Pase

SPECIAL OPEN STUDIO!
June 19 — 7 PM
Pase Platform, Venice

An open studio presentation with Julien Desprez, Victor Nebbiolo Di Castri and Pierpaolo Ovarini, developed around electric guitar, effects, feedback and multichannel sound.

The event will share part of the research carried out during the residency at Pase, exploring the relationship between instrumental gesture, amplification, sound processing and spatial listening.

We’re looking forward to seeing you!

Julien Desprez Victor Nebbiolo Di Castri

Carlo Laurenzi – Concatenative synthesis across sound and notation

On June 8–10, 2026 - Studio Pase, Venice

Pase, in collaboration with SaMPL and the C. Pollini Conservatory of Padua, present a masterclass led by Carlo Laurenzi focused on compositional approaches based on concatenative synthesis and on the relationship between sound analysis, notation, and resynthesis. The programme will introduce participants to methods for thinking and “visualizing” electroacoustic sound as a compositional framework, while exploring audio descriptors and software tools for concatenative synthesis through examples developed at IRCAM. Across the sessions, the masterclass will also include collective composition workshops and an acousmatic concert of works by Carlo Laurenzi.

.platform

AAARK! AAARK!
An installation taking shape through a collective work by Viola Amico, Sofia Coracin, Daniele Midena, Enrico Mognato, Fabiana Pernisco, Giacomo Raffaelli, Chiara Marsano, and Bianca Tomasello.

The project is the final outcome of the course “Expanded Landscapes – Immersive Arts Language Laboratory”, promoted by UIA – International University of Art in collaboration with Studio Pase, under the guidance of Victor Nebbiolo di Castri, Sara Tirelli and Valeria Zane.

Thursday, May 28, 2026, from 6:00 PM
Garden of Villa Hériot
UIA – Università Internazionale dell’Arte
Giudecca

Special thanks to Ekos Club APS – Isola del Lazzaretto Nuovo

Una Lunghissima Ombra by Andrea Laszlo De Simone
 | AV geodetic installation

“Il progetto audiovisivo in cui ho provato a portare alla luce i pensieri intrusivi, quelli che sono costantemente presenti dentro di noi anche quando stiamo pensando ad altro e che finiscono per proiettare lunghe ombre sulla nostra esistenza. Per farlo mi sono avvalso di una metafora semplice, quella del processo di formazione delle ombre. Ho scelto di rappresentare un ‘punto di luce’ attraverso delle inquadrature fisse della realtà, un ‘oggetto’ attraverso i testi delle canzoni e ‘le ombre’ attraverso la musica”.

We’re glad to have been part of Andrea Laszlo De Simone’s project, a sound meant to be seen, a light meant to be heard.

Una Lunghissima Ombra | AV geodetic installation
by Andrea Laszlo De Simone ( 
Technical and artistic production by Studio Pase (.ndc )
Produced by DNA Concerti ( ) and 42 Records ( )
In partnership with The Goodness Factory ( )

We’re interested in working with sound in space, experimenting with both standard multichannel setups and custom-built systems designed to meet the specific needs of a project, an artist, or a site. In our studio, it’s possible to develop and test sound environments for installations, performances, live electronics, site-specific works… and everything that doesn’t fit into a fixed format.

If that resonates, you’re welcome to reach out and visit the studio!

Aural Dissipation - Begehungen Art Festival | Chemnitz, European Capital of Culture 2025

Aural Dissipation is a site-specific sound installation that transforms a former industrial cooling tower into a reverberation chamber. The sound explores the various states of water — liquid, solid, and gaseous — through a live performance for harp and electronics, taking place inside the tower. Frequencies spread throughout the space via a multichannel amplification system, revealing how they accumulate, refract, and dissipate along the surfaces of the structure. A dialogue between architecture, matter, and sound, reinterpreting an industrial space as an active acoustic instrument. Pase Studio contributed to the project through sound research and development. Commissioned by Begehungen Art Festival on the occasion of Chemnitz – European Capital of Culture 2025.

Performance and Installation
Valeria Zane — harp and composition
Victor Nebbiolo di Castri — RIM and composition
With the collaboration of
Cobi van Tonder — artist and researcher in heritage acoustics
Pierpaolo Ovarini and Riccardo Sellan — composers and R&D, Pase Studio
In collaboration with Pase Studio
Supported by Salvi Harps and Outline srl
Under the patronage of Mozarteum University and Fondazione Ugo e Olga Levi

Images: Johannes Richter
festival .claudiatittel .ndc .van.tonder .sellan

Paul DeMarinis – Between Sound and Matter: Media Archaeology for Listening

18th & 19th February 2026 – Studio Pase, Venice (IT)

A two-day program with a lecture and participant-led project discussions with Paul DeMarinis, exploring the interstices between sound and materiality through case studies from across his practice, with detours into the histories of technology, communication, and encoding, and a focus on embodiment, site specificity, and installation.

This Masterclass is made possible through a collaboration between Studio Pase, Sampl School, C. Pollini Conservatory of Padua and the fantastic sound artist Cobi van Tonder.

Info: https://studiopase.typeform.com/to/VDqBSwPs?typeform-source=pase-platform.com
platform .van.tonder

Voice of Commons - Biennale Architettura 2025 | 19th International Architecture Exhibition - Venezia

Voice of Commons was conceived on the occasion of the Venice Architecture Biennale 2025, through the work of UNA/UNLESS, the studio led by architect and activist Giulia Foscari. At the heart of the project lies the restoration and reactivation of the historic ticket pavilion designed by Carlo Scarpa, transformed for the duration of the Biennale into a platform for broadcasting and listening. A space created to give voice to the Global Commons — the Ocean, the Atmosphere, Outer Space, and Antarctica — and to reflect on their condition as shared, fragile, and interdependent domains. Studio Pase curated the project’s sound identity, envisioning a collective narrative made of voices, thoughts, and diverse perspectives. Today, after the Biennale has come to an end, Voice of Commons continues to live on as a space for listening and deepening: a podcast that keeps an urgent reflection on the commons open and alive.

Listen here: https://open.spotify.com/show/5ytZQZNjnK5ZGETUx6tkDi?si=2b69bee0a0fd4d8f

Voice of Commons is a project by UNA/UNLESS
developed under the patronage of , with the recognition of and endorsed by | Launched as a Special Project of the 19th International Architecture Exhibition of La Biennale di Venezia, curated by Carlo Ratti | Visual identity • Installation production • Sound identity design and technical production .platform • picture

At Pase, we design tools that shape how sound moves through space and interacts with people. From custom interfaces to multichannel systems, our work blends software and hardware in close collaboration with artists and contexts. Flexible, reliable, made to connect, because sound isn’t just heard — it’s inhabited.
ndc .sellan

In trasferta a Pase Platform per la presentazione della residenza artistica di Pierpaolo Ovarini 🔈 💣💥

SaMPL