Directphoto.org

Palestinian photographer Saher Alghorra, a New York Times contributor, won a Pulitzer Prize on Monday for Breaking News Photography for his documentation of Israel's genocide in Gaza. Alghorra’s works include images of released Palestinian prisoners returning to Gaza, a building being bombed, a mass grave, and a starving child.

En 1936, W***y Ronis a 26 ans. Fils d’un photographe de quartier, il découvre dans la rue et les mouvements sociaux une autre manière de regarder.
Le Front populaire lui offre un sujet décisif : les usines occupées, les cortèges, les ouvriers en grève, mais aussi les moments de pause, les repas, les jeux, les discussions. Ce qu’il photographie, ce n’est pas seulement la revendication. C’est une société ouvrière qui se rend visible.
➡️ https://l.franceculture.fr/YO2

The same man, nearly 80 years between photos.

This is Prokop Vejdělek, at age 22 and 101.

Photographer Jan Langer's portrait series "Faces of Century" features side-by-side photos of people over 100-years-old with their younger selves. They're shown as human beings aged by years of experience, but at their deepest level, unchanged by the passing of time.

In the series, Langer recreates each subject's original pose and lighting as closely as he can — he wants us to see them not just as they are now, but how they have and haven't changed over time. That is the key to the series. See 11 more examples below.

A new book collects the acclaimed photojournalist’s images of everything from conflict zones to Donald Trump’s inner circle. He describes how his pursuit of truth even led to an unsettling encounter with the disgraced financier

New York

Ukrainian-Russian photojournalist Arthur Bondar has amassed huge collection of pictures from often unknown photographers

Manif 8 mars Saint Denis

“Moral Injury and Lessons Learned from Covering Conflict: The Case of The Stringer” by Dr. Anthony Feinstein

Frontline journalism often carries a hidden psychological cost. In this new article, Dr. Anthony Feinstein examines moral injury — the emotional and ethical harm that can arise when journalists witness, participate in, or feel powerless to prevent actions that violate their core moral beliefs.
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Drawing on reporting during the 2016 migrant crisis and the complex histories revisited in The Stringer, Feinstein shows how moments of decision-making, whether to help, to document, or to step back, can generate lasting feelings of guilt, shame, anger, or despair. His research reveals that journalists’ rates of trauma often mirror those of combat veterans, despite long-standing assumptions that the press is somehow shielded from such harm.
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By tracing moral injury across crises, conflicts, and the controversy surrounding the authorship of the “Napalm Girl” photograph, the article illuminates how ethical dilemmas shape not only individual journalists but the wider culture of reporting itself.
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From the January : The VII Foundation Magazine Substack article, “Moral Injury and Lessons Learned From Covering Conflict: The Case of The Stringer.”
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Read the full article:
https://dispatchesviifoundation.substack.com/p/moral-injury-and-lessons-learned

📷 Refugees and migrants are lifted off the inflatable boat and into the rescue boat operated by Doctors Without Borders. During the three-week trip to the rescue ship Geo Barents, refugees and migrants from five boats were rescued. They come from countries such as Sudan, Syria, Libya, Ivory Coast, Eritrea and Chad and most have been on the run for months and years. Many end up in captivity in Libya, where they are subjected to torture, forced labor and abuse. © Espen Rasmussen ( ).
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Opinion | The War in Minnesota Is for Our Phones We need to protect our right to carry cameras to document ICE’s violence.