Ordet

CAMILLE BLATRIX
ROTTEN TO THE CORE
Opening Tonight
6-9 pm

🏖SUMMER BREAK 🏖

Ordet will be closed until the end of August. See you in September with CHARIVARI &

CHARIVARI (“uproar” in medieval French), an exhibition by Lorenza Longhi and Megan Marrin, named after the experimental, avant-garde New York fashion store that, following decades of commercial and critical success, filed for bankruptcy and was wound down in 1998.

The juxtaposition of different visual registers and materials highlights Longhi’s long standing focus on formalisms, procedural mechanisms, and logics of style. The artist questions the potential impermanence of aesthetic choices, but also how they remain and give rise to immediate desires in us.

Charivari,2022

until September 17
Tue - Fri, 2 - 7 PM

📸 .gnesi_studio

Opening June 23, 6-9 PM

Ordet is pleased to announce Charivari ("uproar" in medieval French), an exhibition by Lorenza Longhi and Megan Marrin, named after the New York avant-garde fashion store.

The show reflects shared interests and attitudes that inform the work of the two artists: DYI production and staging methods; a predilection for repurposing and combining different materials and imageries; and a keen interest in the material and social history of taste and in retail culture and architecture vis-à-vis art installation and exhibition history.

LORENZA LONGHI & MEGAN MARRIN
OPENING: JUNE 23, 6-9PM

Ordet is pleased to announce Charivari ("uproar" in medieval French), an exhibition by Lorenza Longhi and Megan Marrin, named after the New York avant-garde fashion store.

The show reflects shared interests and attitudes that inform the work of the two artists: DYI production and staging methods; a predilection for repurposing and combining different materials and imageries; and a keen interest in the material and social history of taste and in retail culture and architecture vis-à-vis art installation and exhibition history.

Gueisha, 2022

Yuli Yamagata
Afasta Nefasta
2 April - 28 May 2022

JON RAFMAN
₳Ɽ₮ɆⱤ Ø₣ ₩ØⱤⱠĐ₴
OPENING FEBRUARY 10
6-9 PM

Today's shared cultural identity, today's egregore, is evasive and contradictory. It is as homogeneous as it is fractured and atomized. Its arbiters are nameless. They are the moderators employed by big tech. They could be everyone or no one. ‘s works flow from this condition. His characters and stories, like his sources, are anonymous, forgotten, or illusory. They pose the essential artistic question: what does it mean for something to be Real?

The word egregore originates from the Greek word for wakeful. It refers to the development of a shared abstract cultural identity (or autonomous psychic entity) that influences the group that gave rise to it. The unique symbiotic relationship between the egregore and its parent group is now associated with the concept of the meme. This occult idea is also a fitting framework for engaging Rafman’s exhibition at Ordet.

Open Wed-Sat, 2–7 PM

The exhibition has been generously sponsored by .kostyal

❄️ Happy Holidays ❄️
Ordet will be closed from December 24 until January 6.
We will reopen on January 7 with Ghislaine Leung, SCORES.

📸 .gnesi_studio

Jeremy Shaw: Tracer Recordings

Opening on Tuesday
September 14, 6 - 9 PM

The works on show conjure the artist's longstanding interest in altered states and the wide spectrum of their manifestations, from the somatic and behavioral, to the social and scientific.

Primary domain
July 1-30, 2021

Primary domain is an exhibition dedicated to Milan and its youngest generation of artists.

The show features the work of eight artists born between ’92 and ’96 who grew up or trained in the city: Federico Cantale, Stefania Carlotti, Guendalina Cerruti, Jimmy Milani, Giacomo Montanelli, Sara Ravelli, Giulio Scalisi, and Agnese Smaldone.

The plurality of research approaches and techniques outlines a multifaceted scenario. Primary domain thus serves as an observatory from which to explore and question the new focal points and activities of a context.

The exhibition architecture is by Armature Globale.