ART LAB luxe

ART LAB luxe

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art[LAB] is a global collective of international designers combining their creative powers to create transformative installation & spatial art.

Photos from ART LAB luxe's post 21/04/2026

๐—š๐—ข๐—Ÿ๐——๐—˜๐—ก ๐—”๐—ฅ๐—ž ๐—•๐—˜๐—ก๐—–๐—›

Where ๐—ณ๐˜‚๐—ฟ๐—ป๐—ถ๐˜๐˜‚๐—ฟ๐—ฒ becomes ๐—ณ๐—ผ๐—ฟ๐—บ, and form becomes ๐—ฒ๐˜…๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ.

This sculptural bench explores the intersection of ๐˜จ๐˜ฆ๐˜ฐ๐˜ฎ๐˜ฆ๐˜ต๐˜ณ๐˜บ, ๐˜ฎ๐˜ข๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ข๐˜ญ ๐˜ธ๐˜ข๐˜ณ๐˜ฎ๐˜ต๐˜ฉ, and ๐˜ฒ๐˜ถ๐˜ช๐˜ฆ๐˜ต ๐˜จ๐˜ณ๐˜ฐ๐˜ธ๐˜ตโ€”emerging through ๐—ฝ๐—ฎ๐—ฟ๐—ฎ๐—บ๐—ฒ๐˜๐—ฟ๐—ถ๐—ฐ ๐—ฑ๐—ฒ๐˜€๐—ถ๐—ด๐—ป where repetition becomes rhythm and structure transforms into surface.

Formed from layered ๐—ฝ๐—ถ๐—ป๐—ฒ๐˜„๐—ผ๐—ผ๐—ฑ ribs, the piece unfolds as a continuous curveโ€”guiding the body, blurring the line between ๐—ผ๐—ฏ๐—ท๐—ฒ๐—ฐ๐˜ and ๐˜€๐—ฝ๐—ฎ๐—ฐ๐—ฒ.

What defines this piece is its exploration of ๐˜ฎ๐˜ถ๐˜ญ๐˜ต๐˜ช-๐˜ฎ๐˜ข๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ.

Precision-cut sections and contours are accentuated with ๐—ฏ๐—ฟ๐—ฎ๐˜€๐˜€ ๐—ถ๐—ป๐—น๐—ฎ๐˜†๐˜€โ€”introduced within the notches to create moments of contrast and continuity. Two subtle layers of brass break the visual monotony, adding depth, rhythm, and a refined material dialogue.

At its core, a sculpted brass element stands as a point of stillnessโ€”balancing the fluidity of the wooden form.

Together, wood and brass create a conversation between:
๐˜ฏ๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ฆ and ๐˜ฑ๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ด๐˜ช๐˜ฐ๐˜ฏ
๐˜ธ๐˜ข๐˜ณ๐˜ฎ๐˜ต๐˜ฉ and ๐˜ณ๐˜ฆ๐˜ง๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ
๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต and ๐˜ด๐˜ต๐˜ช๐˜ญ๐˜ญ๐˜ฏ๐˜ฆ๐˜ด๐˜ด

More than a seat, it becomes a ๐—ฎ๐—ป๐—ฐ๐—ต๐—ผ๐—ฟ๐—ฒ๐—ฑ ๐˜€๐—ฝ๐—ฎ๐˜๐—ถ๐—ฎ๐—น ๐—ฒ๐˜…๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ.

This piece is part of an ongoing series by ๐—ฎ๐—ฟ๐˜[๐—Ÿ๐—”๐—•], reflecting over a decade of exploration in ๐—ฝ๐—ฎ๐—ฟ๐—ฎ๐—บ๐—ฒ๐˜๐—ฟ๐—ถ๐—ฐ ๐—ณ๐˜‚๐—ฟ๐—ป๐—ถ๐˜๐˜‚๐—ฟ๐—ฒโ€”ranging from benches and tables to wall units and spatial installations.

Currently on display at:
๐˜—๐˜ข๐˜ฏ๐˜ค๐˜ฉ-๐˜›๐˜ข๐˜ต๐˜ต๐˜ท๐˜ข: ๐˜”๐˜ข๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ข๐˜ญ ๐˜”๐˜ข๐˜ต๐˜ต๐˜ฆ๐˜ณ๐˜ด
๐Ÿ“ Gallery Kolkata, New Delhi (GK-II)

Photos from ART LAB luxe's post 20/04/2026

๐—”๐—˜๐—ฅ๐—œ๐—”๐—Ÿ ๐—ฆ๐—ฌ๐— ๐—ฃ๐—›๐—ข๐—ก๐—ฌ // ๐˜ฝ๐™ช๐™ฉ๐™ฉ๐™š๐™ง๐™›๐™ก๐™ž๐™š๐™จ ๐™ž๐™ฃ ๐™๐™ก๐™ž๐™œ๐™๐™ฉ

A moment between ๐—ฟ๐—ฒ๐˜€๐˜ and ๐—ฟ๐—ถ๐˜€๐—ฒ.

This piece explores the threshold between ๐˜ด๐˜ต๐˜ช๐˜ญ๐˜ญ๐˜ฏ๐˜ฆ๐˜ด๐˜ด and ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ตโ€”capturing the collective ascent of butterflies as a sculptural expression of flight.

Emerging from the ground in a choreographed formation, the installation translates a fleeting moment into a ๐—ฝ๐—ฎ๐—ฟ๐—ฎ๐—บ๐—ฒ๐˜๐—ฟ๐—ถ๐—ฐ ๐—ฐ๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ถ๐˜๐—ถ๐—ผ๐—ปโ€”where geometry becomes motion.

Rather than a singular object, it forms an ๐—ถ๐—บ๐—บ๐—ฒ๐—ฟ๐˜€๐—ถ๐˜ƒ๐—ฒ ๐—ณ๐—ถ๐—ฒ๐—น๐—ฑโ€”where density shifts from grounded solidity to airy dispersion, suggesting ๐˜ญ๐˜ช๐˜ง๐˜ต, ๐˜ณ๐˜ฆ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ฆ, and ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ.

The ๐—ด๐—ผ๐—น๐—ฑ๐—ฒ๐—ป ๐—ฏ๐—ฟ๐—ฎ๐˜€๐˜€ surface interacts with light, giving the piece a radiant, almost ๐˜ข๐˜ญ๐˜ค๐˜ฉ๐˜ฆ๐˜ฎ๐˜ช๐˜ค presenceโ€”grounded in material, yet reaching toward the infinite.

This installation is part of an evolving series by ๐—ฎ๐—ฟ๐˜[๐—Ÿ๐—”๐—•], explored across scales and contextsโ€”
from a large-scale permanent installation at Kochi Airport in stainless steel,
to bespoke residential installations,
and now presented here in a refined brass finish with a stainless steel base.

Currently on display at:
๐˜—๐˜ข๐˜ฏ๐˜ค๐˜ฉ-๐˜›๐˜ข๐˜ต๐˜ต๐˜ท๐˜ข: ๐˜”๐˜ข๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ข๐˜ญ ๐˜”๐˜ข๐˜ต๐˜ต๐˜ฆ๐˜ณ๐˜ด
๐Ÿ“ Gallery Kolkata, New Delhi (GK-II)

Photos from ART LAB luxe's post 19/04/2026

๐—ฎ๐—พ๐˜‚๐—ฎ๐— ๐—ข๐—ฅ๐—ฃ๐—› โ€” ๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜”๐˜ฐ๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜›๐˜ข๐˜ฌ๐˜ฆ๐˜ด ๐˜๐˜ญ๐˜ช๐˜จ๐˜ฉ๐˜ต

A moment suspended between ๐—ด๐—ฒ๐—ผ๐—บ๐—ฒ๐˜๐—ฟ๐˜† and ๐—บ๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฒ๐—ป๐˜.

Crafted in ๐—ฏ๐—ถ๐—ฟ๐—ฐ๐—ต ๐˜„๐—ผ๐—ผ๐—ฑ, this piece explores a carefully articulated ๐—ฝ๐—ฎ๐—ฟ๐—ฎ๐—บ๐—ฒ๐˜๐—ฟ๐—ถ๐—ฐ ๐—ด๐—ฟ๐—ถ๐—ฑโ€”where ๐—ผ๐˜ƒ๐—ฎ๐—น and ๐—ฑ๐—ถ๐—ฎ๐—บ๐—ผ๐—ป๐—ฑ-๐˜€๐—ต๐—ฎ๐—ฝ๐—ฒ๐—ฑ ๐—ฐ๐—ฒ๐—น๐—น๐˜€ merge into a fluid, algorithmic surface.

Within this field, ๐—ฏ๐—ฟ๐—ฎ๐˜€๐˜€-๐—ณ๐—ถ๐—ป๐—ถ๐˜€๐—ต๐—ฒ๐—ฑ ๐—ฏ๐—ถ๐—ฟ๐—ฑ๐˜€ emergeโ€”varying in scale, rhythm, and densityโ€”forming a ๐—ฐ๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ ๐˜€๐˜„๐—ฎ๐—ฟ๐—บ ๐—ถ๐—ป ๐—ณ๐—น๐—ถ๐—ด๐—ต๐˜.

The result is a composition that feels both ๐—ฝ๐—ฟ๐—ฒ๐—ฐ๐—ถ๐˜€๐—ฒ and ๐—ผ๐—ฟ๐—ด๐—ฎ๐—ป๐—ถ๐—ฐ, where mathematics transforms into motion.

What makes this piece particularly special is its exploration of ๐˜ฎ๐˜ถ๐˜ญ๐˜ต๐˜ช-๐˜ฎ๐˜ข๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บโ€”the warmth and natural grain of wood, sculpted through ๐—ฑ๐—ถ๐—ด๐—ถ๐˜๐—ฎ๐—น ๐—ณ๐—ฎ๐—ฏ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป and craftsmanship, contrasted with the reflective elegance of brass inlays.

Each layer reveals a dialogue between:
๐˜ค๐˜ฐ๐˜ฅ๐˜ฆ and ๐˜ค๐˜ณ๐˜ข๐˜ง๐˜ต
๐˜ด๐˜ต๐˜ณ๐˜ถ๐˜ค๐˜ต๐˜ถ๐˜ณ๐˜ฆ and ๐˜ง๐˜ญ๐˜ถ๐˜ช๐˜ฅ๐˜ช๐˜ต๐˜บ
๐˜ด๐˜ต๐˜ช๐˜ญ๐˜ญ๐˜ฏ๐˜ฆ๐˜ด๐˜ด and ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต

Designed as a ๐—ณ๐—ฒ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฒ ๐˜„๐—ฎ๐—น๐—น ๐—ถ๐—ป๐˜€๐˜๐—ฎ๐—น๐—น๐—ฎ๐˜๐—ถ๐—ผ๐—ป, aquaMORPH is intended to ๐—ฎ๐—ป๐—ฐ๐—ต๐—ผ๐—ฟ ๐—ฎ ๐˜€๐—ฝ๐—ฎ๐—ฐ๐—ฒโ€”creating depth, focus, and a constantly evolving visual experience.

Part of the evolving ๐˜ข๐˜ฒ๐˜ถ๐˜ข๐˜”๐˜–๐˜™๐˜—๐˜ ๐˜ด๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ด by ๐—ฎ๐—ฟ๐˜[๐—Ÿ๐—”๐—•], exploring movement, migration, and material across multiple scales and expressions.

Currently on display at:
๐˜—๐˜ข๐˜ฏ๐˜ค๐˜ฉ-๐˜›๐˜ข๐˜ต๐˜ต๐˜ท๐˜ข: ๐˜”๐˜ข๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ข๐˜ญ ๐˜”๐˜ข๐˜ต๐˜ต๐˜ฆ๐˜ณ๐˜ด
๐Ÿ“ E-46, Gurdwara Road, Greater Kailash-II, New Delhi

Photos from ART LAB luxe's post 14/04/2026

As the "๐๐š๐ง๐œ๐ก ๐“๐š๐ญ๐ญ๐ฏ๐š, ๐Œ๐š๐ญ๐ž๐ซ๐ข๐š๐ฅ ๐Œ๐š๐ญ๐ญ๐ž๐ซ๐ฌ" exhibit at ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜† ๐—ž๐—ผ๐—น๐—ธ๐—ฎ๐˜๐—ฎ approaches its close, the space holds its final moments of stillness, texture, and dialogue.

Each piece is shaped through material exploration and computational precision that comes together as a quiet narrative of form, craft, and intent. What was once an unfolding experience now moves toward its conclusion.

๐—™๐—ผ๐—ฟ ๐˜๐—ต๐—ผ๐˜€๐—ฒ ๐˜„๐—ต๐—ผ ๐—ต๐—ฎ๐˜ƒ๐—ฒ๐—ปโ€™๐˜ ๐˜†๐—ฒ๐˜ ๐˜€๐˜๐—ฒ๐—ฝ๐—ฝ๐—ฒ๐—ฑ ๐—ถ๐—ป๐˜๐—ผ ๐—ถ๐˜, ๐˜๐—ต๐—ถ๐˜€ ๐—ถ๐˜€ ๐—ฎ ๐—น๐—ฎ๐˜€๐˜ ๐—ผ๐—ฝ๐—ฝ๐—ผ๐—ฟ๐˜๐˜‚๐—ป๐—ถ๐˜๐˜† ๐˜๐—ผ ๐—ฒ๐—ป๐—ด๐—ฎ๐—ด๐—ฒ with the works in their intended spatial contextโ€”to experience the scale, the depth, and the subtle interplay of light and material.

On view at ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜† ๐—ž๐—ผ๐—น๐—ธ๐—ฎ๐˜๐—ฎ till ๐Ÿญ๐Ÿต๐˜๐—ต ๐—”๐—ฝ๐—ฟ๐—ถ๐—น.
Visit before it concludes.

๐Ÿ“ E-46, Greater Kailash II, New Delhi

11/04/2026

aquaMORPH โ€” a study in movement held in stillness.

Currently on view at โ€œPanch-Tatva: Material Matters,โ€ curated by Ankon Mitra at Gallery Kolkata, New Delhi.

A sculptural surface where parametric flow meets material depth โ€” inviting you to pause, observe, and experience space differently.

Open to all till 19th April.

๐Ÿ“ Gallery Kolkata
E-46, Greater Kailash II, New Delhi

ParametricDesign ContemporaryArtIndia SculpturalArt SpatialArt

09/04/2026

In conversation around AERIAL SYMPHONY.

A composition that begins grounded, and gradually disperses โ€”
where structure gives way to lightness, and form starts to lift.

Not just an installation, but a study in transition.

On view at Gallery Kolkata, New Delhi
โ€œPanch-Tatva: Material Matters.โ€

Open to all till 19th April.

๐Ÿ“ E-46, Greater Kailash II, New Delhi

#

30/03/2026

Did you know?

For parametric surfaces, even minor inconsistencies in material can distort the final outcome. HDHMRโ€™s uniform density ensures that every CNC pass behaves predictably โ€” critical for maintaining geometric fidelity.

Because precision isnโ€™t just designed โ€” itโ€™s manufactured.

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