Materia Prima

Today, May 29th at 18:30, will be at our shop to present his new record, Anenoa! Join us!

New release from via now available in our shop and webshop!

“The exhibition “For Children. Art Stories since 1968” considers art history from an unexpected vantage point: artworks made for children. Bringing artists together across generations, geographies, and artistic practices, it traces the stories of such artworks shaped by interaction, play, and political imagination, beginning with the social and institutional shifts of 1968. (…) This publication offers the first kaleidoscopic perspective on the venues, protagonists, and storylines that have shaped artworks for children since the mid-twentieth century. Texts by researchers, artists, and the exhibition’s curators – alongside newly gathered archival documents and extensive source lists – reflect the deep collaborative research behind the project. Foregrounding constellations rather than chronology, the book connects local developments to transnational currents, and reveals that artworks made for children have their rightful place in art history.”

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Latest .tv releases now available in out shop and webshop.

Sensible Soccers collaboration with Mad Professor, and Satoshi and Makoto’s return, both released by , are now available in our shop and webshop

“In the shadow of Augusto Pinochet’s dictatorship, resistance in Chile took many forms — including quiet stitches by hand. We Will Find Them: Arpilleras and the Political Art of Chile Under Pinochet reveals the remarkable story of the arpilleristas: groups of women who transformed burlap or hessian cloth into vivid scenes of protest, community and hope. Through their textiles — the arpilleras — they defied censorship, preserved memories and connected the wider world to Chile’s struggles. Blending history, art and testimony, Jess White explores how creative practice became a lifeline during a dark period of Chile’s past.”

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“Connecters Vol. 1: Original Recordings, 1992–1999 marks the first public release by Larrison, the recording alias of Midwestern visual artist and musician Larrison Seidle. Composing, programming, and recording entirely on a Casio CZ-5000 during the halcyon days of early ‘90s homespun exploration and experimentation, Larrison inhabited a dreamworld of his invention, soundtracked by space age pop vignettes speckling with hypnotic, ebullient layered synthesizer melodies. Unfolding across 26 tracks, all newly restored and mastered from the original sources, Connecters Vol. 1 reinvents itself, song by song, transcending time and defying the fated obscurity of this brilliant, discreet music made three decades ago.”

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“Apollo: State-of-the-art cooking and a party by Frederik Bille Brahe is the first cookbook devoted to Apollo, his museum restaurant located in the courtyard of the historical art institution Kunsthal Charlottenborg in Copenhagen. Together with head chef Yuta Kurahashi, Frederik shares 104 recipes in Apollo’s signature style: playful, elegant, and rooted in a dialogue between Danish cooking and Japanese, French, and Italian cuisines. With its colourful palette and defining sense of chic, green gastronomy, Apollo follows the much-loved and low-key All the Stuff We Cooked and the wildly successful Atelier September: A Place for Daytime Cooking. Perfect for dinner party cooking, this is Frederik at his most expressive and collaborative. Edited by Jeni Porter and captured on film by photographer Nikolaj Møller, Apollo also explores how a group of talented friends came together to create the space, its textures, artworks, and atmosphere—setting the scene for a restaurant where delicious food, friends, music, art, design, and wine all meet, collide, clash, and coalesce. Apollo is that really good party you never want to end.”

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Restock of the latest release by on

Available in our shop and webshop

“The publication opens with an analysis of the Condomínio Gondarém building—designed in 1982 in Foz do Porto by João Guimarães Serôdio—offering a critical revisitation of an architect whose understated presence in historiography contrasts with the enduring impact of his work on Porto’s urban fabric and daily life. Focusing on this housing project, the book uses it as a lens to examine the city’s transformation during the 1980s, a period of profound urban, social, and architectural change. Through essays and archival materials, the publication investigates collective housing, everyday life, and the broader processes of urban transition. The book brings together critical essays, including a text by Pedro Serôdio—the architect’s grandson—which introduces a personal and intergenerational dimension, and photographs by Giovanna Silva, which offer a reading that is both documentary and authorial of the work.”

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