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Heritage includes all- the cultural, the natural, the built & the living heritage.

The Indian National Trust For Art and Cultural Heritage (INTACH) is a non-profit organization set up in 1984 to involve its members in protecting and conserving India’s vast natural, built and cultural heritage.

21/06/2026

The Wall Paintings Directory wishes you a very Happy World Music Day.

Celebrated on 21 June, World Music Day promotes the universal accessibility of music and celebrates its power to connect people across cultures.
One of the most fascinating intersections of music and art in India is the Ragamala tradition, literally meaning “a garland of melodies.” Drawing upon ancient musicological texts, Ragamala paintings personify ragas and raginis as human figures, translating musical moods and emotions into visual form.

While best known in miniature painting traditions, Ragamala themes also appear in mural traditions documented through the INTACH Wall Paintings Directory Project, reflecting the deep relationship between music, painting, and poetry in India’s artistic heritage.

Disclaimer: Please note that these photographs are edited versions of the documented wall paintings and do not accurately represent the original pigments used in the paintings.

Photos from Intach's post 19/06/2026

INTACH is pleased to present the Gaja-Lok exhibition, organised in collaboration with and hosted by Bihar Museum, exploring the profound and enduring relationship between humans and elephants across India and Southeast Asia.

This exhibition brings together two complementary perspectives. The INTACH-curated Gaja-Lok panels take visitors on a journey from the earliest depictions of elephants in rock art and ancient civilizations to their presence in religion, literature, art, trade networks, and living traditions. Complementing this, a special display from the Bihar Museum collection showcases Bihar’s deep connections with elephants through its religious heritage, artistic traditions, folk culture, and historical objects. Together, these perspectives offer a deeper understanding of the elephant’s enduring place in both local and broader cultural landscapes.

As part of INTACH’s pan-India Project Gaja-Lok, the exhibition brings together cultural, historical, and ecological perspectives to encourage dialogue on heritage conservation, environmental stewardship, and the continuing importance of human-elephant coexistence.

📍 Bihar Museum

📅 20 June – 19 July 2026

*Chief Guest for Inauguration*

Dr. Pramod Kumar
Hon'ble Minister, Art & Culture - Co-Mines and Geology Department, Bihar

*Chair*

Mr. Anjani Kumar Singh
Director General, Bihar Museum

*Guests of Honour*

Shri Ashok Jairaj Singh
Chairman, INTACH

Shri Ravindra Singh, IAS (Retd.)
Member Secretary, INTACH

Ms. Nirupama Y. Modwel
Principal Director, INTACH

-Lok

Photos from Intach's post 19/06/2026

To celebrate the International Day of Yoga, a session on, ‘Station by Station: Progressive Yoga for Body, Mind and Intuitive Intelligence’ by Prof. (Dr.) Alka Tyagi, concluded successfully with an engaging discussion and active participation from the audience.

Dr. Tyagi elucidated the progressive development of the human psycho-physical system through yogic practices, highlighting the role of asanas, pranayama, mantra chanting, awareness, and meditation in realizing human potential. The session offered valuable insights into the holistic philosophy and practice of Yoga. The lecture was attended by Shri Ashok Singh Thakur, Chairman, INTACH.

Check the link in bio to revisit the entire lecture!

Photos from Intach's post 19/06/2026

Strengthening Rivers, Preserving Heritage

The Indian National Trust for Art and Cultural Heritage (INTACH), through its Natural Heritage Division, has entered into a Memorandum of Understanding (MoU) with the Brahmaputra Board for the development of the Basistha Riverfront adjacent to the Brahmaputra Board campus in Guwahati, Assam.

The MoU was signed in the presence of the Chairman, Brahmaputra Board, by Mr. Manu Bhatnagar, Principal Director, Natural Heritage Division, INTACH, and Mr. Paragjit Sarma, Executive Engineer, Guwahati Division, Brahmaputra Board.

This collaboration marks an important step towards riverfront revitalization, ecological restoration, and the creation of a sustainable and culturally sensitive public space along the Basistha River. The initiative seeks to enhance the river's environmental health while fostering community engagement and strengthening the connection between people and their natural heritage.

Together, we move towards a future where rivers are celebrated not only as ecological lifelines but also as vital cultural landscapes.

19/06/2026

Raj Parivar ki Chhatriyan Complex is a cemetery complex located in Garhi Swai Ram village in the Alwar district. The complex contains a total of eight chhatris, built in memory of the members of the royal family and enclosed within a boundary wall. These structures exhibit a blend of Rajput and Mughal architectural elements.
This is Chhatri I and II, which share a common platform. The chhatris stand on a high plinth and are accessed by a series of steps leading upward. The interiors of their domes are adorned with paintings depicting various episodes from Indian mythology. The Rasamandala portrays Lord Krishna dancing with the gopis, is prominently represented. Scenes from the Ramayana and narratives of Lord Shiva Parivar are also portrayed within the domes.
Furthermore, depictions of royal processions featuring soldiers, palatial architecture, and durbar scenes can be seen. The niches in the drum supporting the dome are embellished with mythological subjects, and episodes from the Krishnalila.
In addition, scenes from the Ramayana include Lord Rama and Goddess Sita performing a yajna, as well as battle scenes showing soldiers on horseback carrying flags, spears, and daggers while engaged in combat. The paintings also feature a military procession depicting an active and well-equipped army.

Disclaimer: Please note that these photographs are edited versions of the documented wall paintings and do not accurately represent the original pigments used in the paintings.

18/06/2026

Intangible Cultural Heritage (ICH) Division, INTACH highlights the remarkable Aishwarya Ganapathi, also known as Avancha Ganapathi, a 12th-century idol carved during the reign of the Western Chalukyas in 1113 AD.

Located today in an agricultural field in Avancha village, this historic sculpture is believed to have been created when Thylapadu, son of Vikramaditya, governed the region of erstwhile Kandoor.

What makes it truly extraordinary is its craftsmanship, the entire idol is carved from a single rock, standing as a testament to the artistic skill and devotion of its time.

More than nine centuries later, it continues to connect us with a living legacy of faith, history, and craftsmanship.

Submitted by Putti Ramesh Chander.

17/06/2026

The 𝐈𝐍𝐓𝐀𝐂𝐇 𝐇𝐞𝐫𝐢𝐭𝐚𝐠𝐞 𝐂𝐫𝐚𝐟𝐭𝐬 𝐚𝐧𝐝 𝐂𝐨𝐦𝐦𝐮𝐧𝐢𝐭𝐲 𝐃𝐢𝐯𝐢𝐬𝐢𝐨𝐧 (𝐇𝐂𝐂𝐃) has launched 𝐏𝐫𝐨𝐣𝐞𝐜𝐭 𝐍𝐚𝐭𝐡𝐬 𝐨𝐟 𝐈𝐧𝐝𝐢𝐚, an initiative dedicated to researching, documenting, and celebrating the diverse Nath traditions found across the Indian subcontinent.

We would love to hear from you. Share your stories, photographs, local names, memories, and traditions in the comments below.

𝐏𝐫𝐨𝐣𝐞𝐜𝐭 𝐍𝐚𝐭𝐡𝐬 𝐨𝐟 𝐈𝐧𝐝𝐢𝐚 𝐢𝐬 𝐛𝐞𝐢𝐧𝐠 𝐮𝐧𝐝𝐞𝐫𝐭𝐚𝐤𝐞𝐧 𝐛𝐲 𝐭𝐡𝐞 𝐈𝐍𝐓𝐀𝐂𝐇 𝐇𝐞𝐫𝐢𝐭𝐚𝐠𝐞 𝐂𝐫𝐚𝐟𝐭𝐬 𝐚𝐧𝐝 𝐂𝐨𝐦𝐦𝐮𝐧𝐢𝐭𝐲 𝐃𝐢𝐯𝐢𝐬𝐢𝐨𝐧 (𝐇𝐂𝐂𝐃) 𝐮𝐧𝐝𝐞𝐫 𝐭𝐡𝐞 𝐠𝐮𝐢𝐝𝐚𝐧𝐜𝐞 𝐨𝐟 𝐌𝐫𝐬. 𝐁𝐢𝐧𝐝𝐮 𝐕𝐚𝐧𝐝𝐚𝐧𝐚 𝐌𝐚𝐧𝐜𝐡𝐚𝐧𝐝𝐚, 𝐇𝐞𝐚𝐝, 𝐇𝐂𝐂𝐃.

Image source: Pinterest, Researchgate, Internet.

Disclaimer: If you are the rightful owner of a picture we've used, please DM us for due credits!

Thanks!

Photos from Intach's post 16/06/2026

The Musi River has shaped the landscapes, communities, and livelihoods of the region
for generations. From supporting agriculture and water resources to sustaining diverse
ecosystems, the river remains deeply connected to the well-being of both people and
nature across the basin.

Today, however, rapid urban growth, changing land-use patterns, and increasing
environmental pressures are placing this vital river system under growing stress.
Addressing these challenges requires looking beyond the river itself and understanding
the wider landscape that sustains it.

The Musi River Basin Conservation Plan, by the Natural Heritage Division of INTACH,
has been developed with this vision in mind. By identifying the key issues affecting the
basin and outlining pathways for sustainable management and restoration, the project
seeks to support a future where healthy ecosystems, secure water resources, and
resilient communities can flourish together.

This Conservation Plan provides a foundation for informed action, helping protect
natural features, strengthen environmental resilience, and promote balanced
development across the basin. 🌿💧

16/06/2026

Cultural Affairs, INTACH revisits a memorable celebration from World Heritage Week 2018, featuring a Lec-Dem on Hindustani Classical Music, Banaras Gharana by Pandit Chhannulal Mishra, one of its most revered exponents.

Renowned for his mastery over Khayal, Thumri, Dadra, Chaiti, Kajri, Hori, and Bhajans, Late Pandit ji’s performances transcend technique, weaving together devotion, spirituality, and centuries of musical tradition.

Because heritage is not only seen in monuments, it is also heard in the timeless melodies that continue to move generations.

Watch the entire video on youtube!
https://youtu.be/mX_Xi3e2GpQ?si=sgvtnRJYOpxzGYis

Photos from Intach's post 15/06/2026

INTACH Knowledge Centre (IKC) continues to expand its collection through the generous donation of books by the family of Late Ms. Rosemary Eggleston and Late Mr. Jasbir Sachdev, both esteemed architects.

These contributions enrich our understanding of India’s architectural, historical, and cultural narratives, ensuring that valuable knowledge remains accessible to researchers, students, and heritage enthusiasts alike.

Because every book preserved is a conversation with the past and an investment in the future.

To access , please visit INTACH Knowledge Centre, Indian National Trust for Art and Cultural Heritage (INTACH), 71, Lodhi Estate, New Delhi – 110003.

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INTACH, 71 Lodhi Estate, K. K. Birla Lane
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