenses.

We’re excited to announce that we’re one of the first rental houses in the world to receive the new Cooke Anamorphic/i 1.8x Full Frame primes. Our set currently includes 40mm, 50mm, 75mm and 100mm. The rest (32mm, 135mm and 180mm) will follow soon. Built with Cooke’s robust design and unmatched optical quality, featuring the unique 1.8x squeeze ratio, these anamorphics are an amazing tool for large-format cinematography.

Here are a few gorgeous frames from a music video shot by using our Carl Zeiss Uncoated Super Speeds. Garrett said this about our lenses: “They lenses have just the right amount of soft, gorgeous focus fall off that I love but still hold detail really well to help separate the action. The flare on them is wide and soft, which gets rid of that hard flare look that I dislike from most modern lenses. Lastly the ACs don’t complain too much about them, mechanically or optically.” We agree. 👍👍 @ Los Angeles, California

New full-frame zoom in our inventory! This Duclos Lenses-rehoused Leica 70-180mm 2.8 (PL) is a gorgeous match with our Leica R (PL) primes.

Our Alexa Mini hanging out with these fine gentlemen. The BTS is from Jose Cuervo commercial shot by . As always, thank you for using our gear!

Congrats to one of our own, DP Thomas Hencz, and his camera crew for lensing "Between Worlds," a thriller shot with our Alexa Mini cameras and Arri Ultra Prime lenses. You can now stream it online!

The most recent addition to our camera inventory: Sony VENICE CineAlta 6K! Our cameras include the Anamorphic and Full-Frame licenses. Give us a shout for rental rates, or if you’d like to test it.