Joolz Gale

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I‘m very excited to present this glimpse of my latest upcoming recording, Bartok’s Violin Concerto No. 1 in my version for chamber orchestra (score available at Boosey & Hawkes), played by Freigeist Ensemble and the great Christian Tetzlaff!

Bartók - Violin Concerto No. 1 | Christian Tetzlaff | Allegro LATE-NIGHT SINFONIEExcerpt from Bartók's Violin Concerto No. 1arranged for chamber orchestra by Joolz GaleFreigeist EnsembleChristian Tetzlaff (violin)Joolz ...

Impressions of “Late-Night Symphony” in the transport museum of Krakow with the lovely Sinfonietta Cracovia - my final concert of the summer 🏝️ - that included Copland’s Appalachian Spring and my arrangement for chamber orchestra of Bartok’s very funky Dance Suite 💃☀️🥳 A special thanks to for believing in my ideas 🙏✌️💥
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𝓜𝓾𝔃𝔂𝓴𝓪 𝓹𝓸 𝔃𝓶𝓻𝓸𝓴𝓾
Jeśli długi weekend spędzacie Państwo w mieście, ta propozycja jest dla Państwa!

🎶 Klasyczny repertuar z muzyką Bartóka, Sibeliusa i Brittena, wzbogacony o narrację charyzmatycznego dyrygenta, Joolza Gale'a.

🌙 Ekscytujące otoczenie i późna pora koncertu - w sam raz na zwieńczenie ciepłego, czerwcowego dnia.

🚂 Już w najbliższy piątek, 20 czerwca o godzinie 21 w Muzeum Inżynierii i Techniki wyjątkowy koncert Late Night Symphony Kraków. A po koncercie DJ set Daniel Drumz - wejście w cenie biletu.

🎟 Każdy znajdzie dla siebie dogodne miejsce: klasycznie na widowni, w strefie z pufami lub w otwartej przestrzeni: https://bit.ly/4jM2uhi

🌜 Do zobaczenia po zmroku!

Realizacja koncertu była możliwa dzięki współpracy z Gminą Miejską Kraków Kraków PL. Przedsięwzięcie wpisuje się w założenia Polityki zrównoważonej turystyki Krakowa na lata 2021-2028, a jego celem jest poszerzenie oferty kulturalnej miasta, dostępnej w godzinach nocnych, o wartościowe i angażujące propozycje spędzania czasu wolnego.

R.I.P. Sir Roger Norrington (16.03.1934 - 18.07.2025), one of the great conductors of our time, who will be sorely missed by everyone who knew him.

I will forever cherish his friendship, humour, positivity and love for life. His deep devotion to music and quest to serve the composer was continually inspiring. He was always kind and generous with his time, offering valuable wisdom and advice from which I took great stimulation and clarity. Whilst much of it related to the historical approach of symphonic conducting (which few others could offer so authoritatively), Sir Roger also religiously executed an innovative conducting method that was focused around phrasing, articulation and - perhaps most importantly - the people in the room. He was a humanist wholly dedicated to bringing joy to both his musicians and audience.

A master at conducting in half the number of gestures of his colleagues with twice the impact, his ability to insist on style whilst performing in a nuanced, free and highly musical manner was unrivalled. His unique and uncompromising energy with the musicians was totally infectious. I was always particularly impressed by the respect and collaborative approach he offered his fellow performers.

As an interpreter, few came close to his genius and care for the truth. Indeed, Sir Roger was one of the few conductors that I never got bored watching, proof of his sincerity and authenticity as both a musician and man. He was a giant of a pioneer who blessed the world not only with his challenge to tradition but also with his charm and grace. He was one of those refreshingly rare finds that took his musical work extremely seriously yet never himself. It was because of his care for the score rather than for his own importance that many adored him. Yet others vehemently disagreed; a great testament to his strength of character and unrelenting vision. After all, the new generation of today’s conductors now seem to exist to please us. But not Sir Roger. For that, he will leave a legacy unlike no other, one which will forever influence my work.

Thank you, Sir Roger.

Pics:
1) Jul 2024, Exeter
2) Nov 2021, final concert, Gateshead
3) Jun 2016, Berlin