TAAD

When architecture meets the horizon, form does the talking.

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Details built for speed, finished by hand.

Ferrari Tailor Made at the Museo Ferrari, Maranello.

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Morning light, slow water, quiet design.

A room that opens directly onto the Nile — where movement happens outside, and stillness stays inside. Travel reduced to rhythm. Luxury defined by restraint.

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Location
Photography by &

A figure against scale.
Wind, sand, time.

The dunes of Socotra feel less like landscape and more like a geological thought — slow, precise, indifferent to presence. Movement here is reduced to gesture. Silence does the rest.

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The Listening Room for Silent Songs.
Designed by Charlotte Taylor in collaboration with Cream Atelier.

A space conceived for focused listening rather than spectacle. Architecture recedes, sound takes precedence. Low seating, warm timber volumes, controlled light, and a calibrated acoustic environment create a room where attention slows and listening becomes intentional.

An interior as an instrument.

Design by ×
Project for

Fabrikgebäude Robert Abrahamsohn, Berlin-Lankwitz (1928–1929).
Designed by architect Martin Punitzer for manufacturer Robert Abrahamsohn as a “Special Factory for Electrical Measuring Instruments and Resistors.”

A two-and-a-half-storey steel skeleton structure clad in glazed tiles by Kieler Kunst-Keramik AG, with window frames executed in black Detopak glass. The building reflects the functional clarity and material innovation of late Weimar-era industrial architecture.

Renovated in 2000 by the Berlin State Guild of Roofers, the building remains monument-protected.

📍 Nicolaistraße 7, Berlin-Lankwitz
📸 Photos by

Surreal figuration as a psychological landscape.
Multiplicity, fragmentation, and inner tension rendered with classical precision and contemporary unease.

The work of operates between the conscious and the subconscious. Bodies become architecture. Thought becomes form. Identity is layered, exposed, and quietly unsettling.

Digital surrealism that feels sculptural, intimate, and timeless.

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Villa Beatrice, Portofino.
A private palazzo suspended between sea and sky.

Set atop the cliffs of Punta Caiega, this historic residence frames the Mediterranean as architecture. Tall openings, classical proportions, and absolute calm. Time slows. The view becomes the interior.

A place once inhabited by prominent Italian families, now reimagined for complete privacy and precision. Discreet luxury. Nothing added. Nothing rushed.

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A weekend house in Lithuania, defined by restraint and clarity.

A long, horizontal volume sits between river and forest, shaped by the landscape rather than imposed on it. Straw roofing transitions into the façade, while wood, concrete, and glass are used with precision and durability in mind. A concrete retaining wall stabilises the slope and discreetly conceals the arrival zone.

Inside, the ground floor opens fully to nature: expansive glazing, a living space centred around the fireplace, and a dining area designed for daily life. The same wood cladding beneath the roof continues indoors, dissolving the boundary between exterior and interior. Private spaces are placed above, oriented toward quiet and distance.

Architecture by
Architect:
Photography by .rakauskaite
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The lobby of The Manner, New York.
Interior design by Hannes Peer.

Travertine marble, sculptural brass details, and a grand staircase define the space. A ceramic bas-relief by Giovanni Francesco Nicosia crowns the fireplace, while custom lighting and layered materials create a restrained but cinematic atmosphere. The result is an interior that balances craftsmanship with contemporary elegance, setting the tone for the hotel above.

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Happy Birthday David Bowie.

Born January 8, 1947, in Brixton, London.
David Bowie didn’t follow culture. He reprogrammed it.

Across five decades, he treated identity as material, sound as architecture, and change as discipline. From Ziggy Stardust to the Berlin years, from pop to electronic to the avant-garde, Bowie stayed permanently ahead by refusing to stay the same.

He understood that reinvention isn’t a phase. It’s a responsibility.

His work still feels contemporary because it was built for the future, not nostalgia.