devastator_tailormade

ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more in store, here’s some inspiration - Erik and Arij wearing a mix of JANJANVANESSCHE UMA WANG CASEY/CASEY Simone
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ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more in store, here’s some inspiration - Erik is wearing full JANJANVANESSCHE Arij is wearing full CASEY/CASEY boots/shoes by Simone

ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more in store, here’s some inspiration - Erik is wearing UMA WANG

ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more in store, here’s some inspiration - Arij is wearing shirtdress and glasses by ZIGGY CHEN coat by ZIGGY CHEN bag t a g l i o v i v o

ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more in store, here’s some inspiration - Erik is wearing shirt by Rosa Veronica pants by MASAHIKO MARUYAMA and Polly is just herself

ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more in store, here’s some inspiration - Arij is wearing pants by masnada handwoven ponch, handknitted sweater and crochet hat by JANJANVANESSCHE plaid scarf by UMA WANG

ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more in store, here’s some inspiration - Both fits are UMA WANG shoes/boots Simone Cecchetto Simone all hats Horisaki Design & Handel HORISAKI HANDEL

ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more in store, here’s some inspiration - Full fit by CASEY/CASEY

ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more in store, here’s some inspiration - Erik wearing pants ZIGGY CHEN and handknitted sweater by JANJANVANESSCHE

ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more in store, here’s some inspiration - This sweater is just amazing! JANJANVANESSCHE

ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more in store, here’s some inspiration - Arij is wearing full fit and skeleton gloves by D.HYGEN purse by MASAHIKO MARUYAMA hat HORISAKI HANDEL Horisaki Design & Handel boots Simone Cecchetto Simone

ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more in store, here’s some inspiration - Leather Skeleton gloves and knit by D.HYGEN hat Horisaki Design & Handel HORISAKI HANDEL

ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more in store, here’s some inspiration - Erik wears pants by MASAHIKO MARUYAMA jacket by IA LONDON

ᶠᵃˡˡ ᵂⁱⁿᵗᵉʳ ²⁰²⁶ \ more and more

𝓉𝒽𝒶𝓃𝓀 𝓎𝑜𝓊 \ thanks to everyone who came last friday to the event where we launched the beautiful jewelry from Juliana Manolova / Jewelry creator and amazing collection and performance by Rosa Veronica . We’re feeling grateful 🖤and a big thank you to 𝐄𝐫𝐧𝐞𝐬𝐭𝐨 𝐰𝐨𝐥𝐟 who made these pretty pictures! 🖤

𝔄𝔡𝔦𝔠𝔦𝔞𝔫𝔫𝔬𝔳𝔢𝔳𝔢𝔫𝔱𝔦𝔱𝔯𝔢 \ Arrived in store yesterday.
Restock of these beauties from Simone Cecchetto Simone • A DICIANNOVEVENTITRE, usually known as A1923, is one of the most distinctive names in avant-garde artisanal footwear. Founded and designed by Simone Cecchetto, the Rome-based label is known for handmade Italian boots with sculptural, organic and often brutalist forms. Cecchetto’s work is particularly focused on the relationship between material, ageing and form—the boots are often designed to look better after years of wear rather than remaining pristine.

𝗝𝘂𝗹𝗶𝗮𝗻𝗮 𝗠𝗮𝗻𝗼𝗹𝗼𝘃𝗮 \ An introduction to the exceptional art from jeweler Juliana Manolova / Jewelry creator , launch tomorrow at Devastator. ~ Juliana’s work has an organic, tactile and sculptural quality. Rather than traditional luxury jewelry, the pieces feel closer to wearable objects and small contemporary sculptures, where the irregularity and character of the material become part of the design language. Born from the ancient crossroads of civilizations, each piece of Bulgarian Black Sea glass is a wearable fragment of maritime history. Decades of rhythmic tumbling along shores once sailed by Thracian mariners and Roman traders have sculpted these remnants into velvety, deeply frosted gems. Hand-selected from legendary coastlines, these ancient ocean drops are beautifully preserved to let you carry the spirit of antiquity with you. ~

Where she finds poetry in the harmony of contrast and the beauty of imperfection, the materials guide the process to something unexpected and can never be repeated again.

ᴰ.ᴴʸᴳᴱᴺ \ Arriving SOON in store, D.Hygen • D.HYGEN is a Japanese avant-garde fashion label from Osaka, known for dark, architectural and heavily textured menswear.
Main concept is “STRAINISM” — the idea of tension. The brand deconstructs familiar garments and reconstructs them into clothing that creates a physical and visual sense of pressure, tension and intensity. Even damage, decay and traditionally “negative” imagery are treated as forms of beauty. The aesthetic sits somewhere between Japanese avant-garde tailoring, industrial fashion, post-apocalyptic clothing and dark artisanal craftsmanship. The Fall/Winter 2026–27 collection continues this direction with tailoring, military references and crust-punk influences. The collection explores burned-looking jacquards, rust-inspired dyeing, patchwork, coatings and, for the first time, more extensive printed elements. Complex handmade distressing remain central to the collection.

ᴹᴬˢᴺᴬᴰᴬ \ New Collection masnada arriving on friday! ~The collection continues Masnada’s characteristic language of dark, architectural minimalism: elongated proportions, layered volumes, irregular construction and a strong emphasis on the relationship between garment and body. The brand describes its approach as an ongoing study of form, identity, materials and traditional craftsmanship. The palette is predominantly black and very dark neutrals, with the interest coming from texture, construction and proportion rather than colour. Fall/Winter 2026 feels less like conventional “avant-garde fashion” and more like wearable architectural clothing — very much in the Masnada tradition, but with a particularly strong emphasis on volume and utilitarian outerwear.

ᵁᴹᴬ ᵂᴬᴺᴳ \ •SOON• arriving UMA WANG ~ Fall/Winter 2026 womenswear collection is one of her most architectural and quietly dramatic collections in recent seasons. It draws inspiration from Verona, opera culture, and the moment just before a performance begins—when individuality is expressed through small gestures, adjustments, and personal ornament. The defining element is the shoulder. Jackets are broad, rounded, beveled and almost sculptural, creating a powerful silhouette without losing Uma Wang’s characteristic softness. Fabric is folded, wrapped and draped around the body rather than sharply constructed against it. Monumentality and intimacy. There is something very Uma Wang about this contradiction: masculine tailoring softened by fragility, historical references made contemporary, and volume that feels emotional rather than merely oversized.

𝗭𝗜𝗚𝗚𝗬 𝗖𝗛𝗘𝗡 - 𝗗𝗜𝗦𝗦𝗣𝗔𝗥𝗔𝗧𝗜𝗢𝗡 \ first drop soon to arrive from the amazing ZIGGY CHEN ~ DISSPARATION moves at the edges of perception. It is not defined by what is immediately visible, but by what shifts, separates, and recomposes over time. Dislocation becomes a condition-silent
and persistent-capable of shaping both form and meaning. Fragments of the past emerge without nostalgia. They are observed, displaced, and reassembled through a contemporary sensibility that favours balance over statement, function over excess. Nothing is ever fully resolved; everything remains in tension. Patterns originate from hand-drawn marks and fragments of memory: stone, architecture, and historical imagery. Abstract yet grounded, they exist between different eras. Construction is revealed rather than concealed: linings surface, interiors move outward, allowing the garment to speak through its own making. Colour appears in restrained tones: warm browns, softened greys, deep grey-blues, black, and muted grey-yellow hues. Layers accumulate with discretion, creating depth without weight.Every element is intentional,
every detail measured. The result is a collection that does not impose meaning, but suggests it-quietly, through matter, construction, and time.

𝙼𝚊𝚛𝚒𝚗𝚊 𝚈𝚎𝚎 \ New Collection MARINA YEE in store now! ~ Yee’s work and legacy is fascinating because it sits somewhere between fashion, art and archaeology. She was interested in garments that already had a history: old military pieces, workwear, raincoats, sailor clothing and vintage men’s garments. Rather than making something look new, she would interfere with what already existed—through cutting, draping, reconstruction, embroidery and unexpected proportions. Her designs makes her a particularly important precursor to today’s upcycling, reconstruction and anti-fashion practices. Marina Yee had her own radical design philosophy, one based on individuality, reuse, intuition and resisting the commercial fashion machine.