Analog MT

The Harbour: Ilford XP2 Super 400, scanned toned prints, Nikon FM2n, Voightlander Color Skopar 28mm, 2.8

Pickled faces: Fuji H400 PRO, Nikon FM3A, Carl Zeiss Planar 50 mm, 1.4 ZF2

Ilford XP2Super 400, Nikon FM2n, Carl Zeis Planar 50 mm, I.4 ZF2, Red 25 filter: Somewhere in Constanta, Romania.

Ilfor XP2Super 400, Nikon FM2n, Voigtlander Color Skopar 28 mm. 2.8: Başpunar, Constanţa County, Romania

Kodak Ektar 100, Olympus OM2n, Zuiko 50 mm, 1.4: near Catania, Sicily

Kodak Ektar 100, Nikon FM3A, Carl Zeiss Planar 50 mm 1.4 ZF2: Sulina, Romania, European Danube Commission cemetery

Kodak Portra 160, Nikon FM3A, Nikkor 105mm, 2.5 Ais: Somewhere in Prague, on Vltava bank.

Ilford XP2 Super 400, Nikon FM3A, Nikkor 50mm, 1.2 Ais

Ilford XP2 Super 400, Nikon FM3A, Nikkor 50mm, 1.2 Ais

Remember the outdoor cinema "Tomis Garden"? I do! As I recall all cinemas from my childhood. There is none anymore! Watching a movie was a cultural act. You were going to the cinema as you were going to the theatre. Now, you are doing some shopping and also "consume" a movie in one of the rooms of the mega-malls, with a bucket of popcorn and the related toxic juice.
Who let cinemas die and why? I know the answers as you know them too. For years, the "Tomis Garden" cinema functioned as a tavern in the summer and skating rink in the winter. Today, only the silver berry and ailanthus grow between the rows of chairs and kilometres of abandoned film flutter among piles of debris, human f***s, broken glass and fallen plaster. Light faded but the projectionist's booth is empty. - The death of a cinema - Ilford XP2 Super 400, Nikon FM2n, Color Skopar Voigtlander 28mm, 2.8