Ilyich Rivas
The Guardian
“We now have the phenomenon of Ilyich Rivas already making a name for himself ... On the strength of his Royal Liverpool Philharmonic debut, he is strikingly, almost disconcertingly good ... we need to keep our eyes on him."
Kaija Saariaho, Graal Theatre 28.03.2026
Our first season has come to a rambunctious end and it is my great pleasure to get to share one of those many moments that devotedly fulfilled our promise as an ensemble, from the beginning: to bring to the forefront, to our audiences, to you, with passion and intensity, the vertiginous music of our time, a resonant mirror of who we are. Here, violin and ensemble battling for control in an unforgettable night with the grand Carolin Widmann
Stay tuned for the announcement of our second season very soon!
Thanks to .cortot
30/04/2026
What a way to conclude our very first full season alongside the tremendous Ben Goldscheider, who delivered a powerful, riveting performance of Ligeti's insane Hamburg concerto, as well as treating us to a mind-blowing 'Air' of Jorg Widmann and to Villa-Lobos' 4th Choros, sharing the stage with .14 .
Feeling so grateful to get to be surrounded by such dear and amazing friends and colleagues as well for Strauss' beloved Bourgeois Gentilhomme, with extraordinary solos from everyone ! We also got to perform the French premiere of my dearest 's gorgeous work, Stages, for strings and solo trumpet, beautifully sung by the young and super talented .horrach
Stay tuned for our the announcement of our second season!cortot
Gérard Grisey's momentous Partiels turned 50 last night, but still seem to belong to the future! Our performance from 31/1/26 .cortot with the possessed forging an 'E' from a state of scattered noise powerfully through to pitch equilibrium:)) Don't miss our next concerts in Pantin and at the Salle Cortot on March 27th & 28th, with the extraordinary ! 🎫 tickets from links in bio.
Watch our full Partiels performance on Youtube!
-
Les mémorables 'Partiels' de Gérard Grisey ont fêté les 50 ans de leur première hier, mais semblent toujours appartenir au futur ! Un extrait de notre concert du 31 janvier à la Salle Cortot avec un Will Cravy comme possédé, qui a su forger un 'Mi' à partir d'un état de bruit dispersé pour atteindre puissamment l'équilibre de la note. Ne manquez pas nos prochains concerts à Pantin et à la Salle Cortot les 27 et 28 mars, avec l'extraordinaire Carolin Widmann ! 🎫 Billets disponibles en description.
Notre performance complète des Partiels est disponible sur Youtube !
With Anna Lee, Marianne Billard, Andrew Briggs, Tristan Chaintreuil, Perrine Chapoutot, Joë Christophe, Will Cravy, Aurèle Gerin, Mahel Gheribi, Salomé Kirklar, Rachel Koblyakov, Clara Lighezzolo, Manaure Marin, Alice Ouary, Coline Prouvost, Marie Redon, Nina Tonji, Vitier Vivas, and Misaki Hamaguchi, student.
Haunting moment from Elena Firsova's Before the Thunderstorm, that brings to life the poem 'Stinging Eyelashes' by Ossip Mandelstam, in which he foresees his detention by the Soviet authorities. We had the honor of playing the French première of Firsova's 1994 work, in her presence, on September 25th and 26th, here a clip at the Salle Cortot! Don't miss 's sublime dialogue with Camille towards the end, in which together they evoke an old XIXth century prisoners' song.
Eyelashes are stinging. Tear settled in the chest.
I feel without fear that a thunderstorm awakens and will wake.
Someone strange hurries me to forget something.
It is stuffy, and nevertheless deadly I want to live.
I raise myself from my plank bed at the first sound
Looking around me and around with wild and sleepy eyes,
Like that prisoner in the pea-jacket singing his rough song
At the hour when a strip of dawn rises over the jail.
Extraordinary playing from Perrine Chapoutot, Joe Christophe, Emile Carlioz, Anna Lee, Rachel Koblyakov, Aurore Pignoque, Andrew Briggs, Vitier Vivas & Jérôme Guicherd
Haunting moment from Elena Firsova's Before the Thunderstorm, that brings to life the poem 'Stinging Eyelashes' by Ossip Mandelstam, in which he foresees his detention by the Soviet authorities. We had the honor of playing the French première of Firsova's 1994 work, in her presence, on September 25th and 26th, here a clip at the Salle Cortot! Don't miss 's sublime dialogue with Camille towards the end, in which together they evoke an old XIXth century prisoners' song.
Eyelashes are stinging. Tear settled in the chest.
I feel without fear that a thunderstorm awakens and will wake.
Someone strange hurries me to forget something.
It is stuffy, and nevertheless deadly I want to live.
I raise myself from my plank bed at the first sound
Looking around me and around with wild and sleepy eyes,
Like that prisoner in the pea-jacket singing his rough song
At the hour when a strip of dawn rises over the jail.
Extraordinary playing from Perrine Chapoutot, Joe Christophe, Emile Carlioz, Anna Lee, Rachel Koblyakov, Aurore Pignoque, Andrew Briggs, Vitier Vivas & Jérôme Guicherd
cortot
19/04/2025
Such a privilege to spend time with & share a key part of our rehearsal process with the conducting students of the , as well as an incredibly attentive and curious group of 2nd graders from the schools of Pantin! Special thanks to our harpist, , for participating alongside me in this crucial pedagogical engagement of our ensemble !
23/05/2023
Very much looking forward!!
Meet our conductor for Summer 2023 - Ilyich Rivas. Very much looking forward to working with him!
Venezuelan-born American conductor Ilyich Rivas made his professional debut at the age of 16 in front of the Atlanta Symphony Orchestra, and has subsequently made successful debuts with a number of important orchestras in Europe and the US, including the London Philharmonic, Swedish Radio Symphony, Royal Stockholm Philharmonic, Gothenburg Symphony, Stuttgart Radio Symphony, Frankfurt Radio Symphony, NDR Radiophilharmonie Hanover, Orchestre de la Suisse Romande, Orquesta Sinfonica de Castilla y Leon and the Orquesta Sinfonica de Galicia.
Ilyich Rivas worked as Assistant Conductor with the London Philharmonic Orchestra, culminating in his official debut in their subscription series at the Royal Festival Hall. He was also awarded the two-year position of Baltimore Symphony Orchestra/Peabody Institute Conducting fellow, studying conducting at the Peabody Conservatory under the guidance of legendary pedagogue Gustav Meier, and working closely with Marin Alsop and the Baltimore Symphony, again including in subscription concerts. He was invited by Michael Tilson Thomas to conduct the YouTube Symphony Orchestra at the Sydney Opera House, and has additionally gained significant experience with young players and student ensembles, having conducted the Verbier Festival Orchestra, the orchestras of London’s Royal College of Music and the Australian National Academy of Music in Melbourne, the Youth Orchestra of the Americas and the Youth Orchestra of Bahia, Brazil.
Highlights of recent seasons include his debuts with the Minnesota Orchestra, Orchestre National de Lyon, Auckland Philharmonia, Royal Liverpool Philharmonic, Enescu Philharmonic, Israel Symphony, Poznan Philharmonic, Norrkoping Symphony, Uppsala Symphony, Brno Philharmonic, Cameristi della Scala, the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, as well as performances at the Schleswig Holstein Music Festival with the NDR Radiophilharmonie Hanover. More recent engagements include his hugely successful Paris debut with the Orchestre national d'Île-de-France at the Paris Philharmonie, and also the National Symphony Orchestra (formerly RTE) in Dublin.
Ilyich Rivas has also developed a notable expertise as an operatic conductor. Following a three year mentoring programme under conductor Vladimir Jurowski at Glyndebourne Festival Opera, he was invited to conduct full productions for Glyndebourne on Tour of Le nozze di Figaro and Hänsel und Gretel in consecutive seasons. He made an impressive debut with the UK’s Opera North conducting performances of La Boheme, and recently debuted with the Netherlands Reisopera in a country-wide touring production of La Traviata.
Ilyich Rivas comes from a distinguished musical family, and studied conducting from an early age with his father Alejandro Rivas, an orchestral conductor himself, who continues to be his principal guide and mentor. Ilyich has been awarded the Bruno Walter Conducting Prize and the Prix Julius Baer in Switzerland, given by the Verbier Festival to a musician of exceptional talent.
Arts Council of Northern Ireland Ilyich Rivas
14/06/2022
I couldn't have dreamt up a finer way of indulging my birthday than by making music with the Slovenian Radio Symphony and in the beautiful, tender city of Ljubljana. And what a stunning concert hall the is! To get to reunite as well with the great and be joined in celebration by my dearest & was just magnificent. Finally, a mayor ( ) sculpted like a poet and a poet ( ) forged like a statesman.
17/05/2022
An immense thrill to share the stage with and for my debut at the !! Very excited for our tour around Île-de- France starting tonight ! A bientôt !
Special thanks to , and for the pics.
15/04/2022
boasts a rare nobility, his heart is the size of a continent. He also happens to be a genius. The 21st century is one of uncanny juxtapositions. A blink can make you miss the subtlest turn in his visual counterpoint. Vainglorious motors pulsate (like a mute, colorless fire), and a gracious gesture in space, impossible to foresee yet strangely perfect (yes perfect!) leaves us pining for more. Each time.
Gracias querido Elías y bravo a su virtuoso (sutil) equipo
Cliquez ici pour réclamer votre Listage Commercial.
Type
Contacter la personnalité publique
Adresse
78 Rue Cardinet
Paris
75017