MediaMaking

Why does Euphoria feel so dreamy?

The visual style that defined its first seasons wasn’t created through colour grading alone. It began on set, with warm backlight, textured curtains, deep shadows and carefully controlled highlights shaping the image before it ever reached post-production.

To recreate that look, we used just two lights.

The first is placed behind the curtains to create the glowing background and a warm rim around the subject. The second is positioned closer to the talent to shape the face and silhouette, while flags and modifiers control the spill, keeping the frame dark, intimate and cinematic.

A simple setup that shows how much atmosphere can be created before the grade even begins.

Which cinematic look should we recreate next with just two lights?

Pro Tips, episode 27
Same frame. Same exposure. Same camera position.
The only variable is the filter.

CPL, ND and Variable ND each shape the image before it ever hits the sensor, controlling reflections, managing light and influencing how the scene is captured on set. It’s a simple comparison, but a clear reminder: not everything can be fixed in post. Some decisions begin right in front of the lens.

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Via Mestre 19/C, Milano

Tutti parlano dell’Odissea di Nolan. Ma la ricerca di un cinema sempre più immersivo è iniziata molto prima dell’ .

Tre cineprese sincronizzate, schermi curvi larghi 30 metri, ottiche anamorfiche e camere miniaturizzate pensate per entrare negli occhiali di un pilota. Formati ambiziosi, assurdi, a volte impraticabili. Tutti nati dalla stessa domanda: fin dove possiamo spingerci per rendere un’immagine più immersiva?

L’IMAX è solo un capitolo. Quale di queste rivoluzioni conoscevi già?
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Everyone is talking about Nolan’s "The Odyssey". But the pursuit of a more immersive cinematic experience began long before IMAX.

Three synchronized cameras, 30-metre-wide curved screens, anamorphic lenses and miniature cameras designed to fit inside a pilot’s goggles. Ambitious, extreme and sometimes impractical formats, all born from the same question: how far can we push the image to make it more immersive?

IMAX is just one chapter. Which of these revolutions did you already know about?

From empty studio to full visual environment.
Follow the MediaMaking team during the installation of our LED wall setup, from the first panels to the final image on screen.

Gloshine DN 2.6 Indoor, 2.6 mm pixel pitch, high-density image detail.

Explore all ways to bring ideas on set at https://tinyurl.com/m9marrrv