Talbot Rice Gallery

We are delighted to announce Anne Hardy’s solo exhibition open from Saturday 27 June ✨✨✨

British artist Anne Hardy has transformed our iconic Georgian Gallery into a new installation entitled Feelings. Known for her pioneering approach to exhibition-making, Hardy treats the gallery as a found object, extending the influence of sculpture into the fabric of the gallery through light, sound, and data creating an active environment for a series of sculptural “beings”.

Through subtle scenography and immersive spatial composition, we encounter a world that is, in Hardy’s words, “sentient” – responsive, reverent and alive with energy.

📆 27 June - 27 September
📍 Talbot Rice Gallery Edinburgh
🔗 More info via link in bio

→ Supported by Edinburgh College of Art Creative Scotland Henry Moore Foundation Grants
→ Presented in association with Edinburgh International Festival and part of Edinburgh Art Festival

📸 Portrait: Anne Hardy, photo: Angus Mill © Anne Hardy; Anne Hardy, Detail of ‘Being (Slipstream)’, 2024-2026, Courtesy VISUAL, Carlow, Ireland and Maureen Paley, London. Photo: Angus Mill © Anne Hardy

We have been made aware that there have been third-party email announcements to our community of jobs available at Talbot Rice Gallery and other Scottish organisations. On clicking through and paying money to get beyond a paywall, jobseekers are encountering a message saying the job application window has expired.

Please be aware that these scams are not connected with Talbot Rice Gallery in any way. We are concerned that people are seeking to profit from the considerable interest there is in jobs in the arts, and want to be clear that we will never advertise a job behind a paywall.

We are not currently recruiting. In future, if we are, you could find information on our social media channels (such as this one), our website, and partners such as SCAN and Creative Scotland who will not charge you for access to the information.

We would recommend that job seekers in the visual arts connect with Scottish Contemporary Art Network and Creative Scotland or explore their websites for current listings for contemporary art jobs throughout Scotland: sca-net.org/network/network-jobs-opportunities/ and opportunities.creativescotland.com

Thank you to the members of our community who have made us aware of these scams, we really appreciate the courage in turning up at the front door, or taking the time to write an email.

Image: Lucy Skaer, The Green Man, installation view, Talbot Rice Gallery, 2017

📷 ✍️ 🌱
Erasure held like a fierce lantern

“Kang Seung Lee’s work transforms loss and invisibility into a strategy for recollection. Often beginning with archival research, his drawings, watercolours, embroideries and installations create conversations with overlooked, deceased artists and with sites where communities, including q***r communities, have historically gathered.

Lee has extended his research to Edinburgh, featuring new works based on photographs of significant q***r sites across the city. Erasure held like a fierce lantern layers global and local q***r histories to represent forms of existence that exceed identity politics.”

- .clegg1, Curator

Part of The dead don’t go until we do
📆 Until 30 May
📸 

Staff picks ✨ Our Community Engagement Officer, Sarah Leal, picks Mafolofolo by MADEYOULOOK.

“When I experienced the work for the first time, I felt deeply emotional. The sound surrounded me completely, and I felt enveloped by it, carried by it. The sound of the storm especially made me feel like I was part of it, like I was the storm itself. Here lies the power of Mafolofolo, transporting us to the landscape of Mpumalanga.

Years ago, while visiting a bird park in Kuala Lumpur, Malaysia (a country far away from my homeland), I suddenly heard a sound that moved me to tears. At the time, I couldn’t make sense of it, but it made me think of the mysteries we carry within us. Many years later, I discovered that this sound had been part of my ancestors’ lives.

Now, I strongly believe that we are all made of the people, stories, and lives of those who came before us. They remain with us, living inside us still. Isn’t that magical?”

♥️

→ Check it out in The dead don’t go until we do
📆 Until 30

🫱 🌆 ✉️
Who is invited to the city?

”Who is invited to the city? contributes to what might be read as an alternative portrait of Mumbai. A rapidly changing city, the chawls are now being demolished. Patil’s work relates to ongoing inequalities, championing the role of art in giving voice to communities who are often rendered invisible.” - .clegg1, Curator

Part of The dead don’t go until we do
📆 Until 30 May
📸 
🔗 More info via link in bio

⛰️ 🔊 🗺️
Mafolofolo and Menagano

“MADEYOULOOK ask in Menagano, “What do we need to unlearn?” While Mafolofolo challenges us to be within an artwork without complete translation or transliteration. As a place of recovery, it holds open an uncertain space in which other kinds of knowledge, or being, might be permitted. It opens a dialogue with a people who understood what it meant to be with the land.” - .clegg1, Curator

Part of The dead don’t go until we do
📆 Until 30 May
📸 
🔗 More info via link in bio

🚨 Last week of The dead don’t go until we do 🚨

There are just five days left to catch our current exhibition before it closes 💔

“The dead don’t go until we do is not a morose reflection upon death, but a defiant act of recall grounded in joy, solidarity and care.” - .clegg1, Curator

📆 Tue - Sat, 10am - 5pm until 30 May

→ Supported by , , , and further supported by the Ministry of Culture and National Heritage of the Republic of Poland and 

🪡 🖼️ ☺️
We won’t stay silent any longer

“The materials in the colourful textile collages made by artist and activist Małgorzata Mirga-Tas come from various sources, including clothes belonging to her Roma family and friends, as well as traditional dresses donated by Roma communities. Working from historical images, archival photographs and family albums, she aims to redress hundreds of years of persecution and celebrate moments of everyday joy, holding close the strength of both present and past communities.” - .clegg1, Curator

Part of The dead don’t go until we do
📆 Until 30 May
📸 
🔗 More info via link in bio

Kang Seung Lee begins with research into historical archives, looking at the way marginalised communities are erased. But he uses the gaps and absences to make space for both the living and dead, in this exhibition linking with historical q***r sites across Edinburgh ☺️

Check out ’s Erasure held like a fierce lantern in The dead don’t go until we do 🌱
📆 Until 30 May
📍
📸
🔗 More info via link in bio

Celebrating Talbot Rice Gallery’s alumni artists who are included in the 61st La Biennale di Venezia ‘In Minor Keys’ curated by Koyo Kouoh, national pavilions and collateral events:

Gabrielle Goliath (Still Joy - From Ukraine into the world and Elegy, Chiesa Di Sant’Antonin); Lubaina Himid (British Pavilion); Anca Benera & Arnold Estefán (Romanian Pavilion); Eglė Budvytytė (Lithuanian Pavilion);); Lara Favaretto (Momentary Monument: The Library); Lawrence Abu Hamdan (Canicula) and Guadalupe Maravilla, Sammy Baloji, Rachel Fallon (with Alice Maher), Tuần Andrew Nguyễn, Otobong Nkanga and Kemang Wa Lehulere included ‘In Minor Keys’






















Sammy Baloji


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alice
andrew.nguyen