basalaev.kirill.art

basalaev.kirill.art

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Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from basalaev.kirill.art, Artist, London.

Photos from basalaev.kirill.art's post 01/06/2026

It’s been a fun nine months at Troutbeck Studio! Now it’s all come to an end. Time to look for a new space (or maybe not). I’m not sure. Let me know if you’ve got any!
I searched for party photos and found absolutely nothing. Perhaps that’s exactly how it should be.😆
But a big thank you to everyone who was part of it. Sometimes it was absolutely wild!🤟🤟

25/05/2026

Bank holiday.

Photos from basalaev.kirill.art's post 18/05/2026

Alimentation 3
2026
Canvas, filler, cement, acrylic, epoxy resin.
100x160cm

Photos from basalaev.kirill.art's post 11/05/2026

Alimentation 2
140x160cm
Canvas, filler, cement, acrylic.

08/05/2026

A few words about my art practice ☝️
Drop by the throughout the May
🪑

Photos from basalaev.kirill.art's post 05/05/2026

‘Bending time’ at is now officially open! Join us throughout the May😘❤️❤️
art vannini.art basalaev.art

Exhibition dates:
1-29 May 2026
Opening hours:
Mon-Wed & Fri: 2-6 pm Thu: 2-8 pm
Sat-Sun: 11 am-6 pm

13 Ramsgate Street, London E8 2FD

08/04/2026

Yo guys!
This Friday, April 10, is the last day you can see the “Inside Out” exhibition!
Join us at .studio
Lets have fun🤟🤟

6pm
171 Morning lane E9 6LH

Photos from basalaev.kirill.art's post 25/03/2026

NEW one.
A dark and great addition to the series of works I prepared for the exhibition at .studio

150x150cm.
Canvas, filler, cement, acrylic, spray.

«inside out» until 12.04

Any questions- DM me.

23/03/2026

UNTITLED (for now) 2
150x120cm
Cement on canvas

Photos from basalaev.kirill.art's post 19/03/2026

This is how it was meant to be. The object stood outdoors for almost a year, moving through three different locations. Wind, rain, dust, temperature shifts, insects, birds, and even squirrels became co-authors. The epoxy layer fractured, opening up a cracks, while the cement slowly began to turn into sand.
I don’t work with themes of decay or death, but rather with notions of temporality and memory. For me, fragility is a consequence of life’s activity. “Dust” and “webs” are my memories.

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