TBA

Today is the final day of . Find us at Booth E15 in the Emergent section, curated by , where we are showing a solo presentation by Polish artist Linda Lach.

For inquiries or preview requests: [email protected]

Photography by Michela Pedranti.

Our presentation at miart continues through April 19. You can find us at Booth E15 in the Emergent section.

For inquiries or preview requests: [email protected]

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I Could Tell Each One Apart, No. 1, 2026
Mahogany, metal, cotton, moon
14 × 13 × 7 cm

Photography by Bartosz Zalewski

Today marks the first public day of miart. You can find us at Booth E15 in the Emergent section — the fair runs through April 19.

Come by and say hi!

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Let’s not let them get the better of us, 2026
Mahogany, glass, organza, cotto
11 × 130 × 35 cm

Photography by Bartosz Zalewski

Today we debut at miart 2026 in Milan (Booth E15, Emergent) with a solo presentation by Linda Lach.

The fair runs through April 19.

Opening hours:
Thursday, April 16 (VIP Preview): 11:00 – 21:00
Friday & Saturday: 11:30 – 20:00
Sunday: 11:00 – 19:00

For inquiries or preview requests: [email protected]

Photography by Michela Pedranti.

TBA will debut at miart 2026 in the fair’s Emergent section this week.

The gallery presents a solo booth by Polish artist Linda Lach, featuring new works created specifically for the fair.

Booth E15
April 16–19, 2026
Allianz MiCo South Wing, Milan
Gate 1 & Gate 2

Linda Lach
I Could Tell Each One Apart, No. 2, 2026
Mahogany, metal, cloth diapers
20 × 21 × 11 cm

For inquiries or preview requests: [email protected]

Photography

At the center of Margins by Hramovich is a fresco developed specifically for the gallery space. It appears as though it had always been there—uncovered rather than produced. Positioned between image and erasure, it presents a scene that is both familiar and unstable: a drifting banner without inscription and two suns suspended between reality and fiction. It does not offer a fixed narrative, but rather its trace—something partially lost or never fully formed. Hramovich’s practice engages with how narratives are constructed, and how absence itself can function as a form of control.

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Uladzimir Hramovich
When the banner becomes a landscape, 2026
Acrylic on the wall
345 × 250 cm

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Uladzimir Hramovich’s Margins is on view until April 30.

📷: Kuba Rodziewicz

We’re pleased to debut at in the Emergent section with new works by Linda Lach.

Booth E15
17–19 April 2026 (VIP preview on 16 April)

For inquiries or preview requests: [email protected]

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Sticky tremor, 2025, Wood, latex, human milk, paper, metal, vintage electronics, silicon, 146 × 62 × 11 cm

Photography:

Drawing on the visual language of regional museums and imagined prehistoric artifacts, the object presents itself as a fragment of history—familiar in form, yet ultimately unverifiable. It mimics the authority of historical evidence while quietly undermining it, revealing how narratives of the past can be constructed, staged, and manipulated. Hramovich’s practice engages with histories that never fully materialized, situating his works in a state of “no-time” where memory remains unstable and open to reinterpretation.

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Uladzimir Hramovich
They never had any weapons or jewelry, 2026
Acrylic on canvas, 3D printing, lacquer, ratchet strap
210 × 40 cm

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Uladzimir Hramovich’s Margins is on view until April 30.

📷: Kuba Rodziewicz

This Saturday, Uladzimir Hramovich opens Margins, his first solo exhibition in Warsaw.

Working with symbols, tools, and archival fragments, Hramovich focuses on what usually escapes attention: the quiet details through which power operates and history is constructed. A scythe, a strap, a gesture—objects that carry both everyday function and political charge.

He has presented his work internationally in major institutional and biennial contexts, including Manifesta 14 in Prishtina (2022), the Yiddishland Pavilion at the 59th Venice Biennale (2022), and the Biennale Matter of Art (2024). In 2026, he was nominated for the Neuköllner Kunstpreis.

Join us this Saturday.

📷:
2–3: Rebellious Things (New Wind), 2021, scythe, straw hat, lashing strap, dimensions variable. Photos: Philipp Pess
4–5: BY LAW (in collaboration with Lesia Pcholka), 2025, 3D sculptures, video, found objects, dimensions variable. Photos: Tomáš Jakubec

Tomorrow is the final day of Anna Zvyagintseva’s solo exhibition.

The show began as a quiet conversation with the artist about the development of her practice and how changing contexts influence the meaning of her work. As a point of departure, we turned to Misplaced Touches (2017) , one of her most recognized pieces.

During the final stages of preparation in Kyiv in the winter of 2025/2026—marked by extreme cold and frequent power outages—the idea of physical touch shifted. It no longer felt like a metaphor, but rather a direct and conscious act. The work itself remains unchanged, yet its context continues to evolve.

Thank you to everyone who’s visited! If you haven’t yet, join us tomorrow!

Photography: Kuba Rodziewicz

Final week of Anna Zvyagintseva’s solo exhibition Warm–Cool. On view until this Saturday.

Bringing together both new and earlier works, the exhibition offers a focused insight into the evolution of Zvyagintseva’s artistic practice over the last years. It traces her sustained attention to touch, revealing the fragile, often overlooked moments of everyday life.

The gallery is open Tue–Sat, 12:00–18:00, or by appointment.

Photography: Kuba Rodziewicz

Please join us for the all-day opening of Uladzimir Hramovich’s first solo show in Warsaw—and his first solo presentation with the gallery.

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Uladzimir Hramovich
Margins

Saturday, March 28, 12–8 PM
Wilcza 62, Warsaw

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Margins reveals what was meant to stay hidden—stories and images that were ignored or forgotten. The exhibition features new works made just for this show, exploring how historical memory is constructed and controlled.


📷:
Uladzimir Hramovich,
Field studies no. 1, 2026
3D printing, lacquer
10 × 10 × 2,5 cm