RONNY MORRIS

I’m currently stuck in Spain, unable to finish my album.

Not because of lack of inspiration —
but because a one-of-a-kind guitar has been sitting lost inside the system of Parcelforce Worldwide for over two months.

This is not just a package.
This is the sound of the record.

We had recording sessions lined up.
We are scheduled to take this project to Abbey Road Studios with Miles Showell.
We are preparing for a tour.

And everything is now at risk of delay.

Let me say this clearly:
Express Music and Phil have done everything right from day one. Absolute pros. This is NOT on them.

But somewhere in a system that scans, tracks, and monitors every movement — this instrument has simply… stopped.

We’re being told to “wait” or “start a claim.”

That’s not a solution.

When professional equipment goes missing at this level, it doesn’t just affect a delivery —
it affects timelines, people, and real work.

So now I’m asking publicly:

Parcelforce Worldwide —
Where is the guitar?
And who is actively working on finding it?

Because we’re ready to move forward.
The question is whether you are.

Parcelforce Worldwide — it’s time to step up.

Right now, things are moving beautifully here at Casa Molinos Studio.

I’m deep into mixing the new album, and this time around I’ve gone all-in on a more analog-inspired workflow — building everything around tone, depth and space rather than over-processing.

Most of the work is happening through parallel chains: tape stages, tube saturation, and gentle EQ shaping instead of heavy corrective moves. A lot of the magic comes from how things interact — Studer into ATR, Neve into tube stages — letting the sound “settle” rather than forcing it.

I’m also spending a lot of time creating space the old-school way: layered delays, plates, non-linear reverbs and subtle modulation, all blended in parallel so you feel the environment more than you hear it.

It’s a slower process, but a much more musical one.

The goal isn’t perfection — it’s emotion, warmth and a sense that the music is alive and breathing.

More to come soon.

This week, Valencia transforms into something almost impossible to describe — a living work of art.

For an entire year, artists have been creating the incredible figures known as ninots, now standing proudly on nearly every street corner. Some rise as tall as the buildings around them. They are filled with detail, humor, satire, and beauty — each one telling its own story.

Las Fallas is not just a celebration — it’s a full sensory experience. The streets come alive with color, music, and people. The powerful mascletàs — rhythmic explosions echoing through the city — make the ground tremble, while families and friends gather, dance, and share meals at long tables in the open air.

And then comes the moment that makes it all unforgettable.

Everything that has been built with such dedication and passion is set on fire. The giant sculptures burn, and you’re left wondering — is it madness… or pure brilliance?

That’s exactly the point.

It’s a celebration of the present moment. Of creation, community, and the courage to let go.

Because from the ashes, it all begins again next year.

In my view, this is one of Europe’s most beautiful and authentic city festivals — a powerful expression of Spanish culture, where art, family, food, and joy come together in one breathtaking explosion of life.

This is not something you just hear about.

It’s something you have to experience.

An article about a life in beautiful Spain. About a music life with broken dreams, hope and a love for the future. A life amongst the Spanish hills, indulging in new music, in an ever changing landscape. I hope it can inspire.



https://www.the-intl.com/post/a-dane-in-spain-meet-the-copenhagen-musician-living-the-international-life?fbclid=IwdGRjcAQRbdRleHRuA2FlbQIxMQBzcnRjBmFwcF9pZAo2NjI4NTY4Mzc5AAEewZfPtOXxeGGbIQRIRFoLK9DVKpZ0LlwB8u0a5717rKJybaksuc_qdGtOs3M_aem_28ylWPapiWseMSRfAk3KRA

A Dane in Spain. Meet the Copenhagen musician living the international life. Growing up in Copenhagen, Ronny Morris dreamed of becoming a musician. Today, his music transcends the borders of his homeland - as does his lifestyle.Photographs: PersonalText: Sarah RedohlIt's the early 1980s; synth-pop is relatively new and growing more popular year by year, as is Norwegian synth...