Jessica Pratt

“Anche dalla Scala sono arrivati ricordi che meritano di essere compresi nella nostra personale antologia dell’anno… la regina delle serate milanesi è stata Jessica Pratt, che con la sua Norma e la sua Aspasia – ovviamente diversissime ma in egual misura elettrizzanti – scala ulteriormente le vette del nostro cuore e conferma una statura artistica sempre più preziosa: quella di chi sa dominare il virtuosismo non per stupire, ma per dire qualcosa, per scolpire una parola, un sentimento, un destino.”
- Antonio Trotta

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Second show of Die Zauberflöte here in Munich Bayerische Staatsoper Riccardo is keeping me company in the dressingroom between arias 💕

Dream team! One of the absolute best Sonnambula casts I have sung with. Congratulations and a huge thank you to you awesome and lovely artists and friends!!

official corrado.bass

Thank you to for such a beautiful evening last night! It was a glorious celebration of this incredible music! It was also a beautiful surprise so see Marina Rebeka and catch up after many years since we were hopeful students together in Rome!



.rebeka

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Oggi Jessica Pratt si esibisce è Amina ne' La sonnambula al Tiroler Festspiele Erl

Opening night tonight of Die Zauberflöte here in Münich… my attempt at a dressing room selfie as the Queen of the night … if you are all wondering why I don’t post more often… as you can see social media content creator is a talent I don’t possess 😂😂

Thank you to the wonderful for this incredible experience!

Second and final performance of the world premiere of Partenope by Ennio Morricone under the baton of with the stage direction of .beecroft wonderful narrations by Libretto by Guido Barbieri e Sandro Cappelletto

A special thabks to my lovely friends and colleagues and for sharing this special experience with enthusiasm and joy and making every rehearsal fun 💕

Photos: Luciano Romano

A huge honour to be part of this very special event!

Oscar-winner Morricone’s lost opera debuts in Naples after 30 years At long last, vindication is at hand for an Oscar-winning composer who sought to prove he was as capable of breathing life into Italy’s grand theaters as into gritty Hollywood films.