MoKalache.Design

Anger is love with nowhere to go.
Grief is love with nowhere to return.
You are allowed to feel all of it.

Transform the fire before it burns you instead. 🔥

I didn’t paint this to celebrate violence.
I painted it because I needed somewhere to put what I was feeling about a world where power consumes the vulnerable and calls it natural order.

🇪🇸
La ira es amor sin salida.

El dolor es amor sin retorno.

Tienes derecho a sentirlo todo.

Transforma el fuego antes de que te queme. 🔥

No pinté esto para celebrar la violencia.

Lo pinté porque necesitaba un lugar donde plasmar lo que sentía sobre un mundo donde el poder consume a los vulnerables y lo llama orden natural.

🎵 by

I painted this as a talisman as much as a painting.
May it protect whoever it finds. 🧿

In Arab and Mediterranean culture the evil eye isn’t superstition, it is ancient wisdom. The awareness that energy is real, that envy exists, and that some things need guarding.

The fire horse runs alongside.
A symbol of force that cannot be contained …
of the collective anxiety that moves through every conversation now, wherever in the world that conversation takes place.
Fire keeps appearing in my work. I didn’t plan it. It burns the way it burns through everything right now, our news feeds, our calls home, the landscapes we grew up loving.
But I come from a people who knew fire as transformation, not just destruction.

If it speaks to you, it’s because you’re carrying something too. 🔥

What does this piece make you feel? Tell me below.

Milan Design Week 2026
a few honest observations from the queue.

The activations that worked this year shared one thing: intent. Louis Vuitton went deep into its own archive with Pierre Legrain and came out with something genuinely beautiful. Yinka Ilori and V***e Clicquot built a collaboration where the brief was the brand identity … rare.

Demna at Gucci told a 105-year story through Botticelli-style tapestries and ended it with a gamer chair in an atelier. One punchline. Perfectly placed.
The rest of the week raised a harder question: how much of what we’re seeing is design, and how much is the performance of relevance?

Brands showing up out of fear of being absent. Ticketed queues as manufactured scarcity. Personalised cans resold on the street by the afternoon.

And the uncomfortable mirror: we attend the same way. Less to be moved, more to be seen there.

Design from a purely creative standpoint should still amaze. Should create awe and joy and whimsy. The few that understood that reminded me why the week still matters.

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