Flore

London in 3 weeks!

First POLAAR party ever in London, in my favorite place: Ormside Projects.
I'll play b2b with Ehua and have the pleasure to share the stage with Peder Mannerfelt, Soreab (LIVE) and Basic Chanel.

more infos: https://fr.ra.co/events/2391955

Today my remix of **k_la_creme « Welcome to my Crib » drops on 🚨
The original is a super urban, modern footwork cut, percussive and direct. A really cool tune.

I felt like dissolving it and making it more vaporous, almost weightless… and somewhere along the way i might accidentally produced a dubstep track. Surprising isn’t it? 🫣
Work great on loud speakers 😈

Out today in digital and ultra limited 20 copies 7 inches transparent vinyl 😍

Link in bio

soon PAAAAARIS
i'll have the pleasure to play b2b with the amazing Ehua

More infos here: https://fr.ra.co/events/2364556

Time moves too fast, and I somehow missed the moment to properly talk about one of my latest releases — which also happens to be a beautiful story.

Last year, I welcomed into my live performance course. The connection was instant: lots of laughter, and a shared love for gear nerdery — her with a large modular rack, me with Ableton Live (obviously). I then discovered the incredible magnetism of her music. Quinquis is from Brittany, sings in Breton, and builds her compositions using a suitcase modular system and an array of guitar pedals. Her music is truly singular — it feels like a 2025 version of Portishead, without the hip-hop DNA but driven by analog synthesis. It’s deeply beautiful.

What struck me most was how precise and fully formed her artistic vision already was (despite what she initially thought). There was actually very little to “fix” or improve in her setup during the course — although I hope I still managed to pass on a couple of useful tips😅

A few months later, she asked me to remix one of the tracks from her album eor, released earlier that year on

Mute is Daniel Miller’s label — a true institution that launched artists who reshaped pop music: Depeche Mode, Yazoo, DAF, Nick Cave & The Bad Seeds, Erasure, and later Moby, Goldfrapp, Arca, and many more. Alongside XL, it represents, to me, one of the most inspiring artistic visions a label can have. I even own the book released a few years ago documenting the label’s different eras and its collaborations with artists, photographers, and filmmakers — absolutely fascinating, especially for someone like me who still deeply believes in the curatorial role a label can play.

So remixing Quinquis — and having the opportunity to release that remix on Mute — is both a real joy and a great honour.

This remix of “Aet On” took me quite some time. I was feeling a bit exhausted by club formats, and I struggled to find a way to honour the original, which I consider pure beauty. In the end, I chose to take a different path: focusing on space, breathing, something organic and turbulent — inspired by the way Quinquis described her beautiful island of Ouessant.

Video Sam Weihl 🙏

Life is good ❤️
These last 2 month have been very high on emotion with loads of beautiful moments on stage and catch up with friends.
I’d like to thank the team at .festival.lesucre for making a dream come true and for accepting the invite 🙏
I’d like to thank for having me ( much love to ) - it was my first gig in Milan and it was such a blast to play b2b with 🌹
Thanks to my dear Yannick Moreteau for continuing working with me. It has been now more than 10 years since we started working together and I love every parts of it. These shows in Germany (our immersive live performance « Sensitive Abstraction » played at planétarium in Halle and Bochum) were challenging in many levels but everything was alright cos I knew you were on my side ❤️
And last but not least - thanks for inviting me at your night at - the night was so good that I don’t have any pics of it 😂
Fortunately shoot the moment and it was so nice to catch up with him and for the first time 😍

The only downside of this end of the year is that we couldn’t make this party happen in Vannes, I was so excited to catch up with .00
Let’s make it happen next year ✊✨🫰

It is now time to chill a bit, spend some time with my lover and family and make some music. I missed it 🙃

Speak soon buddies ❤️

October was all about recovering from (small) health problems but it is now time to go back to artist mode 😇

Here’s where to catch me this upcoming month:

- October 31 : (Berlin) Party with .ge.nos .lena

- November 1st: Sensitive Abstraction (immersive AV with )at Planetarium of Halle (Saale - DE) for

- November 7 & 8: Sensitive Abstraction at DIVE festival .bochum (DE)

- November 18: SUBSTRAT (noise performance with ) at Jest Festival (.marseille)

- November 22: B2B with & Ableton Workshop au (Milan - IT)

- November 28: Carte Blanche à (Vannes - FR) en b2b avec

- Décember 12: b2b with at .festival.lesucre
(Lyon)

See you there 🌹

Hello gang! I got a special announcement for you today 📣📣📣

At the start of the summer, I was approached by the team at . You might not know this, but Red Bull has had a recording studio in Paris for years, tucked inside la , where they host artists in residence.

In recent years, it’s mostly been rappers in there, but they’re now turning their attention back to electronic music. I say « back »because, in the 2000s, Red Bull produced an incredible number of events and talks that shaped a huge part of my own musical education (I seriously recommend digging through their archives on YouTube — there’s some gold in there).

This season, Red Bull France is taking the studio on the road to different cities and bringing together artists who’ve never worked together before. They asked me to be part of it, and of course, I was instantly buzzing 😅

I sent them a wishlist of five producers I dreamt of collaborating with, and the verdict
came in: I’ll be spending three days in the studio with none other than .

I’ve been listening to Slikback for almost seven years — I love his sound, his radical approach, his fearlessness (his new album on .mu is sooooo dope).

And to wrap up the session with joy and a bit of destruction, the two of us will be playing together at on friday the 3rd, with the excellent .b_dj on warm-
up — whose new release on ’s label I can’t recommend enough.

Another party not to be missed 🔥🔥🔥🔥

Huge ❤️ to for the opportunity 🫶

Just received my copy of Primary Forest vol3 on which you can find my last tune « Come Up ».
Big up to & ❤️

Grab your copy, there some serious stuff on there and the vinyl looks gorgeous (check this mad track listing 😱)

A1. & - Polygon
A2. - Marginalia
A3. - Raiva

B1. Flore - Come Up
B2. - Split
B3. - Sandpaper Chatter
B4. & - Ease

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Can you please bring me back there??

29/05/2025 - - b2b with

Big love to Paul, , .nettleton1 and all the lovely people at Nuits Sonores.

I think we all lived something special.
Thanks for the dance, always ❤️

📸 #3 - .in.space

(Thank you all for sharing your photos/videos with me 🫶 - feel free to let me know if you want to me credited, my phone is a mess 😅)

Open letter to Sonar
Thanks .movement and all the artists involved.