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The news of the reported passing of Nollywood actor Alexx Ekubo has left many in shock and sadness.

Alexx was one of the familiar faces of modern Nollywood, known for his charisma, calm screen presence, and ability to connect with audiences through different roles over the years. From romantic dramas to comedy and action films, he carved a place for himself in the hearts of many movie lovers across Africa.
Beyond the cameras and celebrity lifestyle, moments like this remind us how fragile life truly is.
May God grant his family, friends, colleagues, and fans the strength to bear this painful loss.

Rest well, Alexx Ekubo

The 12th edition of the Africa Magic Viewers' Choice Awards once again proved why the AMVCAs remain the biggest celebration of African film and television. Held on 9 May 2026 at the prestigious Eko Hotels & Suites, the event brought together the finest talents across the continent in a night filled with glamour, recognition, emotion, and artistic excellence. Hosted by the ever entertaining Bovi alongside South African actress Nomzamo Mbatha, the ceremony reflected the growing strength and diversity of African storytelling.

One of the biggest talking points of the night was the dominance of My Father's Shadow, which walked away with the prestigious Best Overall Movie award. The film’s emotional depth, strong writing, and technical brilliance made it one of the standout productions of the year. Director Akinola Davies Jr. also earned recognition for his work on the project, further cementing the movie’s status as one of the continent’s finest cinematic offerings in recent times.

The acting categories reflected the depth of talent currently present within the African film industry. Veteran actors and emerging stars shared the spotlight in what was one of the most competitive AMVCA years in recent memory. Performances from actors in films such as The Herd, 3 Cold Dishes, and To Kill A Monkey highlighted the increasing quality of acting, production design, and storytelling now being associated with African cinema.

Particularly refreshing was the AMVCA’s continued effort to embrace indigenous storytelling across Africa. The introduction of categories recognising North and Central African indigenous language films was a significant step toward inclusivity and cultural representation. It showed a conscious attempt to ensure that African cinema is not viewed solely through the lens of a few dominant industries, but as a rich collection of diverse voices, languages, and experiences.

The technical categories also revealed how rapidly African filmmaking is evolving. From cinematography and sound design to editing, makeup, and art direction, there was clear evidence that African productions are becoming more polished and globally competitive. Productions like Gingerrr, Osamede, and The Serpent's Gift demonstrated that filmmakers are now paying closer attention to the finer details that elevate storytelling beyond scripts and performances alone.

Another important aspect of this year’s ceremony was the balance between established legends and rising talents. The Industry Merit Awards presented to Sola Sobowale and Kanayo O. Kanayo served as reminders of the enduring contributions of veteran actors who helped shape the African entertainment industry. At the same time, the Trailblazer Award given to Uche Montana symbolised the industry’s readiness to celebrate and encourage a younger generation of stars.

The television and digital content categories also reflected changing audience habits. Shows such as The Real Housewives of Lagos, Nigerian Idol, and creators like Taaooma demonstrated how digital media and reality television continue to shape modern African entertainment culture.

Overall, the 2026 AMVCAs were more than just an awards ceremony. They represented the continued evolution of African storytelling, the expansion of technical excellence, and the increasing confidence of African filmmakers in telling authentic stories rooted in African realities. While there is still room for growth in areas such as distribution, funding, and global visibility, this year’s edition showed clearly that African cinema is no longer merely emerging; it is steadily establishing itself as a force worthy of global recognition.

also Highlight Linda ejiofor's double feat

The 12th edition of the Africa Magic Viewers' Choice Awards once again proved why the AMVCAs remain the biggest celebration of African film and television. Held on 9 May 2026 at the prestigious Eko Hotels & Suites, the event brought together the finest talents across the continent in a night filled with glamour, recognition, emotion, and artistic excellence. Hosted by the ever entertaining Bovi alongside South African actress Nomzamo Mbatha, the ceremony reflected the growing strength and diversity of African storytelling.

One of the biggest talking points of the night was the dominance of My Father's Shadow, which walked away with the prestigious Best Overall Movie award. The film’s emotional depth, strong writing, and technical brilliance made it one of the standout productions of the year. Director Akinola Davies Jr. also earned recognition for his work on the project, further cementing the movie’s status as one of the continent’s finest cinematic offerings in recent times.

The acting categories reflected the depth of talent currently present within the African film industry. Veteran actors and emerging stars shared the spotlight in what was one of the most competitive AMVCA years in recent memory. Performances from actors in films such as The Herd, 3 Cold Dishes, and To Kill A Monkey highlighted the increasing quality of acting, production design, and storytelling now being associated with African cinema.

A particularly notable achievement from the night was the impressive double recognition earned by Linda Ejiofor. She secured nominations in both the Best Lead Actress category for The Serpent's Gift and the Best Supporting Actress category for The Herd. This rare feat underscored her versatility and consistency as an actress, proving her ability to command attention both in leading and supporting roles. In an industry where competition continues to intensify yearly, such dual recognition further reinforced her standing as one of the most dependable performers in contemporary Nollywood.

Particularly refreshing was the AMVCA’s continued effort to embrace indigenous storytelling across Africa. The introduction of categories recognising North and Central African indigenous language films was a significant step toward inclusivity and cultural representation. It showed a conscious attempt to ensure that African cinema is not viewed solely through the lens of a few dominant industries, but as a rich collection of diverse voices, languages, and experiences.

The technical categories also revealed how rapidly African filmmaking is evolving. From cinematography and sound design to editing, makeup, and art direction, there was clear evidence that African productions are becoming more polished and globally competitive. Productions like Gingerrr, Osamede, and The Serpent's Gift demonstrated that filmmakers are now paying closer attention to the finer details that elevate storytelling beyond scripts and performances alone.

Another important aspect of this year’s ceremony was the balance between established legends and rising talents. The Industry Merit Awards presented to Sola Sobowale and Kanayo O. Kanayo served as reminders of the enduring contributions of veteran actors who helped shape the African entertainment industry. At the same time, the Trailblazer Award given to Uche Montana symbolised the industry’s readiness to celebrate and encourage a younger generation of stars.

The television and digital content categories also reflected changing audience habits. Shows such as The Real Housewives of Lagos, Nigerian Idol, and creators like Taaooma demonstrated how digital media and reality television continue to shape modern African entertainment culture.

Overall, the 2026 AMVCAs were more than just an awards ceremony. They represented the continued evolution of African storytelling, the expansion of technical excellence, and the increasing confidence of African filmmakers in telling authentic stories rooted in African realities. While there is still room for growth in areas such as distribution, funding, and global visibility, this year’s edition showed clearly that African cinema is no longer merely emerging; it is steadily establishing itself as a force worthy of global recognition.

The soul profits from joy and it is right within.

Lest you judge a book by its cover. When pictures of me in this dread first landed on social media, the reactions were powerfully instructive to me.

I learnt a lot about people, perception, deception, expectation, revelation and intention.

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