TBA

The gallery is taking a short summer break and will reopen on August 18.

We’ll be back with the continuation of Pressures, on view until September 5.

Bringing together works by Gleb Amankulov, Said Atabekov, and Lucy Ivanova, the exhibition explores the often invisible forces that shape our lives—from markets and borders to war—and how these pressures become embedded in everyday experience and shared realities.

📷: Kuba Rodziewicz

Opening this week at TBA:

Gleb Amankulov
Said Atabekov
Lucy Ivanova
in
Pressures

Saturday, July 18, 12–8 PM
Wilcza 62, Warsaw

The show brings together selected works by Gleb Amankulov, Said Atabekov, and Lucy Ivanova, examining the forces acting upon bodies, objects, and histories.

It explores how personal experiences are shaped by broader social, economic, and historical forces, and how individual stories become part of shared experiences.

For inquiries or preview requests: [email protected]

📷:
Lucy Ivanova
After a bouquet from Edith and Ando, 2024
Oil on canvas
150 × 110 cm

Kateryna Lysovenko is currently on view in “Superglue, or Inventing the Friend,” a group exhibition at CAC (Contemporary Art Centre) in Vilnius, curated by Valentinas Klimašauskas.

Marking a new chapter for CAC under its new director, the exhibition brings together historical and contemporary figurative art around questions of otherness, identity, and connection. Its title reworks Umberto Eco’s essay “Inventing the Enemy” — asking, amid growing polarisation, what might still hold together a fragmented, narcissistic society, and whether art can still offer a genuine encounter with the other rather than an enemy.

On view through 06.09.2026.

Kateryna Lysovenko
The Old Air Dependent Dream, 2026
Installation comprising a site-specific wall painting and a triptych. Oil on canvas and wall painting.
Triptych: 210 × 150 cm (each panel).
Overall installation dimensions: 24 × 9 m; height: 3 m.

Photo: Andrej Vasilenko

Stopping the Flows — Yuri Leiderman’s first exhibition in Warsaw and his first presentation with the gallery.

On view only until the end of this week, through 27 June.

Yuri Leiderman
Metaphysical Feeding of Flower, 2020
Oil on paper mounted on canvas
50 × 35 cm

Photography: Kuba Rodziewicz

Basel Social Club continues through the week.

For our debut at Basel Social Club, we are presenting two works by Polish artist Michał Maliński.

Through photography and sculptural interventions, Maliński transforms everyday objects into metaphors for ambition, vulnerability, and the pressures of contemporary life. Presented together, Imprint (2026) and Shoes (2026) reveal states of tension hidden beneath seemingly stable forms, reflecting on productivity, perpetual striving, and the fragile balance between endurance and collapse.

Find us at booth –2.C.2.

Basel Social Club
June 14–20, 2026

Photography: Silke Briel

Basel Social Club opens tomorrow, and we are pleased to make our debut with works by Michał Maliński.

Set within a vacant office building in the heart of Basel, this year’s edition reflects on labor, productivity, and the invisible tensions shaping contemporary life. Within this context, Maliński’s work reveals moments of pressure hidden beneath seemingly stable surfaces.

In Imprint, a pomegranate compressed between the sole and upper part of a shoe forces the object apart, introducing a subtle yet unsettling sense of instability. Through this minimal intervention, an ordinary object becomes a metaphor for vulnerability, endurance, and the point at which pressure begins to transform form.

Michał Maliński
Imprint, 2026
Digital print, steel frame
100 × 125 × 7 cm
Edition of 3 + 1 AP

Basel Social Club
June 14–20, 2026

Exhibition views from Stopping the Flows, Yuri Leiderman’s first solo exhibition in Warsaw and his first presentation with TBA.

Over the past four decades, Leiderman has developed a distinctive artistic language that moves between conceptual rigor, humour, and poetic observation. Bringing together recent paintings and objects, Stopping the Flows considers moments when familiar narratives break down and ordinary experience becomes newly visible.

Born in Odesa and working across different cultural and geographical contexts throughout his career, Leiderman approaches history and memory not as fixed structures but as fluid and often contradictory processes.

On view through 27 June.

Photography: Kuba Rodziewicz

Yuri Leiderman
Goose behind bars, 2021
Oil on paper mounted on canvas, twine
50 × 35 cm

From Stopping the Flows — Leiderman’s first exhibition in Warsaw and his first with the gallery. On view through 27 June.

Photography: Kuba Rodziewicz

We are happy to make our debut at Basel Social Club this year with works by Michał Maliński.

For its fifth edition, Basel Social Club transforms a vacant office building in central Basel into a temporary art space during Art Basel week. Titled “Office,” this year’s edition reflects on the workplace as a site shaped by digitalization, remote work, and AI, unfolding through exhibitions, performances, music, gastronomy, and encounters around labor, time, productivity, and rest.

Basel, June 14–20

—

Michał Maliński
Shoes, 2026
Concrete, epoxy resin
Edition of 16
18 × 30 × 25 cm each
social.club

Last week, we opened Stopping the Flows, a solo exhibition by Yuri Leiderman — marking the artist’s first solo exhibition in Warsaw in over four decades of practice, and his first presentation with the gallery.

This week, while we are participating in Art Warsaw — where Yuri’s work is also on view — the gallery will be open by appointment only.

📷:
Yuri Leiderman
Gray-haired cucumber, 2023
Oil on canvas
102 × 89 cm

Photography by