Digital Azul

World Cup energy on screen. Local production support behind the scenes. ⚽️🔥

Digital Azul was proud to support a new international Alkomprar campaign with Richard Ríos ahead of the World Cup, helping the visiting team film smoothly here in Portugal.

For international productions, fixer support is what connects the creative brief with the reality of the shoot. It is the local crew, the right equipment, the logistics, the coordination and the practical knowledge that help everything move properly on the day.

For this campaign, Digital Azul provided a trusted local base and the on-the-ground support needed to keep the production moving.

The final ad brings together football, technology and the energy of the game. Behind the scenes, it is also a clear example of why having the right local fixer matters.

Find out more about our fixers services: https://digitalazul.pt/local-fixers-production/

Have you read the latest issue of Cinematography World? 🗞️

Digital Azul was pleased to welcome Ron Prince, Editor-in-Chief of Cinematography World, for a visit and feature on our work across production, livestreaming, rental, sound and remote production.

A big thank you to Ron Prince for the article, and to Tony Costa and AIP - Associação de Imagem Cinema e Televisão Portuguesa for the amazing support in promoting the Portuguese audiovisual industry.

Find out more: https://www.cinematography.world/cw-032/

Interiores, exteriores, luz mista. Produções que mudam de cenário ao longo do dia.

A Aputure LS 600c Pro dá-te uma fonte principal potente, versátil e rápida de adaptar: 600W RGBWW, montagem Bowens, CCT de 2300K a 10.000K e controlo de cor completo.

Na Digital Azul Rental tens acesso a um parque de modificadores de luz preparado para diferentes cenários de produção. Softboxes, lanterns, reflectores, grids, controlo de recorte e outros acessórios para transformar a mesma fonte em hard light, soft light ou luz mais controlada.

Menos tempo a trocar equipamento. Mais controlo sobre a imagem. Mais previsibilidade no set.

Disponível para aluguer: https://rental.digitalazul.pt/produto/kit-aputure-ls-600c-pro-led-light-v-mount/

Your audience might be in one room, one country, or spread across the world. The production standards shouldn’t change.

At Digital Azul Live, we bring broadcast experience into webinars, hybrid events, product launches, and corporate communications, helping organisations deliver polished, engaging events wherever their audience is watching.

Learn more: https://digitalazul.pt/broadcast-streaming/

Another stop on the Longines Global Champions Tour, and another week supporting GCTV throughout the competition in the Spanish capital. 🇪🇸🐎

Our focus is on helping shape the stories around the sport, the riders, the horses, the venue, the pressure, and the moments that bring people closer to the competition.

Strong sports content is not just about showing what happened. It is about making fans feel why it mattered and giving new audiences a way into the sport.

Leve. Pronta a filmar. Canon C80 disponível para aluguer.

Sensor full-frame 6K, triple-base ISO até 12.800, Dual Pixel AF II, 4K até 120p e filtros ND motorizados num corpo compacto de 1,3 kg.

Uma opção forte para branded content, documentário, entrevistas e produções que precisam de imagem full-frame sem transformar a rodagem numa operação pesada.

Disponível na Digital Azul Rental.
🔗 https://digitalazul.pt/pt-pt/noticias/canon-eos-c80/

A smooth shoot starts long before the camera rolls. Digital Azul recently supported a COBUS Industries GmbH / HITACHI ZeroCarbon shoot in Portugal, providing local fixer support, equipment, crew and technical know-how for the visiting production team.

From pre-production to shoot day, we help visiting crews find the right local contacts, equipment and technical support to film efficiently in Portugal.

“It’s been a smooth process working with Digital Azul. Every time we worked with them, they provided great communication, good rates and good results. The Hitachi shoot was a big project both for our client and ourselves, and we’re happy all went smoothly.” - Sebastian Andreatta, International Content Producer, Global Media Desk.

How much of a live production really needs to happen on site anymore?

Digital Azul’s new MCR in Lisbon was designed around a different production model: centralised switching, graphics, communications and editorial control, while cameras, crews and contributors operate remotely across multiple countries.

Read the full release on our website and see how Digital Azul is positioning Lisbon as a remote production hub for modern live production: https://digitalazul.pt/news/digital-azul-positions-lisbon-as-a-remote-production-hub-with-new-mcr/

Shanghai delivered 🇨🇳🐎

Now entering its third year, the remote production model developed by Digital Azul Live continues to prove its value across international productions.

For the Shanghai stage of the Longines Global Champions Tour, our teams once again operated between the venue and our Lisbon production hub, managing live workflows, graphics, content delivery and editorial support across continents.

What started as a solution for one client has now evolved into a broader production model that more Digital Azul clients are adopting across sports, live events and international content productions.

Remote production is no longer an experiment. It is becoming a scalable and efficient way to manage complex productions globally.