Carlos

Happy Easter with the beautiful Easter Angel Xia.

Coordination: Archie Lipnica
Props and Setup: Jan Eric Lipnica
HMUA: Rowell Sena, Rea Alcera, Andrie Botor

A composition of art, presence, and authenticity.

Lemuel A. Espina, a new pageant king on the rise!

Video and direction by Carlo Seda

LEMUEL NEW ERA.

In frame: Lemuel A. Espina

"Tinagba Mi Aku-A"

A living celebration of history, culture, and devotion.

In Iriga City, the streets come alive with vibrant dancers, the energy of the people, and the rhythmic pulse of life itself. Tradition thrives in the offering of the first harvest, a sacred act of gratitude for the bountiful rice and fruits, honoring both the land and the generations that nurtured it.

The Aetas, whose enduring spirit has shaped the region for generations, and the Malays of Iriga, whose heritage continues to influence local customs, are at the heart of this celebration. Devotion also flows through the city, centered on Our Lady of Lourdes, whose presence guides the festival and inspires a sense of reverence amid the vibrant energy. Beyond the streets, the roar of motocross engines adds a modern pulse to the festivities, showing how the community celebrates life in diverse ways—while still rooted in tradition.

This film is my attempt to capture it all: the dances, the devotion, the people, the offerings, and even the distant echo of engines—moments that together tell the story of a culture that celebrates life, honors its past, and moves forward with pride.

ARIBA IRIGA!

Second cam Carl Anthony Sambitan

TINAGBA MI AKU-A -Teaser

This is just a small look at Tinagba as I saw it—through the rhythm of the streets and the energy of its dancers. But there’s more to the story than this moment. The full montage film goes deeper, into the lives, traditions, and spirit of the Iriga people and the Aeta tribe.

Full montage film to be uploaded soon!

Special thanks to my friend Anthony Sambitan for coming with me and helping with my shoot!

KARANOWAN

Bato Lake in Camarines Sur has always been part of the Bicolano story. It has fed communities, shaped daily life, and endured countless typhoons over the years. When the rains come hard, the lake swells—sometimes flooding nearby towns—reminding everyone how closely life here is tied to water.

There’s a line in the Bicolano folk song “Salumpati Guminaro” that feels almost too familiar to ignore:
“Luminayog paibaba, napaturo si sacong luha—naging salog, naging sapa, naging danao na dacula.”
It speaks of tears falling, turning into a river, then a creek, until it becomes a great lake.

The imagery feels close to home. In Bato, water has always arrived in many forms—rain, floods, and resilience after every storm. Just like the song, the lake tells a story of emotion turning into something bigger, something lasting.